I Am Not Jackson Pollock: Stories [Paperback]

John Haskell (Author)

Book Description

Publication Date: April 1, 2004

A bewitching collection of short fiction--haunting and hypnotic meditations on art, movies, literature, and life. In "Dream of a Clean Slate," Jackson Pollock the man struggles with the separation he feels from Jackson Pollock the artist; "The Judgement of Psycho," probes the sexual dynamic of Janet Leigh and Anthony Perkins in Psycho, and then delves into the relationship between Hector and Paris in the Iliad; and Orson Welles presides over "Crimes at Midnight," a tense evocation of desire and its consequences. A series of myths for modern times, this is an astonishing debut.

Editorial Reviews

From Publishers Weekly

Haskell evades definition in his audacious debut collection, creating an innovative blend of fact and fiction and deliberately eliding the difference between them. Most of the nine stories are imaginative extrapolations of the lives of real people (or, in some cases, real animals), such as the eponymous painter and his wife, Lee Krasner; Psycho stars Janet Leigh and Anthony Perkins; Laika, the first dog in space; and Saartjie, the early 19th-century South African woman brought to London as the famous sideshow attraction the Hottentot Venus. Haskell mixes anecdotes from the lives of these artists and celebrities with fictitious events to compose deceptively simple vignettes in which he distills and clarifies moments of intense psychological struggle. Jackson Pollock sees a beautiful woman as he enters a bar in "Dream of a Clean Slate," "but he was feeling a thing he called nervousness, a feeling in his body that he didn't like, so he stopped at the bar for a drink, a whiskey... part of him--his desire-goes to the girl, and the rest of him stays at the bar, drinking and trembling." In "The Faces of Joan of Arc," Mercedes McCambridge, the voice of the devil in The Exorcist, tries vainly to stop drinking; actress Renee Falconetti tries to understand her role as the title character in The Passion of Joan of Arc; and an aging Hedy Lamarr shoplifts a tawdry department store dress. "Elephant Feelings" weaves together the stories of the Hottentot Venus; Topsy, the elephant whose electrocution was famously captured on film in the 1900s; and the Indian god Ganesh, half man, half elephant. Betrayal and humiliation, coupled with an inability to communicate, drives all three to acts of violent rage. Haskell subtly explores questions of exploitation and agency through the eyes of his celebrity characters, winking all the while at his own attempts to get into their heads. His hypnotic writing creates its own genre, unsettling and quietly bizarre.
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Jackson Pollack created images of passion and mystery and sparked a new fervor for abstraction in the art world. Similarly, Haskell's collection of stories--not quite fiction, not always true--equally tells of passions, mystery, and abstraction. He takes real-life situations: Pollack himself trying to separate the man from the artist in "Dream of a Clean Slate"; the infamous Coney Island man-killing elephant, Topsy, in the year 1900 and the fabled Hottentot Venus, an African woman whose body was a Parisian circus spectacle, both seek the true love of a man in "Elephant Feelings"; Janet Leigh's character in Psycho and her relationship with Anthony Perkins' character is analyzed and romanticized in "The Judgment of Psycho"; Glenn Gould's hypochondria is examined in "Glenn Gould in Six Parts"; and the tribulations of Laika, the Russian dog that was the first animal in space, are addressed in "Good World." These are just a few of the wonderful, quirky, even extraordinary tales that intersperse Hollywood gossip with plumbing the depths of the human spirit. Michael Spinella
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Product Details

• Paperback: 192 pages
• Publisher: Picador; First Edition, First Printing edition (April 1, 2004)
• Language: English
• ISBN-10: 0312421869
• ISBN-13: 978-0312421861
• Product Dimensions: 8.5 x 5.4 x 0.5 inches
• Shipping Weight: 5.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.3 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #1,030,689 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful:

5.0 out of 5 stars Best Book I've Read This Year, July 13, 2004

By 

JAL "jlwest" (Seattle, WA USA) - See all my reviews

This review is from: I Am Not Jackson Pollock: Stories (Paperback)

Believe the review on this page that says the book is astonishing. I've never read anything quite like it. Why would anyone who read it call it "senseless" - ? That reader really missed the mark. This is fascinating writing - the author is a master at seeing similarities between things which, on the surface, are dissimilar. From high culture to low, Haskell brings it all together into one frame. I recommend it wholeheartedly to anyone interested in ficition that isn't dead in the water. If you're tired of formulaic writing, this one will wake you up. This is infused with motion and risk. A lovely book, my favorite of many read in the last year.

6 of 8 people found the following review helpful:

4.0 out of 5 stars Terrific premise with very good execution., April 18, 2003

By 

Benjamin (ATLANTA, Gabon) - See all my reviews
(REAL NAME)   

This review is from: I Am Not Jackson Pollock: Stories (Hardcover)

John Haskell's first short story collection takes key figures from history, identifies them at defining moments in their existence and builds a story around them to explain their significance. It's an interesting take on the short story, which some say is a dying art, and Haskell does good work, for the most part.

His premise, though, turns the "stories" into more analysis of moment than a narrative. Occasionally, the stories become bogged down and feel like essays, though this is itself is intellectually stimulating.

He gives the reader a look inside Jackson Pollock's head in one piece, granting you the opportunity to follow Pollock's reasoning.

In "Elephant Feelings," the best of the stories, Haskell takes three figures from culture and history and draws parallels between them. (It feels like a shorter version of "The Hours," even, except with mythical characters and an elephant playing the Virginia Woolf part.) But not enough is done with the premise, in my opinion.

As with all the stories, I felt like the characters and moments were well-drawn. But, to justify going into all this detail, I wished it'd featured less analysis and more plot.

5 of 7 people found the following review helpful:

4.0 out of 5 stars Vagaries in the search of reality, April 30, 2003

By 

Grady Harp (Los Angeles, CA United States) - See all my reviews
(HALL OF FAME REVIEWER)    (VINE VOICE)    (TOP 50 REVIEWER)    (REAL NAME)   

Amazon Verified Purchase

This review is from: I Am Not Jackson Pollock: Stories (Hardcover)

John Haskell is a writer new to the reading (though not the performing) world and his voice is one that stirs interest, primarily because it is unique. He tells these nine 'short stories' - they seem more like extended meditations or themes and fugues - in a manner that combines known public figures (a particular penchant for old movie stars and old movies) with imaginary cast members to explore the thin line of reality vs fiction. He makes bizarre choices in combining such people as Orson Welles, Joseph Coton, Falstaff, Prince Hal and Janet Leigh to ponder self perception:"...once we think we know who we are, to change who we are means giving up what we love, even if we hate it." The haiku poet Basho is intertwined with thoughts about John Keats; Keats falls short of relating to Fanny Brawne until he faces his moment of death; Basho confesses he "...wants to find beauty and harmony, but something is always distracting him - people usually - pulling him off the road." Mercedes McCambridge, the devil voice of Linda Blair in "The Exorcist", struggles with alcoholism, Joan of Arc is recallled historically and through the various guises of the actress who portrayed her in the film. Sound confusing? Well it is, and sometimes the obtuseness of Haskell's technique borders on not the absurd, but the senseless. I think we're seeing the early work of a mind that is rich in fluid imagination. I feel as though this author has a lot to say but is hiding behind the likes of Jackson Pollock and Joan of Arc and Ganesha for fear of not being noticed. I don't think he needs this gimmick and I eagerly await his next novel. He WILL be noticed on his own rights.