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All Music Guide to Jazz : The Definitive Guide to Jazz Music
 
 
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All Music Guide to Jazz : The Definitive Guide to Jazz Music [Paperback]

Vladimir Bogdanov (Author), Chris Woodstra (Author), Stephen Thomas Erlewine (Author)
4.6 out of 5 stars  See all reviews (9 customer reviews)


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Book Description

November 1, 2002
Reviews and rates more than 20,000 sizzling recordings by over 1,700 musicians - from New Orleans jazz to bebop, fusion and beyond. "Music Maps" chart the evolution of jazz instruments, plus the influence of significant players, vocalists and sidemen.


Editorial Reviews

About the Author

Vladimir Bogdanov is president of All Media Guide (AMG); Chris Woodstra is AMG vice president of content development; Stephen Thomas Erlewine is AMG director of content, popular music.

Product Details

  • Paperback: 1400 pages
  • Publisher: Backbeat Books; 4th edition (November 1, 2002)
  • Language: English
  • ISBN-10: 087930717X
  • ISBN-13: 978-0879307172
  • Product Dimensions: 9.1 x 7.2 x 2.4 inches
  • Shipping Weight: 4.2 pounds
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #752,928 in Books (See Top 100 in Books)

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Customer Reviews

9 Reviews
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Average Customer Review
4.6 out of 5 stars (9 customer reviews)
 
 
 
 
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66 of 66 people found the following review helpful:
4.0 out of 5 stars Great book but Penguin's is better, November 20, 2003
By 
This review is from: All Music Guide to Jazz : The Definitive Guide to Jazz Music (Paperback)
This is a well done book that fulfills most of what you would buy it for: Exhaustive inventories of Jazz albums with relative ratings and many reviews.

However, a few things would make me suggest the Penguin Guide over it (I own both):

1-ARTIST INDEX / Personell listing: the single greatest reason to get Penguin instead of the AMG is that every listing contains a complete personell listing at the top of the entry. Then the index in the back refers to the personell on albums. The AMG may list personell in the review, and indexes artists by any mention of them whether they are on an album or not. Penguin's version is much better for Jazz, where an artist's best work may be on someone else's album. Using the Penguin, you can look up every album Jack DeJohnette has played on as a sideman, just by flipping to the page numbers listed. In the AMG you have to wade through reviews (and many albums don't have reviews) which may just compare Jack's style with whoever is drumming on the record being reviewed.

2- Not every album is reviewed. Many albums are left only with ratings and no commentary whatsoever, which can be frustrating if you are wondering whether to buy a specific album. WHY did something get the rating it did is more important than the rating itself.

3- Consistency: The Penguin guide is written and judged by 2 men. As you go through it, you learn their biases and can glean more information about whether you'd like an album even if they give it a low score.

4- Mistakes. There are several mistakes in the AMG. For example, calling Speak Like A Child Herbie Hancock's last album for Bluenote a paragraph after reviewing the Prisoner.

To be fair though, there are advantages to the AMG:

1- The Penguin Guide limits itself to CDs out at the time it is published. This means you are SOL if you buy vinyl or used cds that have since gone out of print or if an album is rereleased after the Penguin Guide date. I think the AMG lists all albums whether they are currently in print as CD or not.

2- Tutorials. The AMG has essays in the back describing the many genres and time periods of jazz. In the body of the text are nice charts of the evolution of individual of instruments, from Saxophone to Bagpipes. Interesting though not vital if you are already into the music enough to need a definitive listing of albums.

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30 of 31 people found the following review helpful:
5.0 out of 5 stars Buy this one first, February 5, 2004
By 
This review is from: All Music Guide to Jazz : The Definitive Guide to Jazz Music (Paperback)
In addition to this great book, I own the Penguin guide and the Rough guide and all three are very worthwhile (see my other reviews). In my opinion this is the one you should buy first as it includes numerous essays and lists about jazz music styles, instrument types and musicians that the other two guides do not. These features are a really useful guide to knowing where to start with jazz. This guide also appears to have the largest number of reviews. The reviews in the AMG seem a bit more generous and open-minded than those in the more conservative Penguin guide. I suspect that this is because you are getting the opinions of a larger number of reviewers, with a wider range of tastes. In summary, this is probably the most useful of all of the three guides that I have.
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25 of 29 people found the following review helpful:
4.0 out of 5 stars AMG All Music Guide to Jazz 4th ed., December 6, 2002
By 
Robert Ehrlich (Salt Lake City, UT USA) - See all my reviews
(REAL NAME)   
This review is from: All Music Guide to Jazz : The Definitive Guide to Jazz Music (Paperback)
The AMG guide is a major resource for anyone interested in jazz at any level. They claim that over 20,000 recordings are reviewed and I believe them! The reviews and articles are excellent. However to publish this new edition and keep the page-count constant with the 3rd, they have reduced the size of the type. It can be read if one has normal sight--but with difficulty. Older readers might well need a magnifying glass.
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Inside This Book (learn more)
First Sentence:
Swedish free jazz group AALY Trio was formed around Umea natives Mats Gustafsson (reeds) and Kjell Nordeson (drums) in the mid-'80s, after they had been collaborating for a few years. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
original apiece, rhtthm section, allstar group, jazz standpoint, ion tenor, hard bop date, such top players, six group originals, skittering skeins, complete reissuance, gees listeners, hate been reissued, king jazz label, more general listeners, most impressive soloist, other key soloists, taking solo honors, such sidemen, boppish blues, concise solos, fortunately been reissued, hard bop stylist, such major soloists, switching between tenor, tun tenor
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Duke Ellington, New Orleans, Charlie Parker, Miles Davis, Benny Goodman, Los Angeles, Dizzy Gillespie, Bill Evans, Stephen Thomas, Oscar Peterson, Louis Armstrong, Freddie Hubbard, Ornette Coleman, Sonny Rollins, Bud Powell, Thelonious Monk, Stan Getz, Coleman Hawkins, Ron Carter, Stan Kenton, Wayne Shorter, Ray Brown, San Francisco, Max Roach
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