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All Tomorrow's Parties Mass Market Paperback – February 4, 2003
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Colin sends Barry Rydell (last seen in Gibson's novel Virtual Light) to the bridge to find a mysterious killer who reveals himself only by his lack of presence on the Net. Barry is also entrusted with a strange package that seems to be the home of Rei Toi, the computer-generated "idol singer" who once tried to "marry" a human rock star (she's also from Idoru). Barry and Rei Toi are eventually joined by Barry's old girlfriend Chevette (from Virtual Light) and a young boy named Silencio who has an unnatural fascination with watches. Together this motley assortment of characters holds the key to stopping billionaire Cody Harwood from doing whatever it is that will make sure he still holds the reigns of power after the nodal point takes place.
Although All Tomorrow's Parties includes characters from two of Gibson's earlier novels, it's not a direct sequel to either. It's a stand-alone book that is possibly Gibson's best solo work since Neuromancer. In the past, Gibson has let his brilliant prose overwhelm what were often lackluster (or nonexistent) story lines, but this book has it all: a good story, electric writing, and a group of likable and believable characters who are out to save the world ... kind of. The ending is not quite as supercharged as the rest of the novel and so comes off a bit flat, but overall this is definitely a winner. --Craig E. Engler --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Top Customer Reviews
Gibson's continual obsession with Japanese culture continues in this novel, and any anime otaku (extreme fan) will find many tributes to the pop culture of Japan. His finely tuned attention to detail in the scenes set in Japan made for highly entertaining reading.
In All Tommorow's Parties, we find ourselves once again associated with many of the characters in his previous novels, Idoru and Virtual Light. (Fortunately, the reader is not expected to 'know' these characters, so a previous reading of Idoru or Virtual Light will not preclude your enjoyment of this novel.)
However, by mid-novel, all this talk of nodal points fails to satisfy the reader - Gibson assumes too much of our understanding of the world that he has illustrated for us. Hints and allegations are made as to the significance of nodal points (that these points have the potential to bend the course of human history) but then these hints are never truly realized in any major way at the end of the novel. The novel ends suddenly, with no real feeling of resolution of the action that has come before. (I almost felt as if someone may have ripped the 'real' last chapter out of my copy.) We are dropped suddenly into this ending that does not seem nearly as elegantly constructed as the events leading up to it. Gibson's conclusions at the end of the novel are hardly cut-and-dry -- it takes work on the reader's part to try to understand his ending.
In conclusion, it's a worthy read, however, you may find yourself disappointed with the ending.
As I read, I could hear Gibson's laconic drawl reading the words deliberately. This is definitely not a book to speed-read. Can't wait for the audio books version.
Most Recent Customer Reviews
William Gibson creates such a vivid landscape in which we operate along with his characters. It's always a future we can envision and the trip on which we're taken can be... Read morePublished 15 days ago by Ol' Reg
Had some likeable characters but felt aimless. Made no real point. I'm a huge Gibson fan but I think this one of the inflection points in his career where he seems to have fired... Read morePublished 7 months ago by M. Nolan
Good continuation of the story. Could stand alone as its own book without too much difficulty.Published 9 months ago by Matt
All Tomorrow's Parties: a good ending for a good trilogy but not as good as the 'Sprawl trilogy', though. Read morePublished 10 months ago by Rodrigo Gonzalez
I'd forgotten how much I love Gibson's writing.
Quick paced, disjointed, and yet it's energizing, even thought the tale takes place in a very broken world. Read more