The authoritative guide to the world's best-loved and most respected film director. The story combines complete stroy synopes, insightful commentary, and a stunning collection of photographs to capture the essence of the acclaimed Master of Suspense.
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Book Description
Editorial Reviews
From Library Journal
The centenary of Alfred Hitchcock's birth continues to inspire new books about the enigmatic genius. Hitchcock Poster Art is a visual feast of movie posters and lobby cards, some previously unseen, spanning the director's career. The reproductions, from Hitchcock specialist Wolff's collection, represent all 39 films and include posters from over ten countries as well as a few book and magazine covers. Posters from Diabolique and other films influenced by the director are also represented. This fascinating look at movie promotion from the 1930s through the 1960s is indispensable for film collections and an affordable purchase for public libraries, too. Film historian Mogg's The Alfred Hitchcock Story is less biography than filmography. Similar in format to Robert Harris's The Films of Alfred Hitchcock (1976), it examines individual films, providing a brief synopsis and examining Hitchcock's technique and direction, from the early silent films through the 1970s. Essays by Dan Auiler (Hitchcock's Notebooks, LJ 3/1/99) and other contributors are interspersed. Tantalizing illustrations and quick summary boxes with alternate titles, first screening date, producer, country, and duration mark each film. Although Mogg doesn't break new ground, his book is a worthwhile addition to popular collections.AKelli N. Perkins, Herrick P.L., Holland, MI
Copyright 1999 Reed Business Information, Inc.
Copyright 1999 Reed Business Information, Inc.
Review
"A magnificent book for any connoisseur of the Master of Suspense" Total Film.
"Lavishly illustrated throughout with rare stills and behind the scenes photos... it is both a treat to look at and a pleasure to read. Book of the Month' Film Review.
"Brilliant... [Ken Mogg] perhaps knows Hitchcock and his milieu better than any other film critic... rich with challenges for readers who think they know everything about Hitchcock" Dan Auiler, author of Hitchcock's Notebooks and Vertigo: The Making of a Hitchcock Classic --This text refers to an alternate Hardcover edition.
"Lavishly illustrated throughout with rare stills and behind the scenes photos... it is both a treat to look at and a pleasure to read. Book of the Month' Film Review.
"Brilliant... [Ken Mogg] perhaps knows Hitchcock and his milieu better than any other film critic... rich with challenges for readers who think they know everything about Hitchcock" Dan Auiler, author of Hitchcock's Notebooks and Vertigo: The Making of a Hitchcock Classic --This text refers to an alternate Hardcover edition.
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Most Helpful Customer Reviews
24 of 24 people found the following review helpful:
4.0 out of 5 stars
Excellent presentation, too little room to develop it,
By
This review is from: The Alfred Hitchcock Story (Hardcover)
Reference books make great gifts because they can be pretty useful for years to come. Some of them are even attractive enough to leave out on coffee tables for guests to flip through when conversation drags. <The Alfred Hitchcock Story> by Ken Mogg (Taylor Publishing Company, 1999) is probably the most attractively produced book on that much written about director. It is well organized, each of the Master's films getting anywhere from one to five or six pages, well illustrated, with several specialized items to keep us abreast of trends in Hitch's career. For example, there is a list of all his cameo appearances in his films, a brief examination of his film techniques, his use of famous locations, and so on. Especially welcome are little inserts of trivia, such as the story behind the song the children are singing as The Birds are massing outside in the playground, and a generous number of lobby card reproductions. There is also a good discussion of his television series and even his paperback anthologies. In short, Mr. Mogg does not concentrate entirely on the films, although they do take up the bulk of the volume. By the way, listing Janet Leigh as co-author on this website is misleading: she only wrote a one-page introduction that is quite amusing. My only complaint is that 211 pages are not enough room to handle this wealth of material; and here and there I feel much more of value could have been said had the author been given more space. (Hence the one star less in my rating.) Still such a comment merely shows how much I like this book and many of you will too.
7 of 8 people found the following review helpful:
5.0 out of 5 stars
The master's canon,
This review is from: The Alfred Hitchcock Story (Hardcover)
Interested in the films he directed, or just a hitchcock fan? Either way this book is a must. Not only does it cover every film he directed, but there are nice little extras on the stars he worked with, the writing process and even a look at films he inspired. The book is beautifully laid out, yet if you are looking for close analysis then this is not what you want. It looks at each film and talks about them, but there is no hard depth to this material - this is just a good look at the entire canon.
1 of 1 people found the following review helpful:
2.0 out of 5 stars
Not REALLY "The Alfred Hitchcock Story"...,
By 50 "mksonic50" (hermitage, pa United States) - See all my reviews
This review is from: The Alfred Hitchcock Story (New Edition) (Hardcover)
...more appropriately, this book should have been called "Ken Mogg Uses the Films of Alfred Hitchcock to Show Off His Erudition." Here's a very representative example from the section about "Vertigo":
Camille Paglia has a brilliant comment on "Faust", about what happens when Faust tries to materialize the spirit of his lost Helen, and it seems to apply to "Vertigo". Paglia notes that Faust retains a repressed feminine side. Accordingly, when he journeys to the supernatural realm of "the Mothers", they frustrate his attempts. In Paglia's words, "The male struggles through his sexual stages, returning to the mother even when he thinks himself most free of her." And "Vertigo's" nun, or mother-superior, is the Great Mother who has the final say yet again. If THAT'S the kind of stuff you want to read "about" Hitchcock and his movies, you're in luck, because this book is full of it. If, on the other hand, you'd like to know why Janet Leigh had to spend a week soaking wet in order to get the famous "shower scene" in "Psycho, well, I'm afraid you're out of luck. The book is beautifully designed with lots of pix, and there are interesting digressions dealing with things like Hitchcock's TV series, but otherwise, there is way too much socio-psychological analysis of the scripts/characters and not near enough about what Hitchcock was doing when he was making these films.
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