9 of 9 people found the following review helpful:
4.0 out of 5 stars
All is Dreamy, May 17, 2005
There's always been a sort of fantastical edge to Mercury Rev, even in the bleak grandeur of "Deserter's Songs." But "All Is Dream" takes that edge and pushes it, with its swirling music and songs that talk about dreams, vampires, nite and fog, and "floating in the tides of the moon." It's too subdued to be their best work, but it's certainly still good.
"I always dreamed of big crowds/plumes of smoke and high clouds/But dreams don't last for long," Jonathan Donahue sings wistfully at the start of "The Dark is Rising," a plaintive meditation on how reality and dreams differ. A gentle piano melody swells into orchestral strings, before subsiding back into piano and violin.
That sets the tone for the rest of "All Is Dream," with its plaintive, pretty pop that explodes suddenly into orchestral splendor or fast-driving rock. Soft female voices call out, eerie noises sound, and catchy rhythms are tempered with thick layers of strings, synth and otherworldly lyrics. It sounds like the soundtrack to a very good action-fantasy movie.
They do break from type here and there -- "The Distance From Her To Me" is an almost unbearably cute-sounding pop song, and "Tides of the Moon" is a dark, synthy ballad, where Donahue sounds like a friendly ghost narrating a nightmare. "With prickly little thorns/sharp tiny teeth/they're hungry for the threads/hanging from your sleeve..."
"Deserters' Song" is considered the peak of Mercury Rev's career, and "All Is Dream" is not quite the same. It's more fantastical, less epic, less mind-blowing, and it's positively happy beside its sister album. It's also a bit more peaceful, with moments of yearning and fear, but overall more contemplative.
Jonathan Donahue has a rather unmelodious voice, high and a bit weird-sounding. However, it grows on you. Especially when it's paired with the music here -- strings, mellotron, hammond and French horn all spice up the sprawling rock melodies, which would sound rather bleak and underworked otherwise.
The songwriting is one of the things that had definitely changed from "Deserters' Songs." It has that Ye Olde Rocke'n'Rolle sound, a sort of fantasy vibe, with mentions of entombed pharoahs screaming and "the sun's red gown turns to brown." Despite, I might add, the mention of Leonard Cohen, which I don't really understand.
Mercury Rev's "All Is Dream" is an appropriate title. It does sound like a dream -- a long, wandering, dark and strange dream.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Complex and fascinating, January 6, 2002
In 1998 Mercury Rev suprised the music world with Deserter's Songs - it was a great album that topped the critic's polls and remained atop my CD pile. The good news is, with perseverance, All Is Dream is an even better, more cohesive record. At first listen All Is Dream did not impress me and on 'Lincoln's Eyes' even repelled me, but by about my fourth listen I was enthralled - I guess the crux of this review is that if you stick with it - the rewards are bountiful. The opener 'The Dark Is Rising' sets the tone of All Is Dream wonderfully, balancing Jonathan Donahue's piano and touchingly inadequate voice against crashing waves of orchestration in an oddly beautiful beginning. 'Chains' is a thrilling song, all purpose and urgency, while 'Nite and Fog' with it's opening couplet "If God moves across the water, then the girl moves in other ways" blows me away every time - more than once during this song has the thought struck me that the Rev are moving on a markedly different plane to other groups. There is a charming naivete to 'Little Rhymes' - it sounds a little inconsequential at first listen, but is in fact quite a moving song far greater than the sum of it's parts; likewise 'You're My Queen' with it's swooning arrangement. For me, listening to All Is Dream is rather like looking at a Dali painting - a surreal experience charged with nightmarish visions and paranoia, but also, and importantly, real beauty.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Solid and on a par with Deserter's Songs, September 27, 2001
I found myself actually adjusting to this album faster than I did to Deserter's Songs. By this time I've become accustomed to Rev, and it was easier to get through initially disorienting songs such as "Lincoln's Eyes," "Little Rhymes," and "Hercules."
In the end, all of the songs have captivating features. The only one I still don't like is "Spiders and Flies" -- I don't think Jonathon Donahue's voice was at its best with this song, and the piano melody is just kind of flat.
That said, here's what is so great about this album:
-- Donahue's voice is getting more 'mature' - well, he's probably in his thirties, so this isn't really the right term. But it has less of the squeaky awkwardness with which Deserter's Songs usually scored and sometimes faltered. There's a smoothness to All Is Dream's vocals that feels like a proper evolution from their previous album. It's tinged with that creakiness where it needs to be for emotion. Like on Lincoln's Eyes -- good segue to the next item...
-- "Lincoln's Eyes" - The fact that this album, with this song, was released on September 11th is still creepy in a coincidental way. The pitch and lyrics of the piece are at times haunting, with an unmajestic, detached beauty. This was mentioned in previous reviews.
-- The refrains in songs like "Chains," "A Drop in Time," "Nite and Fog," and "Hercules" are delicious. Sorry I can't articulate it any better. They just are, & that's one of the reasons I'm still smitten with this album.
I'm speaking from the perspective of someone who isn't very acquainted with Rev's earlier stuff such as Boces. I think their progress on this album was positive -- others may disagree with the direction they're taking.
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