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Alice in Chains

4.5 out of 5 stars 215 customer reviews

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Alice In Chains
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Audio CD, November 7, 1995
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$18.50 & FREE Shipping on orders over $35. Details Only 1 left in stock. Sold by cdgiveaways and Fulfilled by Amazon. Gift-wrap available.

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Editorial Reviews

No Description Available
No Track Information Available
Media Type: CD
Artist: ALICE IN CHAINS
Title: ALICE IN CHAINS
Street Release Date: 11/07/1995
Domestic
Genre: ROCK/POP
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Product Details

  • Audio CD (November 7, 1995)
  • Number of Discs: 1
  • Label: Columbia
  • ASIN: B000002B8A
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (215 customer reviews)
  • Amazon Best Sellers Rank: #69,197 in Music (See Top 100 in Music)

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Customer Reviews

Top Customer Reviews

Format: Audio CD
In 1995, Alice In Chains released what would be its final studio album, simply titled "Alice In Chains," AKA "Tripod" (because the album cover has a three legged dog). Although the self-titled disc sold well, it has never received the acclaim or fan adoration that it deserves.

Following the release of their 1992 masterpiece "Dirt," Alice In Chains released a seven song semi-acoustic album, "Jar of Flies," the following year. For their next project, Alice In Chains went back to a heavier sound with their self-titled CD. Alice In Chains self-titled album is a metal album in the same vein as "Dirt," but it is also distinctly different from its predecessor. While a majority of "Dirt" was fast-paced and intense, the self-titled album is far more sluggish, and the songs more mid-tempo, but without sounding tepid. The album sort of grinds its way though-but I don't mean that as a negative, because everything works. Although this is a slothful sounding album, it always stays intriguing and never runs out of steam. Whereas "Dirt" kind of screamed in agonizing pain, the self-titled album sort of moans in agonizing pain. The album has a freak show, nightmare-ish quality. This is an extremely depressing album. Song, after song, everything is a downer after another. But it does end on a slightly more optimistic note with "Over Now."

The band sounds as tight and cohesive as ever on "Tripod". As always, Jerry Cantrell's riffs and solos are intriguing and interesting, with each and every song. Layne Staley's singing sounds a little more downcast, but no less powerful. Drummer Sean Kinney and Bass player Mike Inez provided a dynamic and powerful rhythm section.

I find that the self-titled album differs from past albums to some extent lyrically.
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1 Comment 83 of 85 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Before I start, I'd like to ask: Why do some people hate 'Frogs?' This is my favorite song off the record. Long, sludgey, great guitar and bass. I'm a bass player myself and I found Frogs fun to play along to. The rest of Tripod is great as well. What I dig about Alice In Chains is their sludge grunge is backed up by melody. Very enjoyable, headbanging material here. This is obviously the late Layne Staley's masterpiece, having written most of the sings on here (Cantrell's work is also great) and singing his best yet.
Grind - Nice opener, great chorus. Sounds kinda like classic, old Alice in Chains (Facelift).
Brush Strokes - This song doesn't really catch my attention. Kinda weak compared to some others, but some nice guitar stuff going on here.
Sludge Factory - A great, powerfull, heavy riffing tune. One of my favorites.
Heaven Beside You - most mellow track, and one of the best. This is some great work by Jerry Cantrell.
Head Creeps - Second only to 'Frogs'. 'Head Creeps' and alot of stuff after it are more fast paced. I love the little "no more time" thing Staley does.
Again - Great stuff here. Fast paced, like 'Head Creeps'.
Shame in You - Another mellow one, and this one doesn't really catch my attention like some of the others. Still pretty nice, though.
God Am - Probably the best opening guitar riff I've ever heard. Great song.
So Close - Short, isn't it? Short but sweet, actually. This is a great song, and once again, I like the guitars.
Nothin' Song - This one cracks me up. Definitely not filler, contrary to what some folks think.
Frogs - The best song off the album, and the 2nd best AiC song ever. This one never ceases to amaze me. The melodic guitar riff at the beggining of the chorus...Wowzer.
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1 Comment 27 of 28 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Format: Audio CD
Originally called "Tripod" (evidenced by the 3-legged dog on the front cover, and 3-legged man on the back cover), this self-titled album divided many Alice In Chains fans, who probably longed for the band to return to the faster-paced doom-rock found on _Dirt_. They didn't lose the doom, but, things became a bit more slower, absorbing and sophisticated this time around.

Come 1995 and on, all kinds of rumors were flying around about Alice In Chains: (1). The band would continue in the direction of _Jar Of Flies_, never making another hard rock/metal album again. (2). Layne Staley was drugged-out, losing his teeth and some of his fingers as a result of gangrene (due to heroin abuse and other things.) The former was obviously not true, since this album was a hard rock/metal album. But, the latter was supposedly true. I can't confirm too much more, since I don't know too much about this band, so I'll just get on with the content found on this disc.

The music on here is dark as usual, exploring themes like pain, drug addiction, misery, depression and other things. "Grind" is an intense, grimy cruncher with some distorted backing vocals from Layne Staley during the verses. Jerry Cantrell sings lead vocals here for most of the track. "Sludge Factory" is my personal favorite on here. It features a slowly simmering, scorching, ominous, eerie guitar line fronted by a swapping of snaky vocal harmonies and a seemingly indifferent, but commanding line from Layne, rounded off with some descending jazzy basslines. This is only the description for the main theme that segues into the verses. Such seemingly odd fanfare that actually works. The ending features some robotic vocals, ominous guitar solos and some thick, doomy basslines.
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