From Publishers Weekly
When Miranda decides to hire a housekeeper to care for her three children, her ex-husband Daniel, an unemployed actor, disguises himself as a woman and gets the job. Daniel is happy with this arrangement: he doesn't do much work, and he gets to see his children every day. But the kids find that seeing their father dressed as a huge be-turbanned woman is both disturbing and confusing. They worry that their mother will see through Daniel's masquerade. The children's discomfort reaches a peak when Daniel cajoles his ex-wife into confessing her candid feelings about their failed marriage. Eventually, Miranda discovers that her wonderful housekeeper is really her hated ex-husband, and this unhappy family is forced to work out a more honest way to live. Had the children been more fully developed characters, capable of experiencing a full range of emotions, this contrived plot would have been easier to believe. With its focus on the difficulties of a pair of self-absorbed adults, the children's perspectives are secondary and almost forgotten; this story's emotional underpinnings will seem all too familiar to those youngsters whose lives have been adversely affected by the immaturity of the adults around them. Ages 12-up.
Copyright 1988 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Grade 4-6 Although Miranda and Daniel have been divorced for a number of years, they still argue bitterly whenever they encounter one another. The children adore their father and would like to spend as much time with him as they can, but they live with their mother and will do anything to avoid getting her angry. So when Miranda decides to hire a housekeeper, Daniel, an unemployed actor, hatches a plot: he applies for the job dressed as a woman. While the children recognize him almost immediately, Miranda has no idea who the new cleaning woman is. She eventually discovers the deception, causing another fight with Daniel, but the children's determination to see their father softens their parents' attitude, and the parents part amiably. This plot strains credibility to the breaking point. It seems highly unlikely that Miranda would not recognize Daniel, given how easily the children did. Daniel's antics, in and out of costume, are more pointless than endearing. The emphasis of the story leans toward the parents rather than the children, and so although the children do grow in the end, the readers do not experience that growth with them; they are only told about it. Finally, the happy resolution is unearned and the story falls flat. Susan Fichtelberg, Woodbridge Public Library, N . J
Copyright 1988 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.