From Publishers Weekly
Coming on the heels of the
Poets Against the War anthology and Web site effort, and of Hamill's stepping-down as the founding editor of Copper Canyon press, this valedictory volume feels perfectly timed. It includes work from 13 collections, as well as new poems, and a variety of translations from Chinese and Japanese classics. Hamill is at his best working in a minimal style inflected by his reading: "Each act of affection a lesson:/ I fail, but with each lesson, learn.// Like studying/ under Te-Shan:// Thirty blows if I can't answer;/ thirty blows if I can." The translations, which open the book, include work from Lao Tzu, Chuang Tzu and Wang Wei, as well as Issa, Ryokan and Basho. One of them, a short verse by Saigyo (1118–1190), sums up the book as a whole: "The mind is all sky/ the heart utterly empty,/ and the perfect moon/ is completely transparent/ entering western mountains."
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Review
"The goal of Hamill's poetry is a transparency of word and continuum, of subject and setting forth, an immediacy and clarity of line like that of fine calligraphy or of classical Zen brush painting. His poetry has only now begun to be accorded the attention it deserves."—W. S. Merwin
"No one—I mean no one ever—has done the momentous work of presenting poetry better than Sam Hamill. His editing and publishing, his criticism and translations, his own very strong and beautiful poems have been making a difference in American culture for many years. What a wealth of accomplishment! This book, this selection of his poems and translations is no less than essential."—Hayden Carruth
"Sam Hamill is one of the most disturbing poets of our time. In
Almost Paradise he finds his voice both in his own strong work and his intensely powerful translations. I've followed Hamill's work closely now for a couple of decades and my admiration continues to increase."—Jim Harrison
"Exquisite renderings of the paradoxes that encircle us."—Terry Tempest Williams
"Sam Hamill's
Almost Paradise is the accounting of a life of extraordinary breadth and passion. Hamill's work—clear and resonant, muscularly and musically felt—is the speaking of a poet of a specific and precise place, whose place is also the world. The poems emerging from his life in the Pacific Northwest bring the reader news from a world you can see, hear, eat, be rained on or warmed by. Poems conversing with other writers traverse as native ground the terrain of ancient Greece, Japan, China, and also the entire liberated and engaged line of American poetics. Hamill is a writer unabashedly taking his place within the community of literature and the community of all sentient beings—his fidelity is to the magnificent truth of existence, and to its commensurate singing."—Jane Hirshfield