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Most Helpful Customer Reviews
15 of 15 people found the following review helpful:
5.0 out of 5 stars
Choral at its best,
By Richard Brooke (London, England) - See all my reviews
This review is from: I Am The True Vine: Arvo Part (Audio CD)
Paul Hillier, best known for his recordings of early music, brings that sense of urgency and simple piety to the delicate religious music of Arvo Part. This is music which combines gentleness with real force, and the intelligent singing, and capacity to make moments of silence tell as much as grand effects, is entirely admirable. The opening "Hail Mary" reminds us of Baltic folk-choruses and the more elaborate works here--cantatas to English words from the New Testament--like title work, "Tributeto Caesar" and "The Woman with the Alabaster Box"--never entirely leave that style behind for their more austere sound world. The "Berlin Mass" with organ is a powerful devotional work which combines sheer beauty of sound with liturgical practicalities. In all of this work, most of it recent, Part reveals himself as a great master of acapella choral writing
13 of 13 people found the following review helpful:
5.0 out of 5 stars
Arvo is the Real Thing,
By Giordano Bruno (Wherever I am, I am.) - See all my reviews (HALL OF FAME REVIEWER) (TOP 1000 REVIEWER)
This review is from: I Am The True Vine: Arvo Part (Audio CD)
This is the CD I would choose to introduce the music of Arvo Part to a new listener. Why? Because it's beautful music, beautifully sung. Because it's sublimely emotional music, sublimely felt. Because it's modern music that sounds strangely familiar; if you've appreciated Gregorian or Orthodox chant, you'll recognize both the indebtedness and the orginality of Part's music. Because most of the texts are in English or in familiar liturgical Latin; an English text does offer something by way of immediacy.
Arvo Part began his musical career writing successfully in the more or less standard musical vocabulary of modernism. But then, out of dissatisfaction, he turned to the music of the Middle Ages - chant and polyphonic tropes of chant - for new inspiration. There's a lot that's direct Medievalism in this performance. For comparison, listen to some of the CDs of Sequentia singing the Codex Calixtinus, or of Marcel Peres's Ensemble Organum, or of Paul Hillier's Hilliard Ensemble singing Perotinus. Part is plainchant driven to its irrational/rational extreme, taking dissonance and wild tessitura beyond the rules of Medieval composition. While we can instantly relish 11th C organa, I seriously doubt that the 11th C chanters would have comprehended Arvo Part. Paul Hillier's Theater of Voices is the perfect ensemble to sing this music, all of them having a background in Early Music, all grasping the aesthetics and vocal production techniques to make such music beautiful. The sound recording on this CD is among the best I've ever heard of a choral performance. Religion has inspired world's greatest music. A huge share of the music I listen to is "religious" even though I am not a religious person. It seems obvious that Arvo Part is a composer striving to express his most profound religious thoughts and feelings in his music. You may wonder why I respond to it so profoundly, if I'm indifferent to the religious thoughts. That's simple. You couldn't be fully human without responding to the transcendent impulse expressed in religious feelings... and in this music.
22 of 25 people found the following review helpful:
5.0 out of 5 stars
Music from the Heaven,
By
This review is from: I Am The True Vine: Arvo Part (Audio CD)
When I first listened to this CD from a Tower Record sample shelf, I was amazed at the high quality of this recording. The music is sacred and the voices of both Pro Arte Singers and Theatre of Voices are clean and clear, you feel that you are listening to the music from the Heaven. Excellent performance.
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