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American Century of Photography Hardcover – March 1, 1999

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Product Details

  • Hardcover: 608 pages
  • Publisher: Harry N. Abrams; 2 Rev Exp edition (March 1, 1999)
  • Language: English
  • ISBN-10: 0810963787
  • ISBN-13: 978-0810963788
  • Product Dimensions: 9.8 x 2 x 12.2 inches
  • Shipping Weight: 8 pounds
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #864,055 in Books (See Top 100 in Books)

Editorial Reviews Review

In 1964 the Hallmark corporation established its photography collection--the first corporate collection of its kind--with the purchase of more than 100 prints by Harry Callahan. The company's acquisitive pace never slowed: they currently own about 4,000 prints. The scope of the work is dizzying--name a photographer, and you'll likely find an excellent example of his or her work here. Strand, Modotti, Hine, Arbus, Wegman, Mapplethorpe, and Mann are just a small number of the photographers who represent the breadth and depth of this group of images. The book itself is as colossal as its title would indicate. Keith Davis, the director of Hallmark's fine-art programs, has written a meaty if occasionally dry history of the medium to accompany and illuminate the nearly 500 photos. Most of the images, from Henry Cady's late-19th-century shots of his family to Irving Penn's Duke Ellington and Bruce Davidson's gang kids, are black and white. But Sandy Skoglund's surreal Fox Games and Larry Burrows's painful Reaching Out are skillfully reproduced to maintain their lush color saturation. Look for the collection at an exhibition that tours the Phillips Collection in Washington, D.C., the Seattle Art Museum, the Denver Art Museum, and other venues from 1999 to 2002. --Anna Baldwin

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27 of 27 people found the following review helpful By A Customer on March 30, 1999
This text chronicles the depth of the Hallmark Cards photography collection through a carefully developed and well written scholarly history. Curator and author Keith F. Davis addresses the fundamental value of photographic imagery as demonstrated by many of the most significant makers in the past one hundred years. Using as a basis a single country's development (America) in the medium's history, Davis sets out his argument that many if not all successful photographs are inherently about the truthfulness of the images produced. He does not over interpret the documented images to establish a point of view but rather allows the flow of the photographs to reveal a rich tapestry of imagery beginning with the snapshot aesthetic of the late 19th century and ending with the mass media influences upon contemporary photographs. Many of the images have not been reproduced before -- always a plus! His thorough research is supported fully by extensive endnotes and an excellent bibliography. Best of all, the overall quality of image reproduction suggests to the reader the individual tonalities of the photographs. This second edition is a successful follow-up to the earlier catalogue of the same name (1995)and records the remarkable growth of this important collection of photographs.
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By bob ory on January 26, 2014
Verified Purchase
This is a terrific compilation of photos and I would recommend it to anyone interested in

photography or American history.
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