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Always is a well made picture. From Spielberg we expect nothing less, though I think his name hinders this film**. The cinematography and the score are excellent as in all his films, as are the action sequences involving the planes. However, the acting is the strongest part of this film. This is the kind of role Dreyfuss shines in. His fusion of wit and sincere emotion is wonderfull and he delivers some difficult monologues which would seem trite is lesser hands. Holly Hunter and John Goodman are excellent as the people dealing with his loss. Also Audrey Hepburn makes her final screen appearance in two scenes as an angel (how fitting).
**I have this theory about Always. It was almost universally panned by critics, but I think the criticism is directed more at Spielberg than at the film. Certainly Spielberg has made better pictures, and perhaps this film was made on a grander scale than it needed to be, but I think if any other director had done this film it would not have received so much scrutiny. But, I also believe in the hands of a lesser director this movie would not be as good. Always combines action, humor, genuine sorrow, and happiness , and it combines them well, which is no small achievement. Spielberg made a good film, let it go.
Holly Hunter shines as Dorinda, Pete's girlfriend, who tries to come to terms with Pete dying. John Goodman is also funny and loveable as Al, one of the pilot trainers.
I was really disappointed when "Ghost" (although Ghost is a good movie in and of itself too) came out a little while later, because it seemed to have stolen many themes from "Always", such as male lead having problems saying "I love you", male lead being able to have an influence on surviving loved ones after dying, lead female being able to be told eventually "I love you by lead male. Ghost seemed to get more of the rave reviews and sentimental following than Always, because it was a "sexier" movie. acted by "handsomer" actors. Always was told more like a fairy tale. Anyway, I digress.
I found this movie to be magical and I really enjoyed it.
Richard Dreyfuss stars as Pete, a dare-devil aerial firefighter with a penchant for taking a lot of unneccesary chances in his line of work. As much "fun" as he has, he is worrying not only his partner Al (John Goodman), but also his one true love Dorinda (Holly Hunter). After much pressure, including Hunter's threat to leave him, he agrees to settle down and become an instructor for up-and-coming flyers in Colorado after one last mission. But on that mission, in the process of saving Goodman when his plane catches fire, Dreyfuss loses his life when his aircraft explodes. Goodman is horrified, and Hunter devastated.
In heaven (or a burned-out section of forest), Dreyfuss is met by a guardian angel (Audrey Hepburn, in her final role). He comes back to earth as a spirit, to help a rookie fire-fighter (Brad Johnson) learn the tricks of the trade. Johnson does this and more; unfortunately, he also falls head over heels for Hunter, and Dreyfuss feels the pain of having to watch this, not being able to let go. But Hepburn gives him very good counsel, and he is redeemed by saving Hunter from a fiery death in a flight through a nightmarish firestorm.
One of Spielberg's most touching movies, ALWAYS was unfairly castigated by critics as being heavy-handed and manipulative. I, however, am extremely cynical of such critics who only analyze certain films and don't really FEEL anything. This is a film of pure emotions, ranging from comedy, both dark and slapstick, to tear-jerking drama to a suspense and terror-laden climax. The cinematography and the special effects are typical for Spielberg--convincing and top notch. Spielberg, however, wisely, does not stint on the drama. Dreyfuss and Hunter are excellent, as are Goodman and Hepburn. Johnson, often heavily trashed, does a fairly good job with his role, complete with his John Wayne imitation (specifically borrowing a line from John Ford's THE MAN WHO SHOT LIBERTY VALANCE).
A typically fine score by John Williams, which presages his work for Spielberg's controversial 2001 sci-fi drama A.I.: ARTIFICIAL INTELLIGENCE, tops off ALWAYS, one of the most misunderstood movies of recent times. For poignant romantic drama, this is an essential movie, a true must-see.
Touching, funny, dramatic with a touch of romance. Great cast and acting. A lesson is learned in watching this movie. Read more
