Customer Reviews

All Souls

5 star:		(3)
4 star:		(4)
3 star:		(0)
2 star:		(1)
1 star:		(3)

 

 

There aren't any descriptions of tranquil happy school years, those "good old golden rule days" are prehistoric in Christine Schutt's spot on story of the students, parents, and teachers at Manhattan's Siddons School for Girls. A New York prep school teacher herself Schutt well knows of what she writes, and she does so with always delicate, sometimes sparse yet revelatory prose. Characters are displayed to a farthing in snippets of conversation or thoughts.

At the center of the story is Astra Dell, a senior class girl who is suffering from a rare form of cancer. She is that "pale girl...the dancer with all the hair, the red hair, knotted or braided or let to fall to her waist, a fever, and she consumed."

Her father is scarcely able to cope with his beloved daughter's illness. He longs for Grace, his late wife who was killed in an auto accident. Despite Astra's suffering, knowing his sorrow, it is she who tries to console him.

Carlotta Forestal, known as Car, is Astra's best friend. Car has an eating problem, devoting the tense meals shared with her mother to simply pushing and mashing the food on her plate. She has a retreat - her father's apartment to which she has a key. She would go there simply to wander about and phone. It is there that she can light a cigarette and "ash it on the table." Mr. Forestal had an unlisted number and her mother didn't know it, so she was safe. Car thinks of Astra and writes frequent notes to her, which are added to the surfeit of good wishes, balloons and flowers that decorate her hospital room.

Another who often thinks of Astra is Marlene Kovak who visits her often, and pens lengthy letters to her. These missiles are sometimes single spaced and three pages long. Marlene will sit in a corner of the school lounge, listening, taking notes, all to be relayed to Astra. A misfit among the daughters of wealth Marlene is an enigma. She attends Siddons solely because her mother, Theta, borrowed money to keep her there. Theta works in a dentist's office to maintain their modest home and make payments on her debt. Theta is as out of place among the mothers as Marlene is among the students, most of whom are economically privileged and emotionally deprived.

Some other soon to graduate students are Alex and Suki, best friends, who yearn to be party girls and whose college acceptance is assured thanks to family wealth. Although in a group they often engage in sub rosa conversations. As obsessed as they are with their own futures they, too, are affected by Astra's illness, remembering that she came back to school the day after her mother's funeral and agreeing, "She's perfect."

Add to this mix the teachers, specifically Anna Mazur who had come to New York from Michigan seeking "sophistication and experience." She found neither, is attracted to Tim Weeks, the most popular teacher at Siddons, and continuously confuses the names of two black girls. When asked, "Do we all look alike, Miss Mazur?" The thought is "The problem was the girls did look alike."

Another faculty member is Dr. Meltzer, "a fat man who smelled like the movies." After a mishap in class, he screams at a girl, "Who do you think you are?" The reply is "A Du Pont."

This is the world Schutt invites us to enter, and it is a fascinating one peopled with finely wrought characters and quite memorable.

- Gail Cooke

Schutt is a master of the incidental, those small moments, some brittle, some brilliant, revealing the human psyche in all its flaws; the briefest glimpse of what we conceal from others, is here exposed. The author brings a fresh, incisive perspective to this novel, in this case the rarified environment of the Siddons School in Manhattan's Upper East Side. To be sure, these students are privileged, their world barely marred by the harsh reality that plagues the less well off. Their sensibilities honed on the classics, diverse languages and the experiences of world travel, these senior girls grapple with which colleges to attend and the angst of bidding farewell to the sheltered years of their expensive education. Through the mysterious illness (an obscure cancer?) that has struck one of the most popular students, Astra Dell, a particular poignancy imbues the novel. The elegant Astra, with her sheaf of glowing red hair, is a symbol of Siddons perfection, struck down by the cruel blow of an indifferent fate.

Astra's slow fall into devastating illness is solemnly monitored by Mr. Dell, his wife lost to a freak accident before Astra's illness; he longs for his wife's certitude and comfort in this grueling time, as he watches his daughter's slender form evaporate under the attack of the disease that can only be fought by extreme measures. Her spare hospital room a testament to the magnitude of the battle, a table is filled with cards bearing well wishes from classmates, a gentle chorus of "get well soon" and "we miss you" crushed by the violence of harsh treatments, as painful and ominous as Astra's disease. It is the haunting voices of these others, classmates, teachers, that create the narrative beyond Astra's hospital bed. It is difficult to allocate emotion to Astra's suffering in lives fraught with the petty dramas of adolescence on the cusp of a new beginning.

A lonely female teacher visits with the students' favorite bachelor teacher. Over the months, Anna Mazur hopes for more, but he clings to the constraints of friendship. Marlene Kovacs, who never fit in with the other girls, is a regular visitor, compelled to return to Astra's bedside, giving in to impulsive theft, letters from Astra's best friend, Car. In a fugue state of her own, Car Forester pens truths that transcend the usual discourse that passes for encouragement, mirroring Astra's dilemma in a frail grasp of life's daily disappointments. Pregnant with the egocentric imaginations of teenaged girls who cannot forget Astra, the characters are increasingly drawn to the demands of approaching graduation. Isolated in the unique self-centeredness of Astra's friends and acquaintances, the pall of death hovers, a shadow of what the world has so far only hinted at, one girl's easy journey through privilege shattered by a random stroke of fate. In this place, truth flickers like a candle. Luan Gaines/ 2008.

I just read about All Souls in the NYTBR this past weekend and read it this week -- it was really riveting, great writing, an intricate web of a story. The self interestedness was made really compelling. Good book.

Astra Dell, c'etait moi; formerly a teen cancer patient attending an all-girls prep school, I had a natural interest in reading this novel. Schutt captures the emotional complexities of the girl with a life-threatening illness, well aware of Astra's automatic candidacy for sainthood, yet refreshingly portrays her as a three-dimensional, unique character. Cancer serves as a focal point yet never becomes a black hole to engulf the entire narrative. The reader also develops an understanding of the inner and outer conflicts that trouble a wide variety of Astra's classmates: the "popular" crowd, the wealthy whose money guarantees them college admission, the scholarship girl, the eating disordered, the emotionally neglected, the all-too-impossibly perfect. A teacher herself, Schutt describes the lives of the Siddons School faculty, their feelings for and frustrations with their students and each other. Parents both present and absent complete the picture of adolescent life, girls faced with both the ultimate question of mortality and questions of undetermined weight such as what to put on one's yearbook page, what to write for that boring class, what to say and how to act around one's peers.

Some of the characterizations of parents seemed a bit stereotypical (the wealthy, anorexic, fashion-obsessed, neglectful mother), and some of the chapter titles a bit opaque (what does this episode have to do with "fools"?), but the novel as a whole remains true to the experience it seeks to represent.

I loved this book. I didn't want to keep reading it because I didn't want to finish it. (I can't figure that one out, either). I dog-eared the bottom of about 20 pages to easily find insightful passages, and/or simply lovely prose. Astra Dell serves as the (possibly) "dying" star around which the other characters revolve: privileged private high school Seniors - their parents and their faculty. Each chapter is a series of vignettes. You will be reminded of your Senior year - and various people you knew in school who made your life miserable or tolerable or wonderful. There are parents whose narcissism is overwhelming and others who simply love. But more central to the story is how a few of the students and faculty respond to Astra's condition (a very rare form of cancer) and how they and she evolve as the year progresses. I highly recommend this and hope you enjoy it.

I began reading this book with high hopes - Christine Schutt is an award winning novelist, and All Souls was a 2009 Pulitzer finalist for fiction. Unfortunately, it was a huge let down. The "bones" of the story are good, but it is extremely disjointed and could have been better with either twice the pages or half the characters involved. The excessive cast of characters come across as one-dimensional, clichéd, and poorly developed.

There are some beautiful passages in All Souls, but most of the writing is clumsy and difficult to trudge through. Schutt's style takes some getting used to and the story just wasn't long enough to get me there. I am glad that I checked this one out at the library and did not purchase it.

This quiet little book is about a group of girls (and their families) who attend an elite all-girls' school on Manhattan's Upper East Side. The fulcrum of the interconnected, multi-viewpoint tales is the character of Astra, who is absent from school for much of the schoolyear due to a rare cancer. Each of the characters reacts differently to Asta's absence, and from these reactions, we are able to glean something telling about their personalities.

Christine Schutt's writing style is the most memorable facet of the book, as she uses a series of vignettes that appear to be chapters within themselves, yet some are only a sentence or two long. At first, the quickness and brevity of these snapshots was off-putting. I generally enjoy books that allow a character to be revealed through detailed descriptions and implications through their speech and actions, yet these vignettes are all too brief, and I felt like a famine victim being taunted with Saltine crumbs.

Saltines, however (even crumbs)expand eventually if they sit long enough and give you the feeling of being satiated. In other words, as I kept turning the pages, I got into the groove of Schutt's writing. Like a dancer getting into the flow and rhythm of an unfamiliar song. Because isn't that kind of what we do as readers after all? We bring a little something to the table (or dance floor) as readers and make meaning of what's there. We are an active part of the process. That's the thing about "All Souls." There's so much implication and not much explication, the reader fills in the gaps much for himself.

In the end, I liked the book. It is clear that Schutt got started as a short story writer. The conciseness and lyricism of that craft comes through. This story concept could have been done in an 800-page tome, but in this case, less definitely is more.

This book was absolutely awful, I read many different styles of literature and I can honestly say there is nothing to be gained by reading this, a huge waste of time. My issues with it:

1- the style so obviously imitates Virginia Woolf, but does it badly, to the point where it literally becomes embarrassing to read.

2- the author seems to legitimize her writing style by listing literally EVERY author ever, and bring in quotes from every book, including references that have nothing to do with the plot.

3-the characters are silly and fluffy, almost archetypes. Astra is "the good girl," Car is "the troubled girl," Alex is "the slut," etc.

4- the writing style was VERY clunky and awkward, about halfway into a paragraph I would find myself having no idea what was going on, the grammar was so poorly used.

Not a good read!

As brilliant and powerful as Florida, and so different. Every one of Schutt's books has had an impact on my life for one reason or another, and this one is no different.

One of the most pretentious books I've ever read. There is little to no character development and the stylistic writing style was distracting. Finishing the book was an exercise in character development.