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Alfred Hitchcock and the Making of Psycho Paperback – December 15, 1998

4.3 out of 5 stars 87 customer reviews

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Editorial Reviews

Amazon.com Review

If you don't believe us when we say that Stephen Rebello's Alfred Hitchcock and the Making of Psycho is a killer book concerning the killer movie of all time, then why don't you listen to Tony Perkins, the star? Perkins called this scholarly yet super-readable volume "marvelously researched and irresistible ... required reading not only for Psycho-philes, but also for anyone interested in the backstage world of movie creation." And Time critic Richard Schickel (biographer of Clint Eastwood) calls Rebello's book "one of the best accounts of the making of an individual movie we've ever had."

It's even more reliable than Francois Truffaut's magisterial interview book Hitchcock, because Rebello interviewed the fat master himself, plus many Psycho insiders less cagey and truth-dodging than he.

At last, thanks to Rebello, we know all about the celebrated shower murder scene and all that swirls around it. Like Ernst Lubitsch, who conveyed the thrill of adultery by having the lovers open a door and cast their shadows on a bed, Hitchcock knew that, in film, artful discretion can be the most shocking effect of all. --Tim Appelo --This text refers to an out of print or unavailable edition of this title.

From Library Journal

In some ways a groundbreaking film, Psycho has been extensively written about and minutely analyzed. Rebello's anecdotal approach could well have been entitled The Saga of Psycho . Beginning with the story of the actual crimes upon which Robert Bloch's novel was based, it covers every aspect of the film's production, its subsequent reception, and, briefly, the later films inspired by Psycho . Although this somewhat parallels Richard Naremore's Filmguide to Psycho (Indiana Univ. Pr., 1973. o.p.), Rebello's book has added considerable color gained from extensive interviews with Hitchcock and others who worked on the film. This is a readable, albeit occasionally rambling, account and is a useful adjunct to Naremore and the numerous other books about the Hitchcock canon. Movie/Entertainment Book Club selection.
- Roy Liebman, California State Univ. Lib., Los Angeles
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Product Details

  • Paperback: 240 pages
  • Publisher: St. Martin's Griffin; First Edition edition (December 15, 1998)
  • Language: English
  • ISBN-10: 0312207859
  • ISBN-13: 978-0312207854
  • Product Dimensions: 5.5 x 0.7 x 8.3 inches
  • Shipping Weight: 7.2 ounces
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (87 customer reviews)
  • Amazon Best Sellers Rank: #2,406,671 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Paperback
Believe it or not, the reputation of the film Psycho is not that high among Hitchcock scholars. Most of them prefer the 50s films (Vertigo and Rear Window), or 30s films (The Thirty-Nine Steps and The Lady Vanishes). Reviewers also disliked this film upon its release, although as Rebello notes, that had a lot to do with Hitchcock's unwillingness to let them see it before its release to the public. (He wanted no advance word on its shocking contents.) Psycho has always been a success with its audience, and the viewers are the ones who keep its reputation as one of Hitchcock's greatest films alive. This book starts with the actual serial killer that Robert Bloch based his novel on, proceeds to the optioning of the novel (Bloch had no idea who bought it and sold it for very little, but his reputation was made for life), the preproduction problems (the studio didn't want it made, so it was done as a low-budget quickie), its scripting and filming, postproduction, release, and unexpected success. An irony of the film, according to Rebello, is that Hitchcock never quite got over its success. His later films were seen as letdowns after this one (although I put two of them, The Birds and Marnie, among his 15 best). Anyone who cares about this film will devour this book as I did. I recommend it unequivocally.
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By A Customer on June 7, 2002
Format: Paperback
I found this book to be just wonderful from start to finish. The research is painstaking, the writing smart and lively, the degree of film industry know-how is evident on every page. In fact, the book strikes me as one of the few I've read on Hollywood to suggest that the writer actually knows his way around movie sets and knows how films get made. This book has none of the absurd (and insulting) armchair psychologizing that mars other Hitchcock books and there isn't a dry or pedantic paragraph in it from start to finish. I thought I knew a lot about Hitchcock and Psycho until I read this book. A job obviously undertaken with love and wisdom, superlatively done by Mr. Rebello. I had the pleasure of hearing the author lecture on Hitchcock on TV in London and in Tokyo and he was the standout of the whole affair!
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Format: Paperback
"A boy's best friend is his mother" - Norman Bates (Anthony Perkins).
"Psycho" is one of Hitchcock's most famous films and this book is a fascinating account of how the film was made and some of the problems that had to be overcome before the film could be completed. Author Stephen Rebello has done an excellent job and describes in detail how Hitchcock chose his screenwriter, his crew and the actors. It is interesting to discover how little some of these people were paid for what turned out to be a classic money making Hitchcock film.
"A man should have a hobby" - Marion Crane (Janet Leigh).
Following the enormous success of his latest film "North by Northwest" Hitchcock was looking for something different - but interesting. When the "Psycho" book by Robert Bloch came to his attention he realised that this could be just what he wanted but he was unsure how the censors would react to the gruesome storyline. He decided to purchase the screen rights to the book and very cleverly did so for a bargain price. The authors agents had no idea who was after the rights to the book and thought they had a good deal when $9,000 was agreed upon. However, after Robert Bloch had paid commission to the publishers, his agents fees and the tax he was left with approx $5,000. It was at this point that he discovered the buyer was a certain Mr Alfred Hitchcock!! Joseph Stefano was hired to write the screenplay after many others had been under consideration. Hitchcock's main concern was to keep the plot twists under wraps during filming and did not release any advance information about the film to the Press. He also had an unusual advertising campaign insisting that no-one was admitted to the theatre once the film had started.
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Format: Paperback
Of all the film books I have ever (yes, EVER) purchased, this book goes into the greatest possible detail about the making of a film. It is extremely well-written, obviously well-researched and is as hard to put down as it is to stop watching "Psycho" itself. From the opening chapter about Ed Gein, through all the minute detail about casting, filming, promotion, etc. to the conclusion, the book left no questions unanswered. Just a few tiny errors stung, though -- which always raises the question, are there other errors as well? Example: It is first stated that Joe Stefano turned in his First Draft of the Psycho script in December 1959. Two pages later it states Stefano turned in his SECOND DRAFT of the script in NOVEMBER 1959 (Either a typo or we're going back in time ...?). Also, the book relates that former Mary Tyler Moore Show star Ted Knight brings "Mother" (Perkins) a blanket at the end of the film. This is not so. If you watch the sequence, you'll see that another actor actually brings "Mother" the blanket -- Knight is simply the guard who opens the door for the other guard as the blanket is brought in. Picky? Yes. Nit-picky? Yes. Necessary for me to even mention? YES, because Rebello has done such a masterful job at compiling a great book, that a few errors like this stand out like a 14-inch steel butcher blade in a drawer full of wooden butter knives. Overall, I LOVED this book and consider it a prized addition to my film book collection. Thanks for the effort, Stephen. GREAT book.
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