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| 1. J'y Suis Jamais Alle |
| 2. Les Jours Tristes (instrumental) |
| 3. La Valse D'Amelie |
| 4. Comtine D'un Autre Ete: L'apres Midi |
| 5. La Noyee |
| 6. L'autre Valse D'Amelie |
| 7. Guilty |
| 8. A Quai |
| 9. Le Moulin |
| 10. Pas Si Simple |
| 11. La Valse D'Amelie (orchestra version) |
| 12. La Valse Des Vieux Os |
| 13. La Dispute |
| 14. Si Tu N'etais Pas La |
| 15. Soir De Fete |
| 16. La Redecouverte |
| 17. Sur Le Fil |
| 18. Le Banquet |
| 19. La Valse D'Amelie (piano version) |
| 20. LaValse Des Monstres |
I was surprised to find out that not all of this music was written specifically for Amelie. Yann Tiersen is a guy who, apparently, records by himself and is a veritable Einstein of musical instruments. He plays accordion, guitar, bass, banjo, piano, harpsicord, mandolin, vibraphone, and toy piano among other things. The dominant instruments are accordion and piano, for your information. Apparently he's recorded a bunch of albums already, and some of his old tunes are on here, although you wouldn't be able to pick out the old from the new, except for the fact that some of Amelie songs have the recognizable Amelie "valse," or "waltz," in them.
This is the perfect mix of European classical music and experimentalism. A number of the songs are waltzes and would fit in fine with a period film. This compliments the movie because Amelie herself looks like an old movie star put into a post-modern film. The music is the same way. "Pas Si Simple" starts with a typewriter clicking and clacking and that becomes the percussion of another waltz. The orchestral version of "La Valse D'Amelie" is complimented by the toy piano to childishly magical effect. "Soir De Fete" sticks out from the accordion and piano-dominated songs with its mandolins and handclaps, and it ends with a music box playing "Zip-A-Dee-Doo-Dah." It's a strangely unnerving song. The seven-minute "Sur Le Fil" features some really dextrous violin work, again, done by Tiersen. Overall, it will make you feel like you've been to Paris, seen a circus and a funeral procession, walked around a bit, and then come back. And it will make your day much better.
My best friend came to visit me from home during Thanksgiving. He wanted to watch Amelie in the old theater we have because he knew it would take such a long time to get to Puerto Rico. I went in because I love movies and I was also intrigued by what I had seen of it.
My heart was ambushed. The story played before me and love filled my soul. The music was a warm, slow, and gentle stream flowing through me, threatening to spill through my fingertips. Comtine D'un Autre Ete: L'apres Midi, the first of Amelie's masterpieces. Once this song was played, I was hooked, and Jean-Pierre Jeunet, along with Yann Tiersen, had my full attention.
Though without a doubt, the director of Amelie did a spectacular job of movie making, without the music of Yann Tiersen, it would never have been as powerful. When La Valse D'Amelie played, I felt like standing up and dancing as a fool. The first love I had ever felt for my girlfriend returned and made me want to laugh so hard, and be so happy, that I almost cried a little for not having the courage to do it then and there. (Then again, it might have been because some foreign film-junkie would have order me to sit my behind down again)
And then they played Pas Si Simple, and I was back in the small cobblestone streets of Paris riding my bycicle faster and faster though I have never traveled once there, maybe in some other life perhaps, but faster and faster as people passed me quickly and I caught a faint view of them waving though I kept going down the winding streets, of Paris.
Im sorry. I dont usually speak this way. I like it when people tell me of something they love or admire and put it in the words that their soul demands. However, to speak of this music, I have to try my very best to describe its beauty.
Beauty, and beautiful. Two words I do not take likely.
These songs, this music, are beautiful.