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American Cinema of the 1910s: Themes and Variations (Screen Decades: American Culture/American Cinema)
 
 
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American Cinema of the 1910s: Themes and Variations (Screen Decades: American Culture/American Cinema) [Hardcover]

Prof. Charlie Keil (Editor), Ben Singer (Editor)


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Book Description

February 4, 2009 Screen Decades: American Culture/American Cinema
It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood.

The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.



Editorial Reviews

From the Inside Flap

The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies. --This text refers to the Paperback edition.

About the Author

Charlie Keil is an associate professor in the history department and the director of the Cinema Studies Institute at the University of Toronto. He is the author of Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913. Ben Singer is an associate professor of film in the department of communication arts at the University of Wisconsin, Madison. He is the author of Melodrama and Modernity: Early Sensational Cinema and Its Contexts.

Product Details

  • Hardcover: 296 pages
  • Publisher: Rutgers University Press (February 4, 2009)
  • Language: English
  • ISBN-10: 0813544440
  • ISBN-13: 978-0813544441
  • Product Dimensions: 9.3 x 6.3 x 0.9 inches
  • Shipping Weight: 1.4 pounds
  • Amazon Best Sellers Rank: #5,734,578 in Books (See Top 100 in Books)

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