America and Lewis Hine: Photographs, 1904-1940 (Aperture Monograph) (Paperback)

by Lewis Hine (Photographer), Walter Rosenblum (Foreword), Alan Trachtenberg (Contributor), Naomi Rosenblum (Contributor), Marvin Israel (Designer)

Editorial Reviews

Review
"Hine's images rank among the greatest camera portraits ever taken, calmly relentless in their inspection of face and pose, profoundly sympathetic."--Robert Hughes, Time magazine

"Hine is a major American artist, worthy of comparison in his role as portraitist of native life with Edward Hopper, Theodore Dreiser, William Carlos Williams."--Irving Howe, The New Republic
-- Review

Review

"Hine's images rank among the greatest camera portraits ever taken, calmly relentless in their inspection of face and pose, profoundly sympathetic."--Robert Hughes, Time magazine

"Hine is a major American artist, worthy of comparison in his role as portraitist of native life with Edward Hopper, Theodore Dreiser, William Carlos Williams."--Irving Howe, The New Republic

See all Editorial Reviews

Product Details

• Paperback: 142 pages
• Publisher: Aperture (November 30, 1997)
• Language: English
• ISBN-10: 0893810177
• ISBN-13: 978-0893810177
• Product Dimensions: 11.3 x 9.4 x 0.5 inches
• Shipping Weight: 1.7 pounds
• Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
• Amazon.com Sales Rank: #1,355,857 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

6 of 7 people found the following review helpful:

5.0 out of 5 stars Compassionate View of Child Labor, Sweatshops and Tenements, June 30, 2001

By	Professor Donald Mitchell "Jesus Makes Me a P... (Boston) - See all my reviews (TOP 10 REVIEWER)

Review Summary: Lewis Hine was a pioneer in documenting the working conditions of children. His poignant images of coal mines, sweatshops, and factories shocked America into passing its first legislation to regulate and reduce child labor. Generations of Americans have benefited as a result. Review: The foreword by Walter Rosenblum describes Lewis Hine as being "a born teacher." Mr. Rosenblum recounts Mr. Hine's generosity in writing a letter or recommendation for him saying that Mr. Rosenblum was "a new and better Hine." This example captures his compassion and generosity towards others. He never saw a person he didn't respect and have compassion for. Each image in this fine book contains that "compassionate vision." His subjects included immigrants at Ellis Island and in their first tenement homes, working conditions in sweatshops and factories, the everyday life of the working poor, and the building of the Empire State Building (with views from the 100th floor girders).

The reader will get a "fresh insight through his vision" because Mr. Hine takes you places you never imagined existed. The scenes speak for themselves and cause you to have a visceral reaction. My sense of vertigo at thinking about swaying on a girder was palpable as I looked over the Empire State Building construction photographs. In viewing the sweatshops, I could feel heat building up in my body. In the images of breaker boys, I could feel the dusty despair of the coal mines in my bones and lungs.

From a technical point of view, the compositions are very fine and draw the eye into the scene. You get a strong sense of the moment, even though the scenes are 70-90 years old. The images strike hard at you with their messages . . . without using captions. They are as gripping as anything you have seen about work or slum life on the front pages of a newspaper.

Sadly, Mr. Hine's career hit a major snag in the Depression. Stieglitz and he were on different paths, and those who were showing interest in art photography were uninterested in social realism. He was impoverished, had his house foreclosed on, and lived on welfare. His wife died on Christmas 1938. He died in November 1940 "impoverished, dispirited, worn out." He was "malnourished to the point of starvation." One cannot help but think that he moved closer to living the life of a saint than many of us will ever achieve.

My favorite images in the book include: New York City Sweatshop, 1908; Climbing into America, 1908; Young girls knitting stockings in Southern hosiery mill, 1920; Cigar makers, Tampa, 1909; Breaker boys in coal chute, South Pittston, Pennsylvania, January 1911; Playground in tenement alley, Boston, 1901; Cannery workers preparing beans, c. 1910; and Photographs of building the Empire State Building, New York City, 1930/32.

I suggest that you follow Mr. Hine's fine example and think about how you can visualize important messages that others can best appreciate as images. What images would you capture? How would you share them? Who would benefit?

Be prepared to help others see the injustices that you do!

0 of 1 people found the following review helpful:

5.0 out of 5 stars A peek into a lost world, March 21, 2005

By	Robert Kalabus (Cheyenne, Wyoming) - See all my reviews (REAL NAME)

Hine was a documentary photographer whose images offer a peek into a lost world. His credo was "Work itself has ever been one of the deepest satisfactions that come to the restless human soul." That was not something he figured out while working in some summer job during his college days; he was personally acquainted with hard labor, hunger and poverty - as the text in the book explains. The photographs are of immigrants at Ellis Island, tenement dwellers, child laborers, rural families, and construction workers building the Empire State Building.