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5.0 out of 5 stars
Excellent Story!, November 30, 2007
This review is from: Alligator Boy (Hardcover)
I highly recommend this book. I read it to my 4-year-old last night for the first time, and he loves the story. He asked to read it again first thing the next morning. Beautifully illustrated too.
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5.0 out of 5 stars
simple, adorable, October 15, 2011
One of my boys favorite stories, Alligator Boy is a simple story with rhyme that shows a boy who puts on an alligator costume and doesn't want to give it up. He goes to school with it, even sees a vet! Very sweet, short enough to make it easy on a tired mom, with adorable illustrations.
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4.0 out of 5 stars
Transmogrification: THe SImple Tale of a Boy WHo "Becomes" an Alligator, June 10, 2009
This review is from: Alligator Boy (Hardcover)
When a young boy tires (for some unexplained reason) of being a young boy, his dfar-off aunt sends him the head and "very long tail" of an alligator costume. It should be explained that the story apparently takes place in a simpler era than ours today--and that's not just because of the old-fashioned clothes and two=piece telephone. This is a time when a costume has the fantasy-power to change one's identity, something less likely in today's whiz-bang supermarket of video games and expensive latex costumes.
Cunthia Rylant (as well as illustrator Diane Goode)uses this slower paced, more innocent time to her advantage. When our hero tells his dad his new reptilian identity, the latter is sitting calmly, reading a newspaper (of all things!), with time enough to reassure that he still likes his new alligator/son, "no longer a boy."
Mom is a little nore distraught: "She asked a good doctor to come and to see/this boy who could not a boy now be." (Yeah, I must agree with E.R. Bird--that isn't a very good line.) A vet--make that a vet who makes house calls(!!)-- is summoned to the house. Nonplussed, he proclaims the alligator well, and, in the take-two-aspirin-and call-me-in-the-morning school of medicine, merely advises: "Just feed it each day and teach it to spell." The alligator-boy succeeds in school: scaring a bully, singing well with that long snout of his, scaring the dog cather (these are all on successive two-page vignettes), and, in one somewhat strange interlude, smiling at a (stuffed) alligator at a Natural History museum.
I like that Rylant didn't feel she had to return the boy to his human look; I can just imagine some sentimental glop about his family or friends wanting the real boy back. Nope, this extra-evolutionary adaptation works out just fine. Diane Goode's line drawings with watercolor and gouache are evocative of an earlier, unspecified time. There's lots of white space surrounding each picture; this helps focus attention and enhances the simplicty of the story and of the setting.
While not as subversively funny as say, a Janes Stevenson book, this is both more linear and more gentle. For that reason, I recommend it for toddlers and very early elementary school-age kids, who have not yet developed a taste for satire, but are just beginning to appreciate a little absurd fun.
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