Softcover textbook with five audio cassettes.
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Softcover textbook with five audio cassettes.
When you learn a second language, without learning its pronunciation, you tend to substitute your set of sounds for those in the second language. The particular sound substitutions you will make are logical and predictable. In this program, you will learn which errors you are making and exactly how to correct them.
Learning new pronunciation is a matter of developing or changing habit. And it is achievable, regardless of your age or how ingrained your pronunciation habits are. This program has been designed for you, the individual, regardless of your first language. It has proven effective for both individuals and for group classes.
This program has been based on work with students from many countries. And many students have completed this program. All of them have improved their pronunciation significantly. A number of them have been complimented on their American accent.
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Most Helpful Customer Reviews
27 of 29 people found the following review helpful:
5.0 out of 5 stars
Pronunciation to the fullest,
By Ligia (Brazil) - See all my reviews
This review is from: American English Pronunciation: It's No Good Unless You're Understood (Books 1-3 Combined and 5 Audio Cassettes) (Audio Cassette)
This book is no ordinary pronunciation book. It's "the" Book. It goes beyond teaching vowel and consonant sounds. It's about the way americans speak. For the first time I've been working with sound transitions and blendings. It feels great to notice the changes in my pronunciation.At the same time, I improve my vocabulary and learn great idiomatic expressions, up-to-date ones. As the author points out the main problems each native speaker might have, it is easier for us, students, to identify our weak points and this way, dedicate more time and effort to improve them.
19 of 22 people found the following review helpful:
5.0 out of 5 stars
A good help for ESL teachers around the world,
By Lucimar (Brazil) - See all my reviews
This review is from: American English Pronunciation: It's No Good Unless You're Understood (Books 1-3 Combined and 5 Audio Cassettes) (Audio Cassette)
It's an excellent book for ESL teachers, students and speakers who want to improve their speech abilities, working with reduction of English accent. The section with useful expressions is really helpful. You practice the consonants and vowels and learn idiomatic expressions at the same time. Also, the author has an idea of the weak points that students from different languages may present. Knowing the sounds that are most difficult for Portuguese speakers helps a lot in my teaching and in my self-improvement.
4 of 4 people found the following review helpful:
4.0 out of 5 stars
An invaluable tool for the production and recognition of consonant and vowel sounds of American English,
By
This review is from: American English Pronunciation: It's No Good Unless You're Understood (Books 1-3 Combined and 5 Audio Cassettes) (Audio Cassette)
When I first flipped through the pages of American English Pronunciation: It's no Good Unless You're Understood it struck me as another dull pronunciation manual with the same old minimal pairs, and pointless drill work. However, as I gave it a better look, I soon realized its strengths, namely the comprehensive listing of American idioms for each new vowel or consonant sound in catching, well-written sentences, and the in-depth analysis of English phonemes. Donna Hope, in her large experience as a speech therapist attending to speakers from various nationalities, is very sensitive to the slightest phonetic differences in the speech of native and non-native speakers of English, such as insufficient aspiration in plosives, devoicing in final voiced consonants, distortions in diphthongs, insufficient lip rounding in back vowels , early release of consonants in clusters, etc. The book also has an entire unit for the pronunciation of major US states, cities and sites - very useful for the non-native English teacher - as well as interesting cultural notes.I just wish the same care given to segments (vowels and consonants) had been given to suprasegments: while there is some work on liaisons (blendings) and reductions - indispensible for rhythm- - the book fails to address other aspects of prosody such as intonation and word stress.
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