These are poems of family, of romantic hope and disappointment, of parenthood, and of grief that move from a childhood in Nebraska in which a father strides into a ripe wheat field; to the parks and parking lots of New York City, the interchangeable landscapes of suburban America, and the more sensual environment of secluded water; to little traveled parts of Africa and the Pacific where our customs and passions are refracted into shapes that are sometimes beautiful, sometimes grotesque.
Terese Svoboda writes of a world in which the reassuring simplicity remembered from childhood is difficult to recover. Outside of this vision of the past, all present life seems an aberration—an existence where violence can supplant love, families break apart, a child dies.
All Aberration received a starred review in Publishers Weekly, a lead in Contemporary Poetry 1986 and a Notable Book nomination by the American Library Association. It was written during stays at Yaddo, MacDowell and Ossabaw, and received the benefit of a Creative Artists Public Service grant in 1982. Its poems first appeared in such magazines as Harper’s, The Nation, Paris Review, and Ploughshares.
Terese Svoboda writes of a world in which the reassuring simplicity remembered from childhood is difficult to recover. Outside of this vision of the past, all present life seems an aberration—an existence where violence can supplant love, families break apart, a child dies.
All Aberration received a starred review in Publishers Weekly, a lead in Contemporary Poetry 1986 and a Notable Book nomination by the American Library Association. It was written during stays at Yaddo, MacDowell and Ossabaw, and received the benefit of a Creative Artists Public Service grant in 1982. Its poems first appeared in such magazines as Harper’s, The Nation, Paris Review, and Ploughshares.
