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Summer Reading
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Jacobs begins her book with a brief history of where modern city planning came from. According to the author, the mess we call cities today emerged from Utopian visionaries from Europe and America beginning in the 19th century. Figures such as Ebenezer Howard, Lewis Mumford, Le Corbusier, and Daniel Burnham all had a significantly dreadful impact on how urban areas are built and rebuilt. These men all envisioned the city as a dreadful place, full of overcrowding, crime, disease, and ugliness. Howard wished to destroy big cities completely in order to replace them with small towns, or "Garden Cities," made up of small populations. Similar in thought to Howard, Mumford argued for a decentralization of cities into thinned out areas resembling towns. Le Corbusier, says Jacobs, inaugurated yet another harmful plan for cities: the "Radiant City.
... Read more ›In response to the reviewer from N.H. who said Jacobs vindicates conservatism: I don't completely agree. Jacobs' work criticizes liberal reliance on big government housing/urban renewal projects, but is equally critical of big government highway projects that a lot of conservatives seem to like.
But although many see it as a polemic against urban planning,
the best parts of it, the parts that have endeared it to
many who love cities, are quite different. Death and Life
is, first of all, a work of observation. The illustrations
are all around us, she says, and we must go and look. She
shows us parts of the city that are alive -- the streets,
she says, are the city that we see, and it is the streets and
sidewalks that carry the most weight -- and find the patterns
that help us not merely see but understand. She shows us the city as
an ecology -- a system of interactions that is more than
merely the laying out of buildings as if they were a
child's wooden blocks.
But observation can mean simply the noting of objects.
Ms. Jacobs writes beautifully, lovingly, of New York
City and other urban places. Her piece "The Ballet of
Hudson Street" is both an observation of events on the
Greenwich Village street where she lived and a prose poem
describing the comings and goings of the people, the rhythms
of the shopkeepers and the commuters and others who use the
street.
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