Real Life of Alejandro Mayta [Import] [Paperback]

Mario Vargas Llosa (Author)

Product Details

• Paperback: 310 pages
• Publisher: Faber & Faber; New Ed edition (1987)
• Language: English
• ISBN-10: 0571149049
• ISBN-13: 978-0571149049
• Product Dimensions: 7.7 x 5 x 1 inches
• Shipping Weight: 10.6 ounces
• Average Customer Review: 4.1 out of 5 stars  See all reviews (7 customer reviews)
• Amazon Best Sellers Rank: #7,008,799 in Books (See Top 100 in Books)

More About the Author

MARIO VARGAS LLOSA was born in Arequipa, Peru, in 1936. In 1958 he earned a scholarship to study in Madrid, and later he lived in Paris. His first story collection, The Cubs and Other Stories, was published in 1959. Vargas Llosa's reputation grew with the publication in 1963 of The Time of the Hero, a controversial novel about the politics of his country. The Peruvian military burned a thousand copies of the book. He continued to live abroad until 1980, returning to Lima just before the restoration of democratic rule.

A man of politics as well as literature, Vargas Llosa served as president of PEN International from 1977 to 1979, and headed the government commission to investigate the massacre of eight journalists in the Peruvian Andes in 1983.

Vargas Llosa has produced critical studies of García Márquez, Flaubert, Sartre, and Camus, and has written extensively on the roots of contemporary fiction. For his own work, he has received virtually every important international literary award. Vargas Llosa's works include The Green House (1968) and Conversation in the Cathedral (1975), about which Suzanne Jill Levine for The New York Times Book Review said: "With an ambition worthy of such masters of the 19th-century novel as Balzac, Dickens and Galdós, but with a technical skill that brings him closer to the heirs of Flaubert and Henry James . . . Mario Vargas Llosa has [created] one of the largest narrative efforts in contemporary Latin American letters." In 1982, Farrar, Straus and Giroux published Aunt Julia and the Scriptwriter to broad critical acclaim. In 1984, FSG published the bestselling The War of the End of the World, winner of the Ritz Paris Hemingway Award. The Real Life of Alejandro Mayta was published in 1986. The Perpetual Orgy, Vargas Llosa's study of Flaubert and Madame Bovary, appeared in the winter of 1986, and a mystery, Who Killed Palomino Molero?, the year after. The Storyteller, a novel, was published to great acclaim in 1989. In 1990, FSG published In Praise of the Stepmother, also a bestseller. Of that novel, Dan Cryer wrote: "Mario Vargas Llosa is a writer of promethean authority, making outstanding fiction in whatever direction he turns" (Newsday).

In 1990, Vargas Llosa ran for the presidency of his native Peru. In 1994, FSG published his memoir, A Fish in the Water, in which he recorded his campaign experience. In 1994, Vargas Llosa was awarded the Cervantes Prize, the Spanish-speaking world's most distinguished literary honor, and, in 1995, the Jerusalem Prize, which is awarded to writers whose work expresses the idea of the freedom of the individual in society. In 1996, Death in the Andes, Vargas Llosa's next novel, was published to wide acclaim. Making Waves, a collection of his literary and political essays, was published in 1997; The Notebooks of Don Rigoberto, a novel, was published in 1998; The Feast of the Goat, which sold more than 400,000 copies in Spanish-language, was published in English in 2001; The Language of Passion, his most recent collection of nonfiction essays on politics and culture, was published by FSG in June 2003. The Way to Paradise, a novel, was published in November 2003; The Bad Girl, a novel, was published in the U.S. by FSG in October, 2007. His most recent novel, El Sueño del Celta, will be published in 2011 or 2012. Two works of nonfiction are planned for the near future as well.

Customer Reviews

Most Helpful Customer Reviews

12 of 12 people found the following review helpful:

5.0 out of 5 stars A Magical Find, January 4, 2000

By A Customer

This review is from: The Real Life of Alejandro Mayta: A Novel (Paperback)

I can't resist the chance to be the first reviewer of this superb work. If you haven't read books by Llosa, you should, and this is a great place to start. The plot and writing style of the book call to mind the complexities and sense of fun in Nabokov and Pynchon, but with a strong sense of heart that both of the other authors are often faulted for lacking. The story is this: A writer in contemporary Peru decides to write a novel about a failed revolution of the 1960's that was perpetrated by a high school classmate (Alejandro Mayta). The novel begins in the present with his idea, his current recollections of the classmate from long ago, his interviews with people associated with the failed revolt and then, voila, there is a subtle transition (well done in the translation) between the idea and research for the story and then the novel actually appearing on the page as the author begins to obtain more mastery over the material. The amazing shift between "I want to write this guy's story" and then the story actually taking over the novel is artfully done. But, in addition to the stylistic triumph, the book has some wonderful themes, especially the hazy line between truth and fiction that is illuminated by an end-of-novel encounter, in the present, between the author and the subject, now imprisoned, of his novel. Without spoiling it, all is not as it appears and the book raises the question about whether any author can pen any "Real Life" but his own.

8 of 8 people found the following review helpful:

5.0 out of 5 stars Is truth garbage or is the garbage the truth ?, March 24, 2002

By 

Robert S. Newman "Bob Newman" (Marblehead, Massachusetts USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: The Real Life of Alejandro Mayta (Paperback)

People always repeat the phrase, "don't judge a book by its cover", but the cover of my copy of THE REAL LIFE OF ALEJANDRO MAYTA expresses the content more appropriately than almost any other cover I can remember in that it points directly to Peru and the central problem of literature. A mass of Peruvian-style figures stand in darkness, almost obscured. You have to look carefully to see them at all. A single chink in the cell door, a single beam of light in a dark place---all that is revealed in color are the eyes and brow of a solitary man. Do we know what is happening in Peru---exploited, misgoverned, racked by revolution and poverty ? Can we know what really happens in life ? Can we understand the motivations and deepest emotions of other human beings ? Can literature actually create or, at least, reproduce these ?

Vargas Llosa creates a gripping novel out of unlikely pieces. An obscure Trotskyite revolutionary, a member of a party whose membership stands at seven, gets involved in an uprising in an Andean town in 1958. The author-as-narrator is in Paris at the time. He returns to Peru later and in 1983, spends a year trying to track down the people involved (family, colleagues, co-conspirators), to learn what motivated this event and its central character, Alejandro Mayta. He interviews everyone he can find. We jump between these interviews and the re-creation (or is it the actual truth ?) of what happened twenty-five years before. The time line is obscured. We shift constantly between two or more times on every other page, sometimes even on one page. This is a literary trick which some people may find annoying or disconcerting, yet I urge you to stay with the novel. Slowly, the author puts together a picture of an idealistic revolutionary who dissented from nearly everything. The sources tell him of a homosexual dreamer who lived a secretive life in every respect, who had no money, and who was (or wasn't) the inspiration behind the Andean mini-revolt of 1958. "If he had been able to control his sentiments and instincts, he wouldn't have led the double life he led, he wouldn't have had to deal with the intrinsic split between being, by day, a clandestine militant totally given over to the task of changing the world, and, by night, a pervert on the prowl..." We begin to understand Mayta, though some of the interviewees are obviously lying. But Vargas Llosa creates a present (1983) in which Peru is overwhelmed by a Vietnam-like war---invaded by leftwing Cuban and Bolivian forces with Soviet help, who are counterattacked by American marines and airforce. Cuzco is destroyed, the country is collapsing. Though Sendero Luminoso did bring Peru almost to its knees, none of this happened. So can we believe the stories told by everyone about Alejandro Mayta ? Is the story about Mayta years ago true as written by our narrator ? I mean, he's obviously exaggerating even about the present. Suddenly, after a vivid description of the uprising, the narrative ends. The Rashomon-like last 34 pages reveal everything or nothing. We are left with questions, but no answers. Vargas Llosa writes, "Since it is impossible to know what's really happening, we Peruvians lie, invent, dream, and take refuge in illusion. Because of these strange circumstances, Peruvian life, a life in which so few actually do read, has become literary." No matter what you decide, if you live in Peru, you'll have to face the garbage in the streets. In America, it's on TV. There's a lot of garbage around us. Is it in people's minds as well ? Can there be truth ? This is the question this powerful, disturbing book leaves with you. A tour de force.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Exceptionally good, November 15, 2000

By 

Edward Aycock (New York, NY United States) - See all my reviews
(REAL NAME)   

This review is from: The Real Life of Alejandro Mayta: A Novel (Paperback)

I started this book with a slight hesitation. I wasn't so sure if I'd really enjoy a novel about South/Central American politics. What I found instead was a brilliant book that walks the line between invention and reality. The surprise ending of this book is not quite as explosive as the endign to The sixth sense (but almost.) This book is fascinating in the combination of the erotic with the poetic. And then in the last chapter, rather than feeling unforgiving for the fact that I'd been "deceived", I was thrilled that I HAD the wool pulled over my eyes. How? you may ask? I will not say any more. Let's just say that this story on a writer's quest for truth, and the truth as he sees it is a great intoroduction to the works of Vargas Llosa, and one that you won't be able to get out of your mind. Don't be surprised if you find yourself up at night thinking on the myriad plot points. That's when you know a book really was worth your time.