Amazon.com: Alexander Calder, 1898-1976 (9780894682285): Marla Prather, Alexander Calder, A. S. C. Rower, National Gallery of Art (U. S.): Books

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Alexander Calder, 1898-1976 [Paperback]

Marla Prather (Author), Alexander Calder (Author), A. S. C. Rower (Author), National Gallery of Art (U. S.) (Author)
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Book Description

February 1998 0894682288 978-0894682285
The striking mobile sculptures of Alexander Calder are among the most notable and original creations of twentieth-century art. Combining for the first time movement and sculpture, these works represent a new and highly influential departure from the practices of the past. Yet Calder's work ranges much more widely. This lavishly illustrated book reflects the full diversity of Calder's oeuvre and explores an outstanding selection of more than two hundred of his works.

Based on access to family archives, an overview of Calder's entire career, and contributions from the artist's grandson Alexander S. C. Rower, this book for the first time presents the artist in a serious light and proper historical context.

Without ignoring the playful and whimsical dimension of his work, the book emphasizes Calder's role as one of the great formal innovators of the century. Each work of art selected from those produced during his prolific career is reproduced here in color and is accompanied by comparative works, informative essays, and extensive chronology.

This book is the catalogue of a major centenary exhibit that opens at the National Gallery of Art, Washington, D.C., on March 29, 1998 and then travels to the San Francisco Museum of Modern Art.

--This text refers to an out of print or unavailable edition of this title.

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Editorial Reviews

Amazon.com Review

The early work of any artist is often startling, and Alexander Calder's is particularly so. We think of Calder's sculpture as the epitome of crisp, Modernist forms--sometimes moving gently, as the mobiles and stabiles do. And we think of his paintings as filled with abstracted, biomorphic shapes. But the 1998 Calder retrospective showed that this American in Paris between the world wars began as a specialist in smoky nocturnes. This book, the catalog of that exhibition, carries Calder past all that, to 1930, when he was "shocked" into complete abstraction, as he said, by a visit to the studio of Piet Mondrian. The rest of the book details the development of an oeuvre, including bent-wire toys, carnival figures, and circus acrobats, that made Calder among the best-loved of 20th-century artists. It contains pictures of Calder and his beautiful wife Luisa, at home and in the studio in Connecticut and France, and 267 full-color plates of Calder's drawings, sculptures, and paintings. The chronology is interspersed with the chapter essays, which can be somewhat confusing, at first, for readers who like to jump to the back of the book looking for the time line. It is well worth it to slow down for Marla Prather's readable, instructive text, which is filled with quotes from Calder and his contemporaries, and for Alexander S.C. Rower's remarkable chronology, which includes even the Calders' 1972 New York Times advertisement calling for the impeachment of Richard M. Nixon. With great economy, Rower covers every event of importance, in Calder's art and in his life. --Peggy Moorman --This text refers to an out of print or unavailable edition of this title.

Review

The text follows Calder's career and discusses his materials and methods, which is sensible because the artist himself said all anyone needs to know about the meaning of his airily enchanting sculptures: "I want to make things that are fun to look at, that have no propaganda value whatsoever." The pieces photographed in this volume are splendid fun to look at. Any propaganda value lies in the eye of the beholder. -- The Atlantic Monthly, Phoebe-Lou Adams --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 367 pages
  • Publisher: Natl Gallery of Art (February 1998)
  • Language: English
  • ISBN-10: 0894682288
  • ISBN-13: 978-0894682285
  • Product Dimensions: 11.5 x 10.4 x 1.2 inches
  • Shipping Weight: 4.1 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,891,841 in Books (See Top 100 in Books)

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14 of 15 people found the following review helpful:
4.0 out of 5 stars Caulder 5 stars, Publication 5 stars, Writing Style 3., August 27, 1998
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"1-catfancier" (Honolulu, Hawaii) - See all my reviews
This review is from: Alexander Calder, 1898-1976 (Paperback)
Calders work leaves me speachless and in its place... inspired, to do more, better. The book(hardcover)itself is beautifully bound and constructed of the highest quality materials, making it a delight to page through. The writing style is rigid and impersonal. Perhaps the author was careful to provide a neutral background for the colorful, animated genius of Calder but it lacks rhythym, speed and ease of use. I loved the tactile experience of the book itself and of course, Calder for his fresh, brilliant and prolific inventiveness.
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Inside This Book (learn more)
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First Sentence:
"The sleepiest city in North America," Alexander Calder once said of Philadelphia, his native city. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
exhibition file, icehouse studio, monumental stabile, wire outer diameter, motorized works, circus drawings, standing mobiles, wire sculpture, storefront studio, installation photograph, catalogue text, water ballet, project file
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Alexander Calder, Louisa Calder, Cirque Calder, United States, Museum of Modern Art, James Johnson Sweeney, National Gallery of Art, Perls Galleries, Martha Graham, Herbert Matter, Pierre Matisse Gallery, Galerie Maeght, Josephine Baker, Whitney Museum of American Art, Joan Mir, Art Students League, Curt Valentin, Marcel Duchamp, Anonymous Lender, Black Beast, Stirling Calder, Agnes Rindge Claflin, Guggenheim Museum, Circus Scene
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