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All about Oscar?: The History and Politics of the Academy Awards? [Hardcover]

Emanuel Levy (Author)
4.5 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

October 28, 2003 0826414524 978-0826414526
This is a book for all film lovers to savor as, together with the Academy of Motion Picture Arts and Sciences, they celebrate 2003 as the diamond anniversary of the Academy Awards. Now in paperback for the first time, All about Oscar builds on Levy's well-known work on the Academy Awards over the past twenty years. It is both history and appreciation, chockablock with inside stories and little known facts. Do you knowàWho came up with the idea for the Academy Awards and why? Who votes? Who is the youngest winner? The oldest? Who has been nominated the most times without winning? Where "Oscar" gets its name? All-new chapters added to the previous edition (Oscar Fever, 2001) include: "The Luck of the British," "The Foreign-Language Winners," "The Importance of Being Eccentric," "Is Oscar a White Man's Award?"*This book is neither authorized nor endorsed by the Academy of Motion Picture Arts and Sciences.


Editorial Reviews

From Publishers Weekly

Offering an assemblage of facts rather than a specific point of view, this survey of the Academy Awards is admirable for its breadth but tiring in its uninspired presentation. Building on his earlier Oscar Fever, film scholar Levy imparts a "sociological view of the historic, cultural, and political contexts" in which Oscar nominations are made. He explores the award from many angles, e.g., how genres have been represented, how popularity figures into the awards and what winning an Oscar means. Some of the freshest information comes in the history section, particularly in the discussions of unions and the Academy, and the ending of studio sponsorship of the Oscar ceremony. There are references galore to past Oscar ceremonies and many original observations, such as Levy's reasoning for why so many of the actors in William Wyler films were nominated for Oscars (he says it was because the films' long takes and deep focus helped actors achieve "real dramatic continuity"). But overall, the book is tedious, with many names per page and a fairly commonplace conclusion: Oscar-winning movies are often long, glossy epics. The concluding charts listing, among other things, the most nominated films and the highest-grossing Oscar winners, are welcome. Photos not seen by PW.
Copyright 2003 Reed Business Information, Inc.

Review

"[Levy] appears to know everything worth knowing about the Oscars…[he] has so much lore to draw upon, and so many amusing stories to tell."--The Washington Post Book World

"Packs more information about these eagerly awaited envelopes (and the nominations that precede them) than any previous book."--National Board of Review of Motion Pictures

"A brilliant social history--Levy casts a klieg light on previously unseen social biases that get rewarded by that secular ritual known as Oscar,"--Philadelphia Inquirer

"Movie junkies will lap up this well-researched, dishy read that uses historical analysis of past Oscar nominees and winners to show what we have long suspected: Hollywood is brutally unfair in deciding who gets a statuette and who doesn't." --Albuquerque Journal

"This jaunty and comprehensive look at Oscar history and lore encompasses the larger social and cultural implications of a narrow subject. Levy, a senior film reviewer for Variety, draws on an extraordinarily detailed knowledge of Hollywood history, prov

"Oscar fans will treasure Oscar Fever for its trove of statistical jewels; the other 5 billion of us will find vindication in Levy's erudite assessment of the longest and most self-indulgent movie ad in the world."
- The Baltimore Sun, July 22, 2001

"Levy's statistical approach suggests interesting cultural conclusions…this is a book of facts, amusing judgments, superficialities, and gossip?a good book for general readers."--Choice, February 2002

"Contains much statistical information that is of interest, as well as insightful commentary and telling anecdote…an absorbing source of Hollywood folklore." --Sunday Times (London), January 13 2002

"The definitive book on the subject…For fans who want answers to just about every question ever asked about the Oscars, Levy's book supplies reams…and reams and reams." --The Star Democrat (Easton, MD), March 29, 2002

"[A] fascinating study." --Herald Sun (Scotland), March 23, 2002

Mentioned –The New York Times, Sunday, 2/13/05

Product Details

  • Hardcover: 400 pages
  • Publisher: Continuum (October 28, 2003)
  • Language: English
  • ISBN-10: 0826414524
  • ISBN-13: 978-0826414526
  • Product Dimensions: 9.3 x 6.3 x 1.2 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #974,715 in Books (See Top 100 in Books)

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Customer Reviews

4 Reviews
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Average Customer Review
4.5 out of 5 stars (4 customer reviews)
 
 
 
 
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2 of 3 people found the following review helpful:
4.0 out of 5 stars No more objectivity in book reviews, March 13, 2003
This review is from: All about Oscar?: The History and Politics of the Academy Awards? (Hardcover)
I am an avid collector of film books and films and I usually rely on book reviews in such trades as Publishers Weekly and Kirkus.

I recently bought Emanuel Levy's new, updated version of his old Oscar book, All About Oscar: The History and Politics of the Academy Awards (Continuum International, 2003).

I own the previous version, whose title, Oscar Fever, was better (Continuum, 2001). There's no doubt in my mind that All About Oscar is a better, more comprehensive, more up-to-date, and more illuminating book than Oscar Fever.

Yet when I consulted Publishers Weekly, I was shocked to realize that Oscar Fever had received a much more favorable review than All About Oscar. The reviewer of Oscar Fever wrote: "Levy draws an extraordinarily detailed knowledge of Hollywood history, providing intriguing factoids to supplement his assertions and analysis about subjects such as gender, age, and race in Hollywood, probing such essential questions as whether the Oscars are a "popularity contest." His analysis of why films about race receive Oscar nominations is thoughtful and savvy. No sociological question escapes Levy's notice, and he's got an answer for everything."

The review of All About Oscar was lukewarm, but not as favorable as that of Oscar Fever, even though the latter is a better book. What has happened to book reviewing? Is it that subjective? Does it entirely depend on the reviewer's personality and taste" The least a respectable publication like Publishers Weekly could have done is to assign All About Oscar to the same critic who had reviewed Oscar Fever. This would have been the only way to avoid the problem of subjectivity and arbitrariness in book reviewing.

If I were asked to rank both version, I would give Oscar Fever 3 stars and All About Oscar 4.

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2 of 3 people found the following review helpful:
5.0 out of 5 stars Much more than Oscar, February 16, 2003
By A Customer
This review is from: All about Oscar?: The History and Politics of the Academy Awards? (Hardcover)
I am one of those people who loves the Oscar show and reads everything available about the Oscar Award. I just finished reading Levy's latest book on the subject, All About Oscar: The History and Politics of the Academy Awards. In my view, it represents a vast improvement over his previous, Oscar Fever.

Let me explain. For one thing, there is new information that was not available before about the Oscar's discrimination against women and ethnic minority artists (not just blacks). In fact, the chapter "Is the Oscar a White Man's Race" reveals that many of the biases that operate in the Oscar awards simply reflect biases that exist in American society, and that the Oscar is just a microcosm of a much larger problem that we Americans need to deal with.

The second new chapter that I like is the one titled, "Oscar's Middle-Brow Sensibility," which documents why, year after year, the Oscar-winning films are not necessarily the best ones artistically, but those that contain uplifting and hopeful messages in their stories. Prime example: A Beautiful Mind, which in the guise of a biopicture was presented as a struggle and triumph of the mind against all odds.

In short, one of the great merits of All About Oscar is that it approaches the subject not just from an artistic or cinematic perspective, but from a social and political one as well, showing that both the Oscar's are much bigger than the movies they recognize. I therefore gives Levy's Oscar Fever the highest rank, 5, and recommend that it be read by anyone interested in American pop culture.

Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


2 of 3 people found the following review helpful:
5.0 out of 5 stars Much more than Oscar, February 16, 2003
By A Customer
This review is from: All about Oscar?: The History and Politics of the Academy Awards? (Hardcover)
I am one of those people who loves the Oscar show and reads everything available about the Oscar Award. I just finished reading Levy's latest book on the subject, All About Oscar: The History and Politics of the Academy Awards. In my view, it represents a vast improvement over his previous, Oscar Fever.

Let me explain. For one thing, there is new information that was not available before about the Oscar's discrimination against women and ethnic minority artists (not just blacks). In fact, the chapter "Is the Oscar a White Man's Race" reveals that many of the biases that operate in the Oscar awards simply reflect biases that exist in American society, and that the Oscar is just a microcosm of a much larger problem that we Americans need to deal with.

The second new chapter that I like is the one titled, "Oscar's Middle-Brow Sensibility," which documents why, year after year, the Oscar-winning films are not necessarily the best ones artistically, but those that contain uplifting and hopeful messages in their stories. Prime example: A Beautiful Mind, which in the guise of a biopicture was presented as a struggle and triumph of the mind against all odds.

In short, one of the great merits of All About Oscar is that it approaches the subject not just from an artistic or cinematic perspective, but from a social and political one as well, showing that both the Oscar's are much bigger than the movies they recognize. I therefore gives Levy's Oscar Fever the highest rank, 5, and recommend that it be read by anyone interested in American pop culture.

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