Product Details

• Actors: Kevin Spacey, Annette Bening, Thora Birch, Wes Bentley, Mena Suvari
• Directors: Sam Mendes
• Writers: Alan Ball
• Producers: Alan Ball, Bruce Cohen, Dan Jinks, Stan Wlodkowski
• Format: Box set, Closed-captioned, Color, Special Edition, NTSC
• Subtitles: Spanish
• Rated: R (Restricted)
• Number of tapes: 2
• Studio: Dreamworks Video
• VHS Release Date: October 24, 2000
• Run Time: 122 minutes
• Average Customer Review: 4.1 out of 5 stars  See all reviews (1,116 customer reviews)
• ASIN: B00004WG4G
• Amazon Best Sellers Rank: #574,154 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

From its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.

It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.

Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and of blood. --Sam Sutherland

From The New Yorker

This amazing and impassioned fantasia about American loneliness begins as satire and ends with a vision of the sublime. The defeated suburban patriarch Lester Burnham (Kevin Spacey), condemned by his withdrawn daughter (Thora Birch) and his hyperorganized wife (Annette Bening), drops out of his job and misbehaves badly. After Lester's marriage gets blown apart by squalls of comic contempt, the movie, which was written by Alan Ball and directed by the British theatre maestro Sam Mendes (it's his first film), opens up and takes in Lester's suburban territory-the dissatisfactions of the business-mad nineties, in which the gospel of selfishness leaves people clenched and isolated. The bitter satirical riffs slowly give way to a mystical appreciation of the vagrant beauty trapped beneath the surface of life. The hard-edged, almost hyperreal cinematography, by Conrad L. Hall, and the editing, by Tariq Anwar and Chris Greenbury, shift back and forth between dream and actuality with mesmerizing beauty. With Mena Suvari as a teen vamp who is terrified of being ordinary, and Wes Bentley as a young drug dealer who uses his video camera to discover the hidden connections among things. -David Denby
Copyright © 2006 The New Yorker

Customer Reviews

Most Helpful Customer Reviews

245 of 289 people found the following review helpful:

5.0 out of 5 stars BLOOD AND ROSES, April 22, 2000

By 

Mr. Cairene (Cairo, Egypt) - See all my reviews

This review is from: American Beauty [VHS] (VHS Tape)

I read somewhere that the overwelmingly red look of American Beauty is a symbol for blood and roses. Represented in the film by the flower petals in Lester Burnham's fantasies, and the blood spilt when the sadness that hovers beneath bears its face. The title of American Beauty does not refer to the pretty surfaces that hide the anguish of these people, but the beauty of their souls when dealing with that anguish. Many reviewers have considered the title to be ironic, it isn't. I've heard Kevin Spacey say that this film is about context, because taken out of context the behaviour of these characters seem bizzare and even phsycotic, but out with in the context of their messy lives or indeed anybody's life, it seems natural. If I tell you that Kevin Spacey plays a character who is obsessed with the idea of sleeping with his daughter's best friend, a daughter who constantly anounces her hatred of her parents, a woman so obsessed with appearances that happiness is but a memory to her, a loner who makes his living as a drug dealer with a firm rigid father living in denial about his son and himself, you would guess that there would be no one to like in this film. You would be wrong. This film is magical in the way it lets identify with these characters, care for them and worry about their outcome. Infact the ideas of American Beauty are nothing new. The persuit of happiness through the abanodoning of materialistic possesions and the satisfaction of primal, animal and natural desires was the exact same premise for Fight Club. This could be a middle aged version of that film. The family turmoil closely resembles Ang Lee's The Ice Storm 1998, and like that film, American Beauty ends in tragedy. But as with all masterpieces its not the "point" that counts, but how you get there. Just like the fact that anything new you learn in life is the history you don't know, most originality in movies is the movies you haven't seen and the novel's you haven't read. The fact that the film remains a masterpiece is a credit to the execution of those ideas, not their originality. Our hero is Lester Burnham a man who goes quits his job, black mails his boss, and goes wild for a year. His journey of self-discovery is not what your average citizen would call moral, yet we still sympathise. My favourite scene in the film is where Lester meets Ricky(Wes Bently) outside a part. Ricky sells marijuana for a living and makes a lot of money. Lester tells him that when he was his age he "flipped burgers all summer long" for very little money. "That sucks" says Ricky, "No actually it was wonderful." The heart of the film is this scene, Lester's yearning for those years where his whole life was ahead of him, when he believed he coul do anything, when he wasn't such a "loser". This purity is the Beauty to which the title refers. Ricky Fitts is the boy next door, a loner who likes to film people. His father is a rigid military man. Both Wes Bently and Chris Cooper who play father and son respectively give monumental performance equal to Kevin Spacey's oscar winner. Their family is a contrast to Lester's, and in its tragedy, emotional complexity and heart break exceeds it. Ricky's catatonic mother is perhaps what Lester would have become had he not taken charge of his life. I have tried to define this film, but its not a film that can be defined. It is one to be experienced. If I tell that the sight of a paper bag blowing in the wind will amaze you, you find it very silly indeed. Acredit then to this film that when Ricky show us a video of a paper bag blowing in the wind, it is indeed a breathtakingly beautiful sight.

76 of 92 people found the following review helpful:

5.0 out of 5 stars "...And in a way, I am dead already.", February 4, 2004

By 

Michael Crane (Orland Park, IL USA) - See all my reviews

This review is from: American Beauty (Widescreen Edition) (DVD)

"American Beauty" is a pure cinematic triumph that is both funny and sad. It's disturbing... and yet, it's extremely provocative and deep. The film is an extraordinary achievement that reveals a tragic and realistic story about a family that is anything but ordinary. It's a film with so many layers that it is almost impossible to dissect them all in one single thought.

Meet Lester Burnham; a man who feels like he's completely dead inside. His wife and daughter despise him and do not show him any signs of respect. On the surface, the family seems like a picture-perfect family that everybody dreams about--but inside is a completely different matter. His wife is obsessed with material possessions and doesn't care for "petty" things like love or life, while his daughter resents herself because she isn't "perfect." Lester's mental coma is rudely interrupted when he meets his daughter's friend and starts fantasizing about her. The awakening might be due to a disturbing thought or feeling, but the wake-up call changes Lester and allows him to realize that there's always time to erase his "forced-image" and be the person he really is. This is all a set-up for a funny, disturbing and tragic movie.

I don't know about everybody else, but my mind was literally racing around when this movie was playing before my eyes. It's one of those films that allows you to pick up on something different upon each viewing. As I said in the beginning of the review, this film has a number of layers to it. There's so many different meanings and points to the film that it is nearly impossible to describe them all in one little review. Besides, the fun part of the movie is discovering these meanings and points for yourself. You know a film is successful when you totally lose yourself to it and allow it to challenge you in every way. The film is crafted flawlessly and doesn't have a wasted minute in it.

The acting from Kevin Spacey is really a sight to see. He gives his character all of the right needs and feelings that is necessary for the authenticity of his role. You don't even look at him as an actor--but as the real person he portrays. It is certainly a milestone in his acting career that will continue to be remembered throughout all cinematic history. Annette Bening is also superb in her role and brings life to her character, as well. Everybody in the film should be applauded, as they all make the film what it is.

The DVD has some neat features to offer. The picture quality is fantastic and the sound is more than great. You have the option of watching the movie in DTS if your system is able to play it. Extras included are commentary from the director and writer, a behind-the-scenes featurette, cast and crew biographies, trailers and more. While I wouldn't had mind a Two-Disc edition of the movie, this is a pretty impressive package overall.

"American Beauty" is a breath-taking masterpiece with a very high replay value. It's a terrific film on every front and does not disappoint for a single second. While it's not a movie that everybody will like, it's most certainly one to check out if you are a lover of films. If you're looking for something that isn't so ordinary, then this may be the chance that you are seeking. I feel that it is a unique and superb film that is very hard to express in words--you'll just have to experience it for yourself. -Michael Crane

59 of 72 people found the following review helpful:

5.0 out of 5 stars Oscar finally gets it right..., April 4, 2000

By 

P. Jason Kirk (Tennessee) - See all my reviews
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This review is from: American Beauty (Widescreen Edition) (DVD)

There's something special about "American Beauty" that's hard to pinpoint. I don't think I've ever seen a film with such a great ensemble of actors - everyone is perfectly cast, from Kevin Spacey's eerily lovable Lester, to Annette Bening's loopy real-estate broker Carolyn, to Thora Birch's hauntingly disenchanted Jane. And the Fitts family...whew. Don't even want to go there.

It's one of many films lately dealing with the disparity between appearances and their underlying realities. Lester's abrupt break with his superficial world is refreshing, and the chaotic circumstances that evolve from it are both provocative and entertaining. I think that, along with "Fight Club," "American Beauty" is the best of them all. The beautiful cinematography, outstanding percussion-centered score, precise and evocative *original* screenplay, and above all first-rate acting make this movie stand above all the others. Thinking about the fact that this is Sam Mendes' first film, and Alan Ball's first screenplay, gives me hope for the future of film in America. Not every movie has to leave you nauseous.