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All We Destroy

Grayceon Audio CD
5.0 out of 5 stars  See all reviews (2 customer reviews)

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MP3 Music, 6 Songs, 2011 $9.49  
Audio CD, 2011 --  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
listen  1. Dreamer Deceived 6:21$0.99  Buy MP3 
listen  2. Shellmounds 8:53$0.99  Buy MP3 
listen  3. We Can17:00Album Only
listen  4. Once a Shadow 7:22$0.99  Buy MP3 
listen  5. A Road Less Traveled 4:11$0.99  Buy MP3 
listen  6. War's End 7:09$0.99  Buy MP3 

Product Details

  • Audio CD (March 1, 2011)
  • Number of Discs: 1
  • Label: Profound Lore
  • ASIN: B004J328YK
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #251,170 in Music (See Top 100 in Music)

Editorial Reviews

2011 release from the San Francisco-based trio comprised of electric cello, guitar, drums and vocals. Pulling together a diverse range of musical influences and writing styles, the group's sound defies the limitations of the Metal, Rock and Progressive genres with screaming melodic lines over distinct guitar chunks, Doom riffs, Jazz chord progressions, intricate Folk-like delicacies and just about everything in between. The album fuses the progressive metal tendencies of bands such as Voivod and the Norwegian avant-garde movement (e.g. Ved Buens Ende) with elements of Doom/Sludge Metal, chamber music and neo-Folk.

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Most Helpful Customer Reviews
5 of 5 people found the following review helpful
5.0 out of 5 stars Truly Progressive Metal March 2, 2011
By Negoba
Format:MP3 Music|Verified Purchase
Grayceon has been a leader in what I think of as the "Post Metal Plus" group of bands that includes Giant Squid and Intronaut. Led by vocalist / cellist Jackie Perez Gratz, this trio blends classical, sludge, prog, and lots of intelligence into a truly artistic piece of metal. Unlike most females fronting metal, Perez is not mere eye candy for the mostly male audience. She is an equal, if not primary, musical brain behind the project. Her cello is an intricate part of the music, and her voice has improved substantially on this album to the point that it really is the focal point.

The music employs multiple speeds, atmospheres, and musical ideas that I never get bored and in fact I'm ready to play it again when the gentle closer ends. At the same time, there are plenty of true head-banging parts and the heavy riffs are deep and powerful. The early preview "Shellmounds" is probably the best track, but the epic "We Can" is also great. The whole album has a great sense of pacing, and to me represents what is truly progressive in the metal scene in 2011.
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2 of 2 people found the following review helpful
5.0 out of 5 stars Adventurous, complex, emotional - awesome! March 4, 2012
By Pewsagl
Format:Audio CD|Verified Purchase
Perhaps the very best music these days is well off the beaten path? I love classical music, especially the emotionally intense and exploratory chamber music (such as string quartets) of composers like Schubert and Beethoven. Grayceon's work on this album is like an intense chamber work done with progressive and doom metal sensibility. It winds and explores the side roads off the main themes, it is laced with emotional intensity that just draws you in and keeps you captivated, and it seriously rocks out and makes you move your head! Cellist and vocalist Jackie Perez Gratz plays gorgeously and intensely throughout, with vocals ranging from sultry and beautiful to screaming and emotionally gripping. And it all fits the emotional need of the music. The band is a trio of guitar, drums, and cello, but you don't miss the bass at all. Guitarist Max Doyle fills in the low end to the point where you think you're hearing bass, but you're not. The interplay between guitar and cello is awesome. The cello creates a unique sound that sustains the intensity throughout and is truly metal. And Zack Farwell's progressive drum work is tasteful, inventive, supportive (inter-playing with the others perfectly), and extremely skillful throughout. Most of the tempos are slower, creating the doom and sludge feels, but they do play uptempo extremely effectively. "Shellmounds", for example, is very upbeat and does utilize what might be "blast beats", but in an extremely tasteful and fitting manner. I typically do not like speed/thrash/blast feels, but this is done in an appealing and fitting way and is really necessary to create the frenetic and somewhat angry message of the song (out-of-control human consumption). "We Can" is my favorite - 17 minutes of epic beauty and intensity. Read more ›
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