“What intrigued me about LeRoy from the very beginning was that his work was rooted in fine art. He was teaching at the Art Institute when nobody else was blurring the lines between fine art and commercial art like he was. He’s always had that distinctive LeRoy style, one that I knew from day one would define the unique nature of Playboy. Trust has been the key to our relationship, and he’s the only artist I’ve worked with for more than fifty years. He’s a tremendous talent and a tremendous human being.”
“It was not unusual for me to look up from a workout or a sparring session to see LeRoy perched on a chair, off to the side, studying my movements while sketching in quick strokes. With his bold colors and distinctive artistic style, LeRoy’s art and sketches captured my attention and imagination. He made me look as colorful and pretty on paper as I was in person—now that’s talent!”
“LeRoy Neiman’s love of jazz is real. His series of stunning poster art, depicting Duke Ellington, Charlie Parker, Gerry Mulligan, Miles Davis, Louis Armstrong, and Billie Holiday contributed immensely to the success that is The Newport Jazz Festival. LeRoy donated this work to us in the years between 1964 and 2004. He would accept no compensation, which we couldn’t have afforded any way. His work and his story, All Told, are priceless.”
—George Wein, jazz impresario, founder of The Newport Jazz Festival
“Pop culture’s court painter, LeRoy Neiman, turns 91, an occasion he’ll celebrate by publishing an often amusing autobiography…”
—The New York Times Style magazine
From the Inside Flap
Chronicler and confidant of Muhammad Ali, Neiman also traveled with Sinatra, cavorted with Dalí and Warhol, watched afternoon soaps with Dizzy Gillespie, played in Sly Stallone’s Rocky movies, exchanged quips with Nixon, smoked cigars with Castro, and experienced the September 5, 1972,
terrorist attacks at the Munich Olympics alongside Peter Jennings, Howard Cosell, and Jim McKay. And then there’s his half-century relationship with Hugh Hefner as principle artistic contributor to Playboy since its founding, setting up studios in London and Paris to cover his Playboy beat, “Man at His Leisure,” and his creation of the Femlin, the iconic Playboy nymphette. And, still, there’s so much more . . .
With his life’s work, and now in All Told, LeRoy Neiman has captured sports heroes, movie stars, presidents, dishwashers, jet-setters, jockeys, and more than a few Bunnies at the Playboy Mansion—a panoramic record of society like no other.