Amazon.com's Best of 1999
Call them cute, call them clever, but don't call them kitschy. The Dutch duo Arling and Cameron are serious about frivolity. The pair "sample themselves" by playing all their own instruments then shaping melodies around bits of their own recordings, resulting in totally original, grin-bearing dance tracks. Using the occasional outsourced sample only as coloring,
All In should satisfy those who have little faith in the integrity of sample-heavy dance music. It's high modern art and kindergarten fodder rolled into one.
--Beth Massa
Amazon.com
The jet on the cover of Gerry Arling and Richard Cameron's first domestic release is no accident: they're internationalists all the way, importing whatever kinds of pop fit into their ideal of the perfect plastic dance.
All In is packed full of slogans, prefabrications, and found fragments of kitsch (like the two Asian girls who pop up every few tracks to cheer, "We love dancing--yaaay!") and is as manipulative, ingeniously simple, and adorable as the Teletubbies, but with a lot more double-entendre. Will some double-time breakbeats make a song more likable? How about Hawaiian slide guitar? Easy-listening strings? Eurodisco bass? Cartoon whistling and vibes? Dub effects? Cut-up hard-rock riffs? In they go. It's a soufflé of a record, utterly lightweight and precariously yummy.
--Douglas Wolk