This crowd of artists, as exuberant as this collection's title, were recruited for a mini-survey of contemporary art based on the diversity of their approaches and practices, which the editors saw as representative. Their work in a variety of media from film and video to painting and installation is informed by everyday life, and addresses issues such as ecology, technology, popular culture and globalization. The pieces gathered here include a mix of key moments in conceptual art and newly commissioned works, sourced from the artists' studios and from international collections. Contributors include Liam Gillick, Carsten Holler, Douglas Gordon, Rirkrit Tiravanija, Dominique Gonzalez-Foerster, Jorge Pardo, Sarah Morris, Cerith Wyn Evans, Sarah Lucas, Anri Sala, Doug Aitken, Jim Lambie, Paola Pivi, Carles Congost and Eva Rothschild, and their work appears alongside pieces from the estates of Alighiero e Boetti and Bas Jan Ader. With texts from Liam Gillick and Kurt Vonnegut, among others.
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Dublin: Irish Museum of Modern Art, 11/30/06-2/18/07
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More About the Author
Liam Gillick is an artist based in London and New York.
Solo exhibitions include The Wood Way, Whitechapel Gallery, London, 2002; A short text on the possibility of creating an economy of equivalence, Palais de Tokyo, 2005 and the retrospective project Three Perspectives and a short scenario, Witte de With, Rotterdam, Kunsthalle Zurich and MCA Chicago 2008-2010. He was nominated for the Turner Prize in 2002 and the Vincent Award at the Stedelijk Museum in Amsterdam in 2008. Many public commissions and projects include the Home Office in London (2005) and the Dynamica Building in Guadalajara, Mexico (2009). In 2006 he was a co-founder of the free art school project unitednationsplaza in Berlin that travelled to Mexico City. Liam Gillick has published a number of texts that function in parallel to his artwork. Proxemics (Selected writing 1988-2006) JRP-Ringier was published in 2007 alongside the monograph Factories in the Snow by Lilian Haberer, JRP-Ringier. A critical reader titled Meaning Liam Gillick, was published by MIT Press (2009). An anthology of his artistic writing titled Allbooks was also published by Book Works, London (2009). In addition he has contributed to many art magazines and journals including Parkett, Frieze, Art Monthly, October and Art Forum. Liam Gillick was selected to represent Germany for the 53rd Venice Biennale in 2009. The last stage of his retrospective opens at the Museum of Contemporary Art in Chicago in October 2009. A major exhibition of his work opens at the Kunst und Ausstellungshalle der Bundesrepublik Deutschland in April 2010. He has taught at Columbia University in New York since 1997.
Solo exhibitions include The Wood Way, Whitechapel Gallery, London, 2002; A short text on the possibility of creating an economy of equivalence, Palais de Tokyo, 2005 and the retrospective project Three Perspectives and a short scenario, Witte de With, Rotterdam, Kunsthalle Zurich and MCA Chicago 2008-2010. He was nominated for the Turner Prize in 2002 and the Vincent Award at the Stedelijk Museum in Amsterdam in 2008. Many public commissions and projects include the Home Office in London (2005) and the Dynamica Building in Guadalajara, Mexico (2009). In 2006 he was a co-founder of the free art school project unitednationsplaza in Berlin that travelled to Mexico City. Liam Gillick has published a number of texts that function in parallel to his artwork. Proxemics (Selected writing 1988-2006) JRP-Ringier was published in 2007 alongside the monograph Factories in the Snow by Lilian Haberer, JRP-Ringier. A critical reader titled Meaning Liam Gillick, was published by MIT Press (2009). An anthology of his artistic writing titled Allbooks was also published by Book Works, London (2009). In addition he has contributed to many art magazines and journals including Parkett, Frieze, Art Monthly, October and Art Forum. Liam Gillick was selected to represent Germany for the 53rd Venice Biennale in 2009. The last stage of his retrospective opens at the Museum of Contemporary Art in Chicago in October 2009. A major exhibition of his work opens at the Kunst und Ausstellungshalle der Bundesrepublik Deutschland in April 2010. He has taught at Columbia University in New York since 1997.
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