Twenty years after his death, George Balanchine still dominates the world of ballet. Not only have his works been danced by the New York City Ballet continuously since 1948, but they also have been performed by more than two dozen other companies throughout the world. In clear and elegant writing, Terry Teachout brings to life the dramatic story of George Balanchine, a Russian émigré who fell in love with American culture, married four times and kept a mistress on the side, and transformed the art of ballet forever.
I'm the drama critic of the Wall Street Journal and the chief culture critic of Commentary. I also blog about the arts at www.terryteachout.com. In addition to the books on this page, I wrote the libretto for Paul Moravec's "The Letter," which was premiered by the Santa Fe Opera in July of 2009. "Pops: A Life of Louis Armstrong" is my first book about music, but I've been listening to jazz ever since my mother told me to come see Satchmo singing "Hello, Dolly!" on "The Ed Sullivan Show" in 1964, and I was a professional bassist before becoming a full-time writer. Among other things, I've written the liner notes for such albums as Diana Krall's "All for You," Maria Schneider's "Coming About," Karrin Allyson's "Daydream," Marian McPartland's "Just Friends," Luciana Souza's "Neruda," and Roger Kellaway's "Live at the Jazz Standard."
