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Alligator Farm
 
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Alligator Farm

Paul GilbertAudio CD
4.3 out of 5 stars  See all reviews (10 customer reviews)

Price: $13.63 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Audio CD, 2000 $13.63  
DVD Audio, 2001 $5.99  

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Biography

Paul Brandon Gilbert (born November 6, 1966 in Illinois, USA) is an American musician. He is well known for his guitar work with Racer X and Mr. Big, as well as many solo albums. He also joined Joe Satriani and John Petrucci on the 2007 G3 tour.

He has been voted number 4 on a list in GuitarOne magazine of the "Top 10 Greatest Guitar Shredders of All Time" as well as a spot in Guitar World's 50… Read more in Amazon's Paul Gilbert Store

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Product Details

  • Audio CD (November 7, 2000)
  • Original Release Date: November 7, 2000
  • Number of Discs: 1
  • Label: Shrapnel
  • ASIN: B00004Z44J
  • In-Print Editions: Audio CD  |  DVD Audio
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #223,931 in Music (See Top 100 in Music)

 
1. Better Chords
2. Individually Twisted
3. Cut, Cut, Cut
4. Alligator Farm
5. Attitude Boy Will Overcome
6. 2 Become 1
7. Lancelot Link
8. Rosalinda Told Me
9. Let the Computer Decide [Instrumental]
10. Koto Girl
11. Dreamed Victoria
12. Six Billion People
13. The Ballad of the Last Lions
14. Whole Lotta Sonata [Instrumental]

 

Customer Reviews

10 Reviews
5 star:
 (4)
4 star:
 (5)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (10 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

3 of 3 people found the following review helpful:
4.0 out of 5 stars Thumbs up!!, March 23, 2002
By 
"servcal" (LINTHICUM, MARYLAND United States) - See all my reviews
This review is from: Alligator Farm (Audio CD)
I don't know what to say other than this is a really good cd. Paul showcases excellent songwriting sensibilities while keeping his blazing guitar work prominently displayed. Some songs sound very punk influenced while others, were they promoted, could easily be Top 40 standards. If you've ever been a Paul Gilbert or Mr. Big fan, you should definitely check this one out.
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5 of 6 people found the following review helpful:
4.0 out of 5 stars Very Broad Mix of Great Stuff, February 2, 2007
By 
J. Schneider "john_jps" (Mosinee, WI United States) - See all my reviews
(VINE VOICE)    (REAL NAME)   
Amazon Verified Purchase(What's this?)
This review is from: Alligator Farm (Audio CD)
1. Better Chords -- very cool, punkish vibe about it... good kick in the pants to get things started but only a minute long... should've made a "real" song out of it, because the vibe is great! (3/5)

2. Individually Twisted -- very catchy pop/rock tune with a couple guitar transitions that might not fit the song that well, but are just what we all want to hear from Pablo! Main guitar solo kicks tail and does fit the song perfectly. (4/5)

3. Cut, Cut, Cut -- cut, as in "cut all the ties"... think of being in a stinky relationship and cutting all the ties, then blazing down the road scenting that sweet smell of freedom... Gilbert catches that vibe and runs with it here. Punk music, though, with no guitar solo: just a straight-forward uptempo punk rocker. (4/5)

4. Alligator Farm -- uptempo swing rocker; catchy and kinda funny, great guitar sprinkled throughout; imagine the Setzer's Stray Cats with Gilbert on guitar. Hey: it works -- catchy as hell and he really rips it up! (4/5)

5. Attitude Boy Will Overcome -- Straight-forward, in-your-face, uptempo rock and roll with gobs of screaming guitar and all kinds of attitude: this is why we listen to Paul Gilbert. If this doesn't get you out of your seat, you are surely dead! (5/5 and then some!)

6. 2 Become 1 -- Incredibly cheesy ballad that is so over-the-top you swear that he's intentionally doing a parody of the sappy garbage you hear elsewhere. I really hope it's not a serious song, but the music is excellent making me think he's serious... but the words are total puke... also his vocals don't quite cut it on slow stuff either... the redeeming factor is the humor, though: I can't take it seriously, and because of that it's kind of funny. (2/5)

7. Lancelot Link -- non-serious acoustic strumming with vocals that make very little sense; kinda funny but not really worth our attention. Like an inner joke that we don't get(?). Anyway, it's very short so don't let it sway your decision to buy. (1/5)

8. Rosalinda Told Me Your Name -- mid-tempo (nowhere near fast, but not a ballad) and I don't want to like this song, but it's just so danged catchy... reminds me of some of those interesting chord progressions Nuno Bettencourt would come up with on Extreme's 3rd CD. (3/5)

9. Let the Computer Decide -- instrumental: really wicked shredding; has a vocal statement about a third of the way in saying, "First we'll check every component inside out, next we'll compile all the data... then we'll let the computer decide." Interesting song, seems to have some meaning, and I reiterate: REALLY wicked guitar! (5/5)

10. Koto Girl -- slower number, a ballad about a girl from Koto who goes and gets famous and Paul is lusting after... I dare say it's touching, BUT most of us don't really listen to Paul for this kind of stuff, and there are unfortunately some cheesy lyrics mixed into the otherwise decent story... although his vocals are better than in track 6... overall it doesn't quite float my boat, but isn't bad. (3/5)

11. Dreamed Victoria -- another midtempo one not unlike track 8... not quite as catchy as that on, though, but is along those lines and roughly similar in overall quality. Aside: is it just me or could this be a bonus track on Dream Theater's "Scenes from a Memory"? Not for the music as there's no Portnoy or Rudess here, but for the story/lyrics? The similarity is almost startling... (3/5)

12. Six Billion People -- very jazzy and catchy, captures the silly nature of love and isn't generally what you look for in a Gilbert CD, but is a very pleasant surprise: this is just plain good music... and even if you don't like it, it's short. (4/5)

13. The Ballad of the Last Lions -- uptempo, rousing ballad, packs a very good punch... extended guitar solos a-la Free Bird (seriously, except on this song it's Gilbert really ripping the guitar to pieces, not that the guys in Skynyrd can't play, but they are NOT Paul Gilbert!) Anyway - this is just plain good music that makes you feel like you can conquer the world. (5/5)

14. Whole Lotta Sonata -- Paul plays Mozart. Brilliant, but I prefer either Gilberto Concerto or Haydn's No. 88 from other CD's. Despite that slight preference, this still kills. (5/5)

Overall (4/5) : Anything I gave a 4 or better is particularly good to me, so that makes 8 really good songs - well over a half hour of quality stuff... if you just want screaming guitar, then his more recent "Get Out of My Yard" is all instrumental and much preferable, or even the old Racer X stuff. This is darned good, though, and if you really like neo-classical stuff, then "Whole Lotta Sonata" is worth the price of the entire CD. Attitude Boy and the Last Lions ballad are also worth the price of admission entirely on their own.
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4 of 5 people found the following review helpful:
4.0 out of 5 stars Like Paul Gilbert? Get this CD., January 7, 2001
By 
Bo Stephens (Indianapolis, IN - USA) - See all my reviews
(REAL NAME)   
This review is from: Alligator Farm (Audio CD)
Although not his best work, any fan of Paul Gilbert should purchase this CD for the two instrumental tracks "Let The Computer Decide" and "Whole Lotta Sonata". "Let The Computer Decide" is a musical journey full of creative genius. "Whole Lotta Sonata" is a wonderfully styled classical piece in the tradition of "Gilberto Concerto". One of the more addictive songs (for me at least) is the short "Six Billion People". Lasting only one and a half minutes it is musically perfect in every way. The first time I heard "Six Billion People" I set my CD player to "repeat" and listened to it for over an hour straight. Excessive? Perhaps you haven't heard the song! Some of the other tracks are fairly ordinary sounding and occasionally spiced up by an intro, solo and/or ending. Paul definitely will not be receiving a Grammy for "Best Vocal Performance", but he can out-sing [insert one-hit-wonder] who probably can't even play an instrument. Lastly, this album (as a whole) can't touch any of Gilbert and company's Mr. Big albums. It does, however, stand on it's own as a very enjoyable jaunt into the mind of an eccentric virtuoso and definitely worth the price of admission.
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