Alfie Boe was described this summer as "a rock star that was blessed with an operatic gift." Never has a description been more apt than for this native of Fleetwood, a small town near Blackpool in England. Proud of his British heritage, Alfie also considers America to be his home and has, in fact, lived in the States off and on. A Tony Award winner for his role as Rodolfo in La Boheme on Broadway, he met his American wife, Sarah, while appearing in another production in San Francisco. The couple now have two blessings of their own, a beautiful girl and a bouncing baby boy.
This is not a biography, but a memoir of Alfie's rise from a body mechanic to successful tenor to singer of all songs, from Elvis to the Rolling Stones to the Eagles to Slim Whitman to John Prine, and the list goes on. He was once labeled Britain's stunning new tenor and ended up being called the people's tenor. However, that road to operatic success was nothing like anyone might think. He struggled with a rigid regime in the opera world, an establishment that was hellbent on changing him, stripping away as many layers of his soul as they could. That just did not work for Alfie. He had success but was often miserable, and even the success that looked to the world to be so strong really was doing little to help him become settled and be able to provide for his family.
In spite of his name's recognition in the United Kingdom and having released four albums, Alfie was on the verge of leaving the music world behind when he landed the role of Jean Valjean for the 25th Anniversary Concert of Les Miserables, a part that Michael Ball recommended him for. If there was ever a life changing moment for a performer, it was the performance and subsequent 4 1/2 minute ovation Alfie received after he sang the classic prayer, Bring Him Home. To paraphrase his co-star and huge comic success in Britain, Matt Lucas, a star had been born. Decca Records certainly had an epiphany after the performance and quickly signed Alfie to a recording contract that has seen two extremely successful CDs released and a third about to go on sale in November.
At last, he was able to say goodbye to opera and follow the dictates of his heart. No longer did he have to endure the psychological abuse of an elitist society that cared so little about him that he was once temporarily blinded and yet asked how soon he could be back on stage with no concern for his physical well-being at all. It was this same society that didn't believe he should even audition for Les Mis for it was deemed musical theater and beneath the role of opera star. That he would even consider it was shocking to that world.
Alfie Boe believes there is just two types of music, good and bad, and he wants to sing the good music. He does just that, in concerts that both rock out and slow down. Classical music is still dear to his heart and is included in his concerts that are now referred to as interactive events. To experience an Alfie concert means singing with him and to him; it means being prepared for him to hear and respond to just about anything within his range, and he has a big range; it means getting up on your feet and dancing the night away; and it means having the time of your life as his love of music emanates from his soul to his audience.
The youngest of nine children, Alfie's story includes the sad death of his father, the joyful birth of his children, admissions about college life that show he's just a human being who makes mistakes as we all do, and how he overcame so much adversity to not only be the rising success he is today, but just to have retained his sanity after his struggles with the opera world. At last, Alfie is "pretty much" living his dream, doing everything from performing with rock legends like Robert Plant who he now calls a friend to performing for the Royal Family during the Diamond Jubilee. He simply does it all.
Today, Alfie says "I *was* an opera singer."
Today, Alfie says, "I *am* a singer."
All Alfie Boe ever wanted to do was sing, just sing. Now, he gets to follow his heart.
This book will have you laughing hysterically from time to time, and in other moments, it will leave you in tears. It may even anger you to learn all that he had to go through to be the opera star that he was. More than anything, however, this book will endear this sweet man with a big voice and even bigger heart to anyone who reads his story.