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Amadeus: A Play by Peter Shaffer Paperback – August 7, 2001


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Product Details

  • Paperback: 160 pages
  • Publisher: Harper Perennial; 1 edition (August 7, 2001)
  • Language: English
  • ISBN-10: 0060935499
  • ISBN-13: 978-0060935498
  • Product Dimensions: 5.3 x 0.4 x 8 inches
  • Shipping Weight: 4.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (42 customer reviews)
  • Amazon Best Sellers Rank: #228,522 in Books (See Top 100 in Books)

Editorial Reviews

Review

"Peter Shaffer's infalliable instinct for what makes riveting theatre is again demonstrated in his awesomely talented new play Amadeus." -- --Sunday Express

"Shaffer orchestrates this gripping and fascinating conflict with consummate skill and delicious wit." -- --Saturday Review --This text refers to an out of print or unavailable edition of this title.

About the Author

Peter Shaffer is a dramatist familiar to American audiences as the author of Equus and of a string of other theatrical successes: Five Finger Exercise, the Private Ear and the Public Eye, The Royal Hunt of the Sun and Black Comedy.

Customer Reviews

I am a big fan of the movie, so I decided to sit down and read the play.
Nicoletta Carlone
We'll never be able to create artworks that express the yearning for beauty that even the dimmest of us occasionally feel.
Kerry Walters
The play is called AMADEUS but the chief character of the story is Antonio Salieri.
tvtv3

Most Helpful Customer Reviews

12 of 12 people found the following review helpful By RCM VINE VOICE on April 27, 2004
Format: Paperback
I first became familiar with this story after seeing the movie "Amadeus." The movie made me curious about the facts in the lives of its two main characters, Wolfgang Amadeus Mozart and Antonio Salieri. While not necessarily factual, this play by Peter Shaffer is an intelligent and fascinating examination of two men's suffering: pain in both mediocrity and genius.
The play is fast-paced and a relatively easy read. Shaffer paints an elaborate picture of both composer's lives during the time in which they lived. Shaffer's portrait of Salieri is richly written, his thoughts are revealed to the reader/audience through direct speeches and sidebars. Characters act as moving set pieces - their dialogue starting or ending as they carry furniture on and off stage to change scenes.
Shaffer's play is an examination into the ruin of both men. Mozart is ruined by his lifestyle and his lack of funding; the citizens and rulers of Vienna find him rude and offensive. They fail to understand the unfamiliar directions his genius is taking the musical world. Salieri is ruined by his fall into mediocrity and obscurity when Mozart arrives in town, the musician blessed by God, and through his plots that lead to Mozart's downfall. While much about the play is based on speculation, it never rings false because of the strong portrayls of each man.
Having just recently seen this version of the play performed, it is obvious why Shaffer struggled with getting the character of Salieri "just right." He finds absolution in his final act - confessing his sins to his created audience, and not to the creator he once yearned to serve.
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8 of 8 people found the following review helpful By A Customer on December 1, 1999
Format: Paperback
I first saw this play during its original run on Broadway. I went to see it with my college drama class. I had no idea what to expect. The amazing Ian McKellen played Salieri, and from the moment the play began until the final curtain, I was mesmerized. I skipped the other play we had tickets for and went back to see "Amadeus" again in "standing room". The play is wonderful, yes. But I truly think its ultimate success depends upon the actors playing the roles of Salieri and Mozart. I think the original Broadway cast was a once-in-a-lifetime group, but I'm looking forward to the upcoming Broadway revival. Read the play, and then go see it come to life!
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3 of 3 people found the following review helpful By tvtv3 TOP 500 REVIEWERVINE VOICE on October 1, 2007
Format: Paperback
Peter Shaffer's award-winning and highly popular play AMADEUS is in many ways a morality play but seen through the eyes of a complicated postmodern villain. The play is called AMADEUS but the chief character of the story is Antonio Salieri. Salieri is the Court Composer for Emperor Joseph II of Austria during the end of the 18th Century. He is held in esteem not only by the Emperor and Court, but by the masses as well. Then Amadeus Mozart makes his way to the Austrian Court at Salzburg and Salieri recognizes in the young man a musical genius superior to anything musical he has ever heard. He becomes enraged with bitter jealousy. Feeling that God has abandoned him and given the talent that he has trained to develop and possess his entire life, Salieri declares a war against God that he will fight on the battleground that is Amadeus Mozart.

AMADEUS is a fantastic play. Author Peter Shaffer has revised the play several times since its first performance in 1979 and this version of the show (written twenty years later in 1999) is in my opinion the best because it is the one that portrays Salieri more than just an evil man, but as a human being that the audience and readers can relate to and actually understand somewhat. A must see play that anyone who enjoys theatre should be familiar with.
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3 of 3 people found the following review helpful By Winston J. Pennyworth III on April 23, 2001
Format: Paperback
Shaffer illustrates an incredible conflict in Amadeus, alltogether permeated by the dark themes of jealousy, hatred, and death. Showing the apparent mutual exclusivity between intelligence and virtue, the true strength of the play lies inextricably in the character of Court Composer Salieri. It is a testement to the skill of Shaffer that I almost thought Salieri's motive as evil, but perhaps justified. In him I saw myself, striking out at God for his cruelty, for his preferential and exclusive love. Not only the writing but the stage directions are done incredibly well. Everything is as it should be, not a song at an inappropriate time, not a note misplaced. The character of Mozart is best embodied in the performance of Don Giovanni, where Shaffer describes him as "quailing" before the dark and demanding figure of his father. This is a masterpiece of pain and jealousy, timeless and impenetrable plagues of humanity.
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3 of 3 people found the following review helpful By A Customer on December 11, 2000
Format: Paperback
The book shows the relationship between Salieri, God, and Mozart, the talented musician. Even though the plot is mostly fictional, it shows really nicely how cruel a vow with God can be if one is so grim to get his own success. It's interesting, how this play is connected with true facts, which you only understand knowing a bit of the real history of Mozart.We really liked the play, because it's thrilling and shows some important psychological aspects. Especially the relation between Mozart and his father is quite interesting. It's worth reading, we really do recommend this great play.
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Amadeus: A Play by Peter Shaffer
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