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Alive As F***: Masonic Lodge, Covington, KY
 
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Alive As F***: Masonic Lodge, Covington, KY

Black Diamond HeaviesAudio CD
4.0 out of 5 stars  See all reviews (1 customer review)

Price: $15.95 & eligible for FREE Super Saver Shipping on orders over $25. Details
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MP3 Download, 9 Songs, 2009 $8.91  
Audio CD, 2010 $15.95  
Vinyl, Limited Edition, 2009 $16.78  

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Biography

Best paired with sticky summer heat, the sounds of Chattanooga, Tennessee’s Black Diamond Heavies turn listeners into believers in dirty, destructive, sinful Southern blues. Made up of Fender Rhodes-bangin’ monster John Wesley Myers and drummer Van Campbell, this two-piece makes its Alive Records labelmates the Black Keys look like shoegazers as the Heavies writhe and shake their way across their… Read more in Amazon's Black Diamond Heavies Store

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Alive As F***: Masonic Lodge, Covington, KY + Every Damn Time + Bring Yo Ass to the Table
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Product Details

  • Audio CD (January 12, 2010)
  • Original Release Date: 2010
  • Number of Discs: 1
  • Label: Alive Records
  • ASIN: B002UZCJUM
  • In-Print Editions: Vinyl  |  MP3 Download
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #164,579 in Music (See Top 100 in Music)

 

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Average Customer Review
4.0 out of 5 stars (1 customer review)
 
 
 
 
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4.0 out of 5 stars Heavy, sweaty growling two-man punk-blues, December 11, 2009
As on their first two albums, Black Diamond Heavies crank out a lot more sound, and a lot more musical mass than one could imagine from a two-man blues band. It's all the more impressive on this set for having been recorded live. John Wesley Myers plays the Fender Rhodes and provides bass via pedals (ala Ray Manzarek), and Van Campbell provides the drums. Their jamming actually does evoke the instrumental jams of the Doors, but heavier and grittier. The tone of Myers' Fender may also remind you of Ray Charles, but it's a guttural keyboard sound that Charles never laid down on tape. Myers plays both melody and rhythm on his keyboard, freeing Campbell's drums to add a lyrical voice on top of their primary mission as the group's timekeeper. Myers' vocal growl still sounds like Tom Waits, but with distortion added to his piano, there's a heavier punk-rock quotient, and the warble in the `50s-styled ballad "Bidin' My Time" suggests a down-and-out Louie Armstrong. The roadwork that followed their studio releases solidified the interplay between Myers and Campbell, leaving little room for another instrumentalist and no sense that there's a guitar missing. Recorded on a July night in a Covington, Kentucky Masonic lodge, the humidity clings to their performance, thickening it from the primal density of their studio work. [©2009 hyperbolium dot com]
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