All Men Are Mortal [Paperback]

Simone de Beauvoir (Author), Leonard M. Friedman (Translator)

Book Description

Publication Date: May 17, 1992

Probably de Beauvoir's strangest and most compelling novel, this is the captivating story of a beautiful young actress who revives a downcast stranger at a French resort.

He becomes thoroughly attached to her and confides a terrifying truth: he is immortal. But having been resuscitated into enjoying life again, he soon starts breaking free from her grasp and all notions of mortality.

Editorial Reviews

Language Notes

Text: English (translation)
Original Language: French

About the Author

Simone de Beauvoir is the author of The Second Sex and the winner of the Prix Goncourt, France's highest honor, for The Mandarins.

Leonard M Friedman is a translator of the work Simone de Beauvoir.

Product Details

• Paperback: 352 pages
• Publisher: W. W. Norton & Company (May 17, 1992)
• Language: English
• ISBN-10: 0393308456
• ISBN-13: 978-0393308457
• Product Dimensions: 8 x 5.4 x 1 inches
• Shipping Weight: 11.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.9 out of 5 stars  See all reviews (15 customer reviews)
• Amazon Best Sellers Rank: #273,081 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

24 of 26 people found the following review helpful:

5.0 out of 5 stars A life altering book, April 3, 1997

By A Customer

This review is from: All Men Are Mortal (Paperback)

Indeed an unusual, and award winning novel. This book is for people who see life as being more than the mere physical. For those unfamiliar with Simone de Beauvoir, she was the long time companion and lover of John Paul Sartre - one of the forefathers of existentialism. The book although not intentful of an introduction to existentialism, can't help but be an allusive arguement between the author and her own beleifs and those of the existential movement. The heroine, Regina, is an actress. Self absorbed, cruel to others without understanding of why, competetive and needing the undivided attention of the world around her. As an initiate into the nunhood, the realisation that she could not command the love of God for only herself, transformed her into the character we find at the time this story takes place. The story truly begins when she sees a man, Fosca, laying on the ground staring at the sky hour after hour..day after day. His lack of admiration for the world around him, and his lack of attention to her, only spurs her further to force herself into his world. Fosca unwillingly is drawn slowly into her life, and reveals his history and a strange secret. He is immortal. What unfolds is Regina replacing God with Fosca. God could not love only her. But Fosca is immortal, therefor he is also God-like. By replacing God with Fosca, Regina feels that if he were to love only her, she too would be immortal (so to speak) and larger than life. What more could a self-absorbed woman ask for than to be immortalised in the minds of men? This gothic novel with all it's history and battles, examines the state of humaness and the state of Godliness. When reading this novel, one can't help but feel the sadness of both experiences. The endless loneliness of being a God..seeing all of the creations of man have an end. And the short-sightedness of being human where we only see the beginnings of our own creations. This book is the meat and potatoes for those readers who enjoy works that prods them to come to new thoughts and revelations. It is also for readers who enjoy the historical tones of gothic novels. Pick up this book and discover the passion and intelect of the universe around you.

22 of 24 people found the following review helpful:

5.0 out of 5 stars Being immortal is a curse, October 31, 2004

By 

maximusone "maximusone" (Brussels) - See all my reviews

This review is from: All Men Are Mortal (Paperback)

For various reasons I'm no fan of Simone de Beauvoir, but her All Men are Mortal is one of the ten best novels I have ever read. The book is about a man, Fosca, telling the story of his life, which started 6 centuries ago. Fosca is immortal and has lived through many important historical episodes, such as revolutions and conflict, and he has also loved a number of women in his life. The first thought that comes to mind when thinking of an immortal person is "what a lucky guy". However, as this book clearly shows, without death, life has no meaning. For instance, Fosca goes into battle, but knows deep down he risks nothing and he is not the hero his fellow soldiers think he is. But the most memorable part of the book describes his relation to the woman he has loved most in his long life. Although Fosca tries to hide the fact he always remains as young while his wife ages, she eventually discovers the truth and rejects him because she says his devotion to her means nothing : she is devoting her life to him while he will have hundreds of other wives after her. Without sacrificing our life or part of it, we give nothing. At the end of the book Fosca wants nothing more than to be able to die like every other mortal human in order to give a meaning to his life. Too long as a book, but with profound implications. Unforgettable

9 of 10 people found the following review helpful:

5.0 out of 5 stars Useful for courses in Existentialism, November 11, 2005

By 

P. Costello - See all my reviews
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This review is from: All Men Are Mortal (Paperback)

In teaching undergraduates Existentialism, I found this book to be a wonderful addition to Sartre's _Being and Nothingness_, Buber's _I and Thou_ and Marcuse's _One-Dimensional Man._ In the novel, especially in the Prologue, De Beauvoir hits all the right chords and themes--the uneasy duality and unity of being-for-self and being-for Others; the necessity and contingency of facticity; the surpassing power of transcendence. Students seem to 'rest their eyes' from the abstract power of dialectic in Sartre and Marcuse on the very concrete descriptions that de Beauvoir offers. Following the novel with her _Ethics of Ambiguity_ only served to ground students further in the character of existentialism and its necessary outpouring into a finite, meaningful, ethical life. A good companion to this piece would be John Russon's _Human Experience_, especially the chapter he has on Memory and how we deposit our memories into the things of our experience. With that in mind, even ordinary passages of the novel, like the one in the Prologue where Annie makes Fosca pancakes and Regina wants them too, despite herself, take on much more meaning. For whom is the absolute? For the one who eats pancakes, the one for whom pancakes matter even when she doesn't want to want them.