Alright, Still [EXPLICIT LYRICS]

Lily Allen

Product Details

• Audio CD (January 30, 2007)
• Original Release Date: July 17, 2006
• Number of Discs: 1
• Format: Explicit Lyrics
• Label: Capitol Records
• ASIN: B000KG5EQE
• In-Print Editions: Audio CD  |  MP3 Download
• Average Customer Review: 4.4 out of 5 stars See all reviews (118 customer reviews)
• Amazon.com Sales Rank: #542 in Music (See Bestsellers in Music)

  Popular in this category: (What's this?)

  #65 in

  Music > Pop > Adult Alternative

Editorial Reviews

From Amazon.co.uk
Being, as she is, the daughter of prominent British actor Keith Allen, the cynics could easily dismiss the rise of Lily Allen as an act of backroom nepotism, a talent-free starlet helped to the stage by the right connections. But one listen to her debut album Alright, Still dispels any doubts about young Ms. Allen's star quality. Possessed of a feisty wit and taste for urban storytelling that should see her compared to Mike "The Streets" Skinner, these 11 tracks of sunshine-friendly reggae-pop cover topics including frustrating potential closing-time suitors ("Knock 'Em Out"), being happy when your ex is having a bad time ("Smile"), and having a little brother who likes a bit of a smoke--and not just of the tobacco variety ("Alfie"). Wisely, however, Allen doesn't let the grittiness of the subject matter tarnish the golden pop suss of the songs, a suite of gleaming productions by names including Mark Ronson and Gwen Stefani collaborator Greg Kurstin that take inspiration from the lighter end of reggae and vintage rocksteady. Doubtless some corners of the press will pillory her as a poor role model, but there's an engaging honesty to the likes of "LDN"--a love song to a city filled with teenage muggers, pimps, and crack whores, narrated by someone who's cycling because "the filth took away my license." Like father, like daughter. --Louis Pattison

Product Description
Japanese version of her debut album includes two bonus tracks, 'Cheryl Tweedy' and 'Absolutely Nothing'. Debut album by this critically adored British female pop vocalist. 13 tracks including the single 'Smile'. It's been a whirlwind couple of months for Lily Allen. After signing a low key deal with Regal, late last year, no one could have predicted how quickly she'd make an impression on the nation. Lily, like many artists, started posting tracks on her Myspace site in November 2005, so she could gauge what people thought. The response has been phenomenal. Listens on her Myspace site now are staggering, over 2 million and rising. The support from the press, radio and TV has been fantastic. She is already a 'red top' favorite with her honesty and sharp tongue, but also has fans across the digital world and within cult publications. Regal. 2006. --This text refers to the Audio CD edition.

Customer Reviews

Most Helpful Customer Reviews

17 of 19 people found the following review helpful:

4.0 out of 5 stars It makes you feel like you're in a conversation with your best mate !, March 1, 2007

By	Amskeating - See all my reviews

After the hyped release of "Smile", Lily Allen emerges in the music scene with an album to be remembered as one of the best debuts ever in British pop music.

"Alright Still" features some of the songs Lily has uploaded in her MySpace page, giving her the credit of being one the first mainstream acts to make use of social networking.
In a 37 minute album, the singer mixes pop, indie, ska, reggae and hip hop in songs with great potential to become singles.

Besides catchy and bitchy "Smile", highlights in "Alright Still" include the MySpace hit "LDN", whose lyrics and video are dedicated to London, "Alfie" lyrically funny and genious (inspired in her real little brother Alfie), the informal bizarre "Knock 'Em Out", which features lyrics that were used as the title of the album.

Lyrically Lily proves to be a contemporary poet, mixing meaningful messages with stupid jokes and informal slangs.

7 of 7 people found the following review helpful:

4.0 out of 5 stars Finally, I found a album with explicit PBS kids songs!! In a good way though!, April 29, 2008

By	Rodney Walker "TPS Reports.com" (Chicago, IL) - See all my reviews (REAL NAME)

I first saw Lily Allen on a Mark Ronson video with her posing as a cartoon Roger Rabbit style, and I thought to myself, this girl is different creative and unique. Then she featured in Common's "Drivin me Wild" video and I was asking myself do this artist have an album yet? Well, late(as usual) I discovered that she did have an album because I saw two of her own videos on Havoc TV. Those videos were "Smile" and "LDN" and I was blown away. She has a merry-go-roundish type pop, but hip-hop, with a little dash of sing-a-long join hands and dance around in circles type vibe that I became so addicted, I watched the videos over and over again. So I was going to go get the album when I discovered my own sister (which music range isn't as deep as mine) knew and had the album way before I found out about this album. (Of course I was furious, but I had to snatch it up and listen).

Great music, great production from Mr. Ronson. "Knock em Out" and gameshow sounding "Everythings Just Wonderful" has Lily talking about having bad credit, family members smoking weed, etc, this girl has issues if you get past her melodic high vocals and listen to the lyrics. My personal favorites are "Friday Night" the addictive but creative "Shame For You", and hands down the best song on the album with its light synth and heavy keys "Take What You Take", yeah that's the title, Lily Allen really stretches out and shows her true vocal skills. She even does a little rapping on the album which doesn't sound bad either. "Nan You're A Window Shopper" she sounds better than 50 cent's version and a little more threatning too (sorry Fiddy)!! To nick pick, "Alfie" gets lost in the shuffle, but Lily comes hard with a stellar debut album and looking forward to hearing more from this strange genius!!

4 stars. The Brit sensation!!

8 of 9 people found the following review helpful:

3.0 out of 5 stars Alright, but...., May 30, 2008

By	M. G Watson "Miles Watson" (Los Angeles) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

In the movie SAW, the serial killer Jigsaw calls one of his victims, "Angry and apathetic, but mostly just pathetic." That description would fall pretty aptly on Lilly Allen, or at least on the character she's portraying in this album.

I don't know much about the lass, who initially caught my attention with an effortless, liquid rendition of "LDN" at the '08 Prince's Trust concert, except that she's the offspring of a very well-heeled British actor. Thus, her decidedly punkish, working-class persona, complete with Cockney accent, may be a complete fake. I've no clue. I can only go on what I hear, and from a strictly musical standpoint what I hear is pretty good.

Allen has a lovely, just a bloody lovely voice, not merely pleasing but equipped with a subtly modulating resonance of the type Britney Spears probably dreams about between spells in the looney bin. She also has a wickedly subversive sense of humor, showcased on such songs as "Knock `em Out" and "Not Big", and a great observational eye, making most of the songs either laugh out loud funny or good for a nod and a thoughtful chuckle. The production is thoroughly professional, so much so the whole album seems to sparkle with some kind of machined gloss, and nearly every beat and tune ridiculously catchy.

Where the album disappoints is under the hood. Allen says a lot, but when you scrape away the icing she doesn't have much to say. She hates bureacrats, old people (her most ill-tempered rants go to her own grandmother, who has blasphemed against the punk code by growing old, a horror Allen seems to regard as a character fault...let's see how you feel in another 30 years, Lil), commercialism, and nearly all of her ex-boyfriends. Her main desire in life seems to be club-hopping, but she devotes several songs to gripes about obnoxious doormen, hostile-jealous girl rivals, and ugly guys that hit on her, so you have to wonder why she bothers. Everything on the album is catchy and clever, but all the effort seems a bit wasted when the content is so random and psychologically shallow. I kept waiting for a real punk-type rant, replete with guitar-smashing and burning British flags, but it never came. This is real belly-to-asphalt, working-class-on-the-dole, narrow-horizon type stuff, and my final impression was of a thoroughbred race horse hooked up to a everyday milkwagon: lots of talent spent in the wrong direction. Lilly Allen has a gorgeous voice and a skewering wit, and her next time at bat I hope she swings at more substantive stuff than sexually unsatisfying boyfriends and coupon-clipping grandmas. 3.5/5