The Amalgamut [ENHANCED] [EXPLICIT LYRICS]

Filter

Product Details

• Audio CD (July 30, 2002)
• Original Release Date: July 30, 2002
• Number of Discs: 1
• Format: Enhanced, Explicit Lyrics
• Label: Reprise / Wea
• ASIN: B00006916E
• In-Print Editions: MP3 Download
• Average Customer Review: 4.3 out of 5 stars See all reviews (103 customer reviews)
• Amazon.com Sales Rank: #58,954 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.com
Filter's third album was inspired by a cross-country trip that imbued lead singer Rich Patrick with patriotism and appreciation for both the diversity and sense of freedom he found out on the road. While the recording is purported to be a celebration of that diversity, most of the record hasn't strayed much from the alt-metal template that Filter cut their teeth on back with their 1995 debut. Here are the same teeth-gnashing rants, scatter-gun drumming, and claustrophobic soundscapes that inhabited their first two albums. Patrick, however, has eschewed much of his trademark bloodcurdling screaming in favor of a lush vocal style that would suit an '80s New Romantic frontman. Though it's oddly an industrial band, Filter's best songs almost qualify as power ballads. The gorgeous melodies and moody lyrics of "The Missing" (written on September 11) and the psychedelic pop of "The Only Way Is the Wrong Way" owe more to Smashing Pumpkins than Nine Inch Nails. But even the jarring "American Cliché" and the ragged, downcast "Where Do We Go from Here" veer closer to pop than anything that appeared on the first two albums. The Amalgamut ultimately is a sophisticated and intelligent pop-metal hybrid. --Jaan Uhelszki

Product Description
2002 release, this CD is enhanced with the 'Where Do We Go From Here' video along with the short film 'Plague of a Thousand Deceptions'. Featured tracks include 'Where Do We Go From Here', 'American Cliche' and 'The Only Way' (Is The Wrong Way).

Customer Reviews

Most Helpful Customer Reviews

13 of 15 people found the following review helpful:

5.0 out of 5 stars Welcome surprise from Filter, July 30, 2002

By	M. Jarrett "SoundgardenFanForLife" (New England, USA) - See all my reviews (REAL NAME)

I was expecting THE AMALGAMUT to be more melodic than TITLE OF RECORD was, but I was given a pleasant surprise. Although some fans of Filter might find this album not to their liking, THE AMALGAMUT is a wonderful album. It's been three years since TITLE OF RECORD, and Filter showed a lot of growth with this new disc.

THE AMALGAMUT gets things cooking with "You Walk Away" and "American Cliche", two hard-charging tracks that start the album off nicely, leading into the lead single "Where Do We Go From Here". That song is one of the standouts on the album, as "Where Do We Go From Here" showcases a great blend of melody and intensity. It's a moment that makes the album stand above other releases that may seem half-hearted. THE AMALGAMUT doesn't stop there, though.

"So I Quit" and "My Long Walk to Jail" are some of the hardest tracks from Filter since "Hey Man Nice Shot" blew out our eardrums. "The Only Way (Is The Wrong Way)" has the same idea that "Take A Picture" did on TITLE OF RECORD: it's surprisingly melodic, and sort of dance-y. Also, "Columind" and "God Damn Me" are similar to "Where Do We Go From Here", as both are melodic with a blend of hard-rock thrown in for good measure.

The real surprise, though, is the completely melodic and atmospheric eight-minute-plus closing track, "The 4th". With mumbles from time to time surfacing on certain points during "The 4th", this track closes the album on a rather light note, but no less intense. It may be disappointing to many fans, but you'll come to appreciate it in time...if you do.

THE AMALGAMUT showcases a great blend of heavy tunes and charging melodies from Filter. They really changed after TITLE OF RECORD, a record which balanced with more melodic rock than heavy tunes. Yet however, TITLE led to AMALGAMUT's absolutely pure melodies, and this is no disappointment. Make no mistake, Filter are back...and their new disc THE AMALGAMUT is total proof that they've got a great knack to make some good rock. Cheers!

6 of 6 people found the following review helpful:

4.0 out of 5 stars Richard Patrick can still scare the pants off a banshee..., August 9, 2002

By	"dieselbreeze" (Seattle, WA United States) - See all my reviews

...but somewhere along the way he learned to sing as well. Good on him! Patrick's voice has never sounded better, or the band more cohesive. Still, there are two sides to The Amalgamut. One is pop-station friendly, the other certainly is NOT.
"God Damn Me" is a joy to listen to. Right now it is my favorite song on the record. Bittersweet vocals float over an acoustic guitar and drums during the verse, blending into gorgeous harmony during the chorus. People will invariably compare it to "Take A Picture", but this is better.
"Columined" is the other side of this album, a distorted, throat-scraping soundoff on the events at Columbine. I wonder how the man has a voice left at all!
Some of the songs seem destined for radio airplay, like the already-released "Where Do We Go From Here". That and "The Only Way (Is The Wrong Way)" are both similar to "Take A Picture" in that they are pleasant to listen to and insidiously singable (meaning you'll probably hear even tone-deaf people singing them as you cringe in horror).
Harder, more adventurous stations might take on "My Long Walk To Jail" or "You Walk Away" which feature crunchier guitars, harder drums, and the trademark skullsplitting vocals. Time will tell.
Only the last two tracks seem out of place. "World Today" is wierd and disturbing, like a child in an insane asylum. "I like the world today, I like the world today, I like the world today, when it's green...And sometimes it's mean, and sometimes it's mean, and sometimes it's mean as can be". "The 4th" is companion to "World Today", which is pure aural experimentation. The song (I use that term loosely) is hypnotic and oddly calming but disconserting, as though the musical rollercoaster's track suddenly left the park, and headed out into the desert.
The jumble of styles and sounds on this album is a challenge sometimes, but it is always interesting and ultimately rewarding to follow a band as it grows more skilled and confident. This is Filter's finest effort so far, and I can only hope the next one comes soon.

4 of 4 people found the following review helpful:

3.0 out of 5 stars I want Filter to be more mindless, September 7, 2003

By	Matthew Killmon "Geek hipster" (Harrisonburg, VA) - See all my reviews (REAL NAME)

Yes, that's sarcasm. What happened to this band? This record is the definition of hit-and-miss. When it's good, it's great; "You Walk Away," "Where Do We Go From Here," "Columind," "The Only Way (Is the Wrong Way)," and instrumental closer "The 4th" are wonderful tracks. However, when it's bad, it's abysmal, and it hits rock bottom on the two-song combination of "My Long Walk to Jail" and "So I Quit," which are so absoutely mindless and pointless that I've subtracted two stars from the maximum rating just for their presence. When Patrick can stop trying to posture as some kind of gangster thug who will kill anyone who tries to "take something" from him, I'll enjoy him a lot more. The more prevalent cursing on this album seems contrived and out-of-context, like the band decided their lyrics weren't offensive enough. I can deal with foul language if it sounds like there's a point to it, but here it just seems like a hastily added afterthought to appeal to moping 14-year-old Slipknot fans.

All in all, this is an album that spends a lot less time in my playlist than "Title of Record," or (for that matter) any other album I own. I wish I could say it was better, but I just can't. Maybe on their next album Filter will grow up a little.