Product Details

• Actors: Davy Jones, Michael Nesmith, Dennis Hopper, Peter Fonda, Jack Nicholson
• Directors: Dennis Hopper, Jack Nicholson, Bob Rafelson, Henry Jaglom, Peter Bogdanovich
• Format: Blu-ray, NTSC, Widescreen
• Language: English
• Region: Region A/1 (Read more about DVD/Blu-ray formats.)
• Aspect Ratio: 1.77:1
• Number of discs: 6
• Rated: Unrated
• Studio: Criterion Collection
• DVD Release Date: November 23, 2010
• Run Time: 691 minutes
• Average Customer Review: 4.3 out of 5 stars  See all reviews (43 customer reviews)
• ASIN: B003ZYU3SC
• Amazon Best Sellers Rank: #17,487 in Movies & TV (See Top 100 in Movies & TV)
  • #53 in Movies & TV > Blu-ray > Musicals
• Learn more about "America Lost and Found: The BBS Story (Head / Easy Rider / Five Easy Pieces / Drive, He Said / The Last Picture Show / The King of Marvin Gardens / A Safe Place) (The Criterion Collection)[Blu-ray]" on IMDb

Editorial Reviews

Amazon.com

One of the most subtle and deeply felt--if ultimately downbeat--collaborations between Jack Nicholson and director Bob Rafelson, this film was Rafelson's follow-up to Five Easy Pieces. Nicholson plays a disc jockey whose withdrawn personality translates to radio mystery. But he's out of his depth when he goes home to Atlantic City at the invitation of ne'er-do-well brother Bruce Dern. Dern has a big-money scam that's also high risk, particularly to himself if the black-crime syndicate he's ripping off ever gets wind of it. But Nicholson gets swept up in the blarney of his charismatic older brother, even as he suffers gnawing doubts about the way Big Bro treats his lady friends (including Ellen Burstyn). Low-key but evocative, this is the kind of movie that has you remembering images and moments and feeling for Nicholson's dilemma, long after you've seen it. --Marshall Fine

Product Description

Like the rest of America, Hollywood was ripe for revolution in the late sixties. Cinema attendance was down; what had once worked seemed broken. Enter Bob Rafelson, Bert Schneider, and Steve Blauner, who knew that what Hollywood needed was new audiences—namely, young people—and that meant cultivating new talent and new ideas. Fueled by money made from their invention of the superstar TV pop group the Monkees, they set off on a film-industry journey that would lead them to form BBS Productions, a company that was also a community.

The innovative films produced by this team between 1968 and 1972 are collected in this box set—works created within the studio system but lifted right out of the countercultural id, and that now range from the iconic (Easy Rider, Five Easy Pieces, The Last Picture Show) to the acclaimed (The King of Marvin Gardens) to the obscure (Head; Drive, He Said; A Safe Place).

Head (1968)
Hey, hey, it’s the Monkees... being catapulted through one of American cinema’s most surreal '60s odysseys. In it, Mickey Dolenz, Davy Jones, Michael Nesmith, and Peter Tork become trapped in a kaleidoscopic satire that’s movie homage, media send-up, concert movie, and antiwar cry all at once. Head escaped commercial success on its release but has since been reclaimed as one of the great cult objects of its era.
(85 minutes, color, monaural/surround, 1.78:1 aspect ratio)

Easy Rider (1969)
This is the definitive counterculture blockbuster. The former clean-cut teen star Dennis Hopper’s down-and-dirty directorial debut, Easy Rider heralded the arrival of a new voice in film, one planted firmly, angrily against the mainstream. After Easy Rider’s cross-country journey—with its radical, New Wave-style editing, outsider-rock soundtrack, revelatory performance by a young Jack Nicholson, and explosive ending—the American road trip would never be the same.
(96 minutes, color, surround, 1.85:1 aspect ratio)

Five Easy Pieces (1970)
Jack Nicholson plays the now iconic cad Bobby Dupea, a shiftless thirtysomething oil rigger and former piano prodigy immune to any sense of romantic or familial responsibility, who returns to his childhood home to see his ailing estranged father, his blue-collar girlfriend (Karen Black, like Nicholson nominated for an Oscar) in tow. Moving in its simplicity and gritty in its textures, Bob Rafelson’s Five Easy Pieces is a lasting example of early 1970s American alienation.
(98 minutes, color, monaural, 1.85:1 aspect ratio)

Drive, He Said (1970)
Based on the best-selling novel by Jeremy Larner, Drive, He Said is free-spirited and sobering by turns, a sketch of the exploits of a disaffected college basketball player and his increasingly radical roommate, a feverishly shot and edited snapshot of the early '70s (some of it was filmed during an actual campus protest). Jack Nicholson’s audacious comedy (starring Bruce Dern and Karen Black) is a startling howl direct from the zeitgeist.
(90 minutes, color, monaural, 1.85:1 aspect ratio)

A Safe Place (1971)
In this delicate, introspective drama, laced with fantasy elements, Tuesday Weld stars as a fragile young woman in New York unable to reconcile her ambiguous past with her unmoored present; Orson Welles as an enchanting Central Park magician and Jack Nicholson as a mysterious ex-lover round out the cast. A Safe Place was directed by independent cinema icon Henry Jaglom.
(92 minutes, color, monaural, 1.85:1 aspect ratio)

The Last Picture Show (1971)
The Last Picture Show is one of the key films of the American cinema renaissance of the '70s. Set during the early '50s in the loneliest Texas nowheresville to ever dust up a movie screen, this aching portrait of a dying West, adapted from Larry McMurtry’s novel, focuses on the daily shuffles of three futureless teens—enigmatic Sonny (Timothy Bottoms), (Jeff Bridges), and desperate-to-be-adored rich girl Jacy (Cybil Shepherd)—and the aging lost souls who bump up against them in the night like drifting tumbleweeds. This hushed depiction of crumbling American values remains the pivotal film in the career of the invaluable director and film historian Peter Bogdanovich.
(126 minutes, black and white, monaural, 1.85:1 aspect ratio)

The King of Marvin Gardens (1972)
For his electrifying follow-up to the smash success of Five Easy Pieces, Bob Rafelson dug even deeper into the crushed dreams of wayward America. Jack Nicholson and Bruce Dern play estranged siblings David and Jason, the former a depressive late-night radio talk show host, the latter an extroverted con man; when Jason drags his younger brother to a dreary Atlantic City and into a real-estate scam, events spiral into tragedy.
(104 minutes, color, monaural, 1.85:1 aspect ratio)

Most Helpful Customer Reviews

41 of 42 people found the following review helpful

5.0 out of 5 stars The Best Nicholson Film You've Never Seen August 31, 2000

By A. Wolverton VINE™ VOICE

Format:VHS Tape

The film opens with Nicholson in a tight shot talking to someone. We aren't sure at first to whom he's talking or why. From that opening scene I was hooked. Nicholson is a radio personality (David) who one day gets a phone call from his brother Jason (Bruce Dern) who is in jail. Jason is basically a big-time loser who has been trying all his life to make something big happen. His latest scheme is to encourage his brother to join him and his female companions (played by Ellyn Burstyn and Julia Anne Robinson) in Atlantic City while contemplating the purchase of an island near Hawaii. Many strange events happen along the way, not the least of which finds the two women competing for Jason's affection. A very strange scene occurs involving a fire on the beach. Without giving too much away, I will say that this is a turning point that has tremendous impact later in the story. So few films today have even slightly interesting characters. These characters are so vivid and interesting that you can't help but be intrigued, wondering what's going to happen next. Each scene seems to have no rhyme or reason, until finally the pieces fall into place. When the pieces do come together, you realize that you've witnessed something very unique, original, and haunting.

The four leading actors are all at the top of their form. I have never seen Nicholson timid, unsure, or at a loss for words before. Dern is hopelessly reckless. Robinson is an innocent in an evil environment. Burstyn is perfect as the key to the whole story, which is one that I'll never forget. You'll think about this quiet little film long after the credits are over.

14 of 14 people found the following review helpful

5.0 out of 5 stars A Rare Gem-Amazing! September 3, 2000

By "skipmccoy"

Format:DVD

This film really is spectacular. From the very opening(which is slightly disorienting-but becomes clear quickly), it weaves a tale filled with some very odd and fascinating characters. Nicholson plays a radio deejay of sorts that spouts some fictionalized, but engrossingly told tales. The story itself deals with his visit to his brother-played by Bruce Dern, who he must attempt to talk out of some financial scheming. Dern turns in a fine performance-comparable to his performance in SMILE(very different characters, both great performances). Ellen Burstyn is also terrific. Photography by Laszlo Kovacs ranks up with his best. A welcome follow-up to Rafelson's FIVE EASY PIECES(a follow-up that doesn't get the press it deserves). Looks beautiful on dvd!

50 of 61 people found the following review helpful

5.0 out of 5 stars HEAD Finally gets a proper release! (5 stars for that movie alone) December 5, 2010

By Kevin Stafford

Format:DVD

Since I am mostly commenting on the "HEAD" portion of this set, I should include that already having "Five Easy Pieces" in a restored version on DVD and "Easy Rider" has been reissued numerous times with not much bonus material here, this print of "HEAD" is from the original 35mm negative! Where-as the awful DVD release from Rhino, who lies in a leader frame that the Full Frame format is how the film was meant to be seen! I beg to differ and bow to Criterion for releasing this incredible movie in glorious widescreen and in a true 5.1! Don't worry, those purist that still listen through a Stereo Reciever (because MOST humans only have 2 ears),like myself..the stereo seperation will blow you away, especially if you have the inferior RHINO release, you need not do a side by side comparison! Not only are the songs in true stereo but the entire soundtrack through-out the entire movie. Including the closing credits (Known on the Colgems soundtrack as "PLus Strings") by Ken Thorne. Which also gives RHINO another bad mark. In October, RHINO released a "HEAD Deluxe CD boxset" and list the "Plus Strings as "stereo" and they are most certainly not, yet Criterion goes the extra mile and finds true masters to all the Stereo songs plus Ken thorne's excellent incidental music! "Porpoise Song" has the nice deep low ends and crystal clear highs. Special credit with the live "Circle Sky" and "As We Go Along" where the vocals were burried on the RHINO release. Not so on this print. You feel as if the movie were filmed yesterday! Not bad for a 42 year old film! The colors are vibrant and the print is so sharp you may want to keep your hands away from the screen! Criterion deserves an award for thier excellence!