From Publishers Weekly
A slick ladies' man is forced to reconsider his philandering ways in this mature, believable romance. After more than 15 years of friendship and casual sex, 35-year-old painter Medora Jackson finally kicks her womanizing so-called boyfriend, art dealer Randall Hollis, to the curb. She is so fed up that when she learns she is pregnant, she decides to raise the child without him. Randall promptly takes up with two women, one 13 years older than Medora, the other nine years younger: Ana is a well-to-do patron of the painters Hollis represents and Taylor is a privileged grad student with an eye on a career in the arts. What Randall doesn't know is that Ana's son is Taylor's ex-boyfriend and that they all travel in the same gossipy social circles, so it's only a matter of time before he is found out. Wesley (Ain't Nobody's Business If I Do; the Tamara Hayle mysteries) spends plenty of time getting inside her protagonists' heads, though often at the expense of her plot: Medora's father, also a painter, was a lousy parent and husband; Randall's dying mother is an emotional vampire and he never knew his father; Ana's two marriages ended badly; Taylor's twin died at birth and her father left her mother for a younger woman. Despite all this, Wesley avoids histrionics, allowing her complex characters to evolve as they learn from their own mistakes and others'; from the Freudian haze emerge some valuable observations on love, self-respect and responsibility.
Copyright 2002 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Randall Hollis is a successful art dealer. Yet, with all of his professional success, he can't seem to commit to a monogamous relationship. The one woman who he has always loved is well-respected artist Medora Jackson. For the last 20 years, Randall and Medora have been involved in an on-and-off relationship. But when Medora tells Randall that she can no longer participate in their noncommitted relationship, Randall accepts her decision and begins to pursue Anastasia Reese-Mitchell, a wealthy widow eager to build her personal collection of African art. His third love interest is the young, ambitious Taylor Benedict. She is involved with Randall for the excesses he showers on her--but they come at a price. When these three woman collide at an art gallery showcasing Medora's art that Taylor has researched and Ana is interested in purchasing, Randall has to finally come to grips with his self-destructive romances, and the reader is left with a gripping novel hard to put down till the last page.
Lillian LewisCopyright © American Library Association. All rights reserved
--This text refers to an out of print or unavailable edition of this title.