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5.0 out of 5 stars
Newfoundland novel explores the effects of grief on character, December 5, 2006
It's present-day St. John's, Newfoundland, a summer when the elm spanner worms (think gypsy moths at their very worst) munch their way through the trees, dropping disgustingly onto passersby.
Colleen, a 17-year-old would-be eco-terrorist, starts things off, downloading beheadings off the Internet while thumbing through "Cosmo." Then we meet Frank, a 19-year-old hot dog stand owner, newly out on his own after his mother's death. He is as hardworking, focused, sweet and lonely as Colleen is aimless, angry, and loved.
Then there's Madeleine, Colleen's glamorous, aging aunt, a film producer driven to finish her magnum opus before her weak heart kills her, and her sister Beverly, Colleen's mother, a tower of strength who's at her wit's end. Lastly we meet two secondary characters, Valentin, a Russian thug, as he likes to think of himself, and Isobel, Valentin's lover and the fading star of Madeleine's film.
Canadian author Lisa Moore's first novel moves from character to character, changing points of view with each brief chapter, sometimes moving from third to first person and shifting tenses from past to present.
Grief, the sort of grief that changes the course of life, preoccupies all of them. Colleen and Beverly still mourn the death of David, step-dad and husband, four years dead, while Frank thinks vividly of his mother's lingering cancer death and his awful, solitary vigil. And Madeleine still misses the husband she left 30 years before (and now talks to nightly while his pregnant young wife sleeps). Valentin mourns his lost, harsh childhood and Isobel mulls her regrets.
But this is not a dark or depressing novel - it's too full of energy and life. And Moore employs an adroit, dry humor to delineate character.
Beverly, who talks to strangers easily, advises a man on a Christmas present: "'Is she a stay-at-home Mom?' Beverly felt a mild disdain for women who gave up careers with the excuse of raising children when most normal people could do both, but she felt guilty about the opinion, and often claimed to be envious."
Madeleine, assessing yet another young romantic prospect: "Trevor Barker's apartment was in the same condo as Madeleine's on Military Road and was all coarse fibers and bran-coloured. It makes her worry about what he will cook."
Moore, twice a finalist for Canada's Giller Prize (for this novel and for the short story collection, "Open"), writes intense, precise and anecdotal prose. Her characters roil with strong emotions, which sometimes impel them to act and other times are tamped or subsumed by will. There's an edgy energy to this first novel, making the reader aware that anything can happen at any moment, some of it prompted by human action, some just unavoidable fate, like David's aneurysm or Frank's mother's cancer or Valentin's ruthless opportunism.
Each of her characters has learned this lesson, some better than others. Colleen steals a bottle of vodka and tries to return it for a bottle of wine just to see what will happen. This is the day before she is to be sentenced for her solitary act of eco-terror, pouring sugar into the fuel tanks of clear-cutting machines, an act which involved hours of dangerous effort, hitchhiking and walking through the dark woods, all to be undone in an instant - fleeing and leaving her backpack on the ground, complete with wallet and identification.
That night, afterwards, in an instant during a car accident when Colleen faces the prospect of death, she forgets what it is she's been sad about for so long.
"Then she remembered. She missed her stepfather.
"And because she had taken that brief break....because of that very uplifting rest, the grief came back triplefold.
"It was a sock in the gut and she lost her breath, which also may have had to do with the airbag and maybe a fractured rib."
Colleen is difficult to love. At her best she's self-absorbed, but even at her worst, there's a gulf of (self-absorbed) despair and regret that makes the reader sympathize with her, yet never persuades her to alter her course as she cuts a wide swath through other people's hearts.
Like Valentin, Colleen is a force of nature. But, given her privileged circumstances and the nurturing love in her life, you know her chances of outgrowing her destructiveness are good. Valentin, however, is purely repellant and scary, lost despite his sad past and moments of hope.
Moore mulls the effects social circumstances and random fate can have on the best and worst of characters and leaves the reader haunted by her story and the voices of her narrative. A powerful writer with an agile and lively imagination.
-- Portsmouth Herald
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