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35 of 35 people found the following review helpful:
5.0 out of 5 stars
Philip K. Dick DOES come alive in Carrere's book, May 21, 2005
This riveting biography sat on my bookshelf for months, a reflection of my ambivalence about starting it. As a long-time fan of PKDick, I was obliged to buy this book, of course, but I had heard things about it which caused me to wonder whether it would be a worthless speculation, a fantasia on the life of Dick. Most of these things I had heard--or rather, read--here on Amazon.
Upon beginning the book, I found myself almost immediately yanked into Dick's world and life, and, although I have another 70 or so pages to complete, I feel this book surpasses Sutin's fine biography in that it does not merely bring us the external "objective" facts of Dick's life, but vividly animates that life, putting us INTO the "koinos kosmos" of Dick: we come to experience ourselves the sweat and fear and lust and neediness and egocentricity and eccentricity and petulance and brilliance and charm and childishness and addiction and obsessions of the man, among many other of the panoply of traits which made Dick the human being and writer he was.
While as a younger "fan" I might have been threatened to see my literary hero depicted so frankly--which of course cannot leave Dick looking saintly, by any means--as a more mature person I appreciate Carrere's respect for his subject and for his readers, as he does not idealize or elide Dick's less savory traits, but incorporates them into a complex and empathetic portrait which has the feeling of truth. After all, writers are notoriously tormented or maladjusted human beings, and the writer who could have produced Dick's body of work cannot be assumed to have been merely a gently avuncular eccentric, but was a complicated man, driven by harsh anxieties and compulsions as much as by brilliance and creative fecundity.
I have read PK Dick for 30 years, and I have read all the articles and books about him I have been able to find in that time. Yes, Sutin's biography is masterful and authoritative, but I unreservedly recommend Carrere's novelistic portrait as the most powerful recreation of Dick the human being I have encountered.
Superb.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Is this Review a Manifestation of Ultimate Truth or a Figment of Your Imagination?, November 18, 2005
This review is from: I Am Alive and You Are Dead: A Journey into the Mind of Philip K. Dick (Paperback)
What a fascinating journey through a bizarre and brilliant mind! I had always wanted
to learn more about Philip K. Dick, but had been turned off by other articles and
books that had drained the life from Dick's story with overly dry and pedantic prose.
In contrast, Carrere offers psychological insight and philosophical speculation
that can only be described as "Phildickian." As one who had read all of
Dick's better-known works, Carrere seems to have reanimated Dick's spirit in this
compelling, partially novelized tale. What the reader sacrifices in footnotes and
verifiable fact is more than made up for by the sheer human interest of the story.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
A fascinating book about a fascinating writer, August 14, 2005
This is in no sense a scholarly work-no footnotes, no bibliography, not even a "further reading" list. Emmaneul Carrère is an unabashed fan of Philip K. Dick who, having read everything there was to read, still wanted to know more about how Dick's mind worked. He pursued this quest through much of Dick's unpublished material and apparently interviews with those who knew him. (I say "apparently" because the lack of footnotes, while adding to readability, does detract from complete clarity about sources and research methods.) Nevertheless, Carrère has produced a fascinating book, and he and his translator, Timothy Brent, have made it a very readable one, too.
Carrère gives a reasonably full account of Dick's life, while assuming that his readers are those who have already read most or all of Dick's major works, and the earlier biographies. (Cautionary note: this means that, if you haven't read Dick's major works, you should beware of spoilers.) His goal is working out an understanding of his subject's mind from this wealth of material. To what extent did the traumas of Dick's childhood (the death of his twin sister when they were a few weeks old, his parents' divorce, his mother's own obsessions) contribute to his own instability and emotional problems, and to what extent were they merely the background against which his own personality oddities played out? How did his problems and his drug use affect his fiction? How much was the drug use the cause of his later problems, and how much was it an unguided attempt at self-medication? Carrère seems both clear-eyed and sympathetic in his descriptions of not only Philip Dick, but also his parents, wives, and friends. This is a highly readable and interesting book about a fascinating writer.
Recommended.
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