9 of 10 people found the following review helpful:
5.0 out of 5 stars
Distinctive prose style sets this one apart, May 5, 2002
This review is from: Almost Blue (City Lights Italian Voices) (Paperback)
I bought this after it had been featured on NPR, and found it a compelling and disturbing read. The way that the author alternates POV's is challenging. As you are reading, you are not often able to immediately determine who is speaking. Chapter trasition is inspired, as well. The violence is described in a manner that is spine-chilling without being repulsive. This is a great read for someone bored with the cookie cutter way thrillers are currently written. It is refreshingly short and well-paced.
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8 of 9 people found the following review helpful:
5.0 out of 5 stars
Lucarreili -Almost Blue is a modern day masterpiece, August 1, 2002
This review is from: Almost Blue (City Lights Italian Voices) (Paperback)
Lucareelli from the first chapther grabs the readers attention and doesn't let go to the chilling ending. It not only is exciting murder thriller but also offers insight into cultural aspects of Modern day Italy. A word of warning the novel isn't for the faint of heart. I still have trouble sleeping at night I keep waking imaging the killer is in my room.
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5 of 6 people found the following review helpful:
5.0 out of 5 stars
A refreshing fast-paced compelling read, April 5, 2002
This review is from: Almost Blue (City Lights Italian Voices) (Paperback)
Meant to give 4 stars. Very Nice translation. Good Mystery.
What a delight to happen upon this Lucarelli book! Grazia Negro enters the book world of female cop detectives for English readers with this translation. This is a crime noir novel with signifigant twists from the ordinary. Besides the fast-paced complelling plot of tracking the serial killer, these pages also invite the reader into the world of Simone, a blind Bologna native, who provides the distinctive experience of seeing through a blind man's senses -unheard of in the usual crime/detective novel. The effect is poetic, lyrical, and fresh. The quality of translation is clear in that the reader also perceives the richness of the Italian experience, with just enough original Italian phrasing left by Stransky and with Lucarelli's pictoral journeys through the city to provide these nuances. Lucarelli, musician that he is, serendipidiously provides morsels of contemporary music which the xgen folks particularly will enjoy: NIN, Chet Baker, Costello and more.
Crime buffs, book-lovers who enjoy thrillers and mysteries, especially those jaded by books in those genre which seem written in canned formulas these days, will welcome this new arrival.
If Lucarelli has 10 more untranslated novels, keep them coming Ms. Stransky. An eager audience awaits.
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