With the backward view of a long career as a correspondent with the
Washington Post and the forward view of a journalism professor, Henry offers a compelling look at troubling trends in American journalism. He juxtaposes the promise of advancements in the technical capabilities of news gatherers against the continued struggle with issues of truth, fairness, and ethics necessary to continue journalism's supportive role in democracy and public service. Henry scrutinizes the professional lapses of modern journalism--the intentional frauds and corruptions that have seen front-page publicity, as well as the horror stories told by former students. Henry explores the corporate pressures that have led to cuts in staff, and the technological and cultural changes that have led to advertorials that confuse the public and fill pages and airtime. He also examines the effect of the Internet and the profusion of citizen journalists who, along with government officials pretending to be journalists, add to the public's confusion and low regard for news gatherers. This is a personal, frontline account of worrisome changes in the profession.
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From the Inside Flap
"At a time when a band of critics are noisily ganging up on the press, Neil Henry adds a calm, original, and shrewd voice in assessing the strengths and weaknesses of 21st century news."--Tom Goldstein, author of The News at Any Cost and co-author of The Lawyer's Guide to Writing Well
"Neil Henry's book represents a cry from the heart of a former reporter on behalf of a new generation of journalists for an ethical reawakening of a press dedicated to fulfilling the information needs of a self-governing society."--Bill Kovach, Director, Committee of Concerned Journalists, and author of The Elements of Journalism: What Newspeople Should Know and the Public Should Expect
"This is an outstanding work from a respected journalist who takes a strong and unusual position on journalistic fraud and the media carnival that causes it. Not only does Henry take familiar examples from a different perspective, he does so in such a way that invites reflection and discussion from his readers. He makes his arguments effectively through the use of specific examples (including his own experience), historical context, and stylish writing that keep the reader moving through a book where outrage appears on so many pages."--Victor Merina, former Los Angeles Times reporter and Senior Fellow at the USC Annenberg Institute for Justice and Journalism