American Notes for General Circulation [Hardcover]

Charles Dickens (Author)

Book Description

Publication Date: December 2001

Charles Dickens was the most famous of many travelers of his time who journeyed to America, curious about the revolutionary new civilization that had captured the English imagination. His frank, often humorous descriptions in his 1842 account cover everything from his uncomfortable sea voyage to an ecstatic narrative of his visit to Niagara Falls. Yet Dickens is also critical of American society, its preoccupation with money, and reliance on slavery, as well as the rude, unsavory manners of Americans and their corrupt press. Above all, American Notes is a lively chronicle of what was for Dickens an illuminating encounter with the New World.

--This text refers to the Paperback edition.

Editorial Reviews

About the Author

Charles Dickens was born on February 7, 1812, in Landport, Portsea, England. He died in Kent on June 9, 1870. The second of eight children of a family continually plagued by debt, the young Dickens came to know not only hunger and privation,but also the horror of the infamous debtors’ prison and the evils of child labor. A turn of fortune in the shape of a legacy brought release from the nightmare of prison and “slave” factories and afforded Dickens the opportunity of two years’ formal schooling at Wellington House Academy. He worked as an attorney’s clerk and newspaper reporter until his Sketches by Boz (1836) and The Pickwick Papers (1837) brought him the amazing and instant success that was to be his for the remainder of his life. In later years, the pressure of serial writing, editorial duties, lectures, and social commitments led to his separation from Catherine Hogarth after twenty-three years of marriage. It also hastened his death at the age of fifty-eight, when he was characteristically engaged in a multitude of work.

Patricia Ingham is senior research fellow and reader at St. Anne's College, Oxford. She is the general editor of Thomas Hardy's fiction in Penguin Classics and edited Gaskell's North and South for the series.

--This text refers to the Paperback edition.

Product Details

• Hardcover: 240 pages
• Publisher: IndyPublish.com (December 2001)
• Language: English
• ISBN-10: 1588275205
• ISBN-13: 978-1588275202
• Product Dimensions: 9.2 x 6.3 x 0.8 inches
• Shipping Weight: 1.2 pounds
• Average Customer Review: 4.0 out of 5 stars  See all reviews (10 customer reviews)
• Amazon Best Sellers Rank: #4,252,413 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

16 of 16 people found the following review helpful:

4.0 out of 5 stars Interesting glimpses, March 15, 2001

By 

kennedy19 "kennedy19" (wakefield, ma USA) - See all my reviews

This review is from: American Notes for General Circulation (Penguin English Library) (Paperback)

In 1842, the young Dickens made a sweeping tour of the United States and Canada, visiting Boston, New York, Philadelphia, Washington, Baltimore, Pittsburg, Cincinatti, St. Louis, Niagra Falls, Montreal, and Quebec among other places. (He chose not to venture to the south, out of a repugnance for slavery.) This brief account of his travels begins with optimism and the usual Dickens eye for the comic. As it goes on, we begin to sense the weariness of the journey and the author's disappointment with what he found. We get a vivid picture of a nation still being built, quite literally in the case of frontier places. The fine introduction to the Penguin edition places this work in the context of English travel narratives of the time. This edition is also well footnoted and contains a sampling of letters Dickens wrote to friends at home, in which he is quite candid. Modern readers may find fascinating glimpses of American life at the time (such as the disgusting habit of spitting and the nastiness of the press), but may be less interested than the author was in prisons, courts, and other public institutions. Furthermore, some places are passed over cursorily, but this is to keep the journey moving along. (My favorite parts are the anecdotes about individual characters that Dickens meets while travelling.) As the introduction suggests, this book is as much about Dickens and his personal evolution as it is about America, despite the fact that Dickens does not speak extensively of the inconveniences he faced due to his fame. The trip was to inspire parts of "Martin Chuzzlewit" and must be taken in the context of Dickens' career - some of the views herein were moderated by a second trip to America later in life.

16 of 18 people found the following review helpful:

5.0 out of 5 stars Beautifully written! An underrated Dickens'classic!, July 28, 1999

By A Customer

This review is from: American Notes for General Circulation (Penguin English Library) (Paperback)

Someone please pick up this book! I've already mentioned it to two of my English professor who knew almost nothing about what I consider a true classic. Just because there is no movie to accompany it does not mean it should'nt be read for fear of confusing a public accustomed to Dickens' supposed "classics". Please take the time to open one of my favorite books. I am sure it will surprise and delight you. Remember, a "classic" is what we make of it!

14 of 17 people found the following review helpful:

3.0 out of 5 stars Disappointing, November 17, 2004

By 

Gianmarco Manzione (Dallas, TX USA) - See all my reviews
(REAL NAME)   

This review is from: American Notes for General Circulation (Penguin Classics) (Paperback)

I must regretfully confess that this book, so promising in its circumstances, amounts to a profound bore. The opportunity to see a distinct American epoch through the eyes of a Charles Dickens is one that I lusted after. Yet, as Goldman and Whitley's introduction to the Penguin edition rightly observes, the book is "extremely disappointing in its omissions and pervasive flatness." That "flatness" ought to have concerned me upon first reading the title. "American Notes for General Circulation" is hardly an inviting description of what's inside. Not one to judge a book by its cover, though, I dismissed this minor oversight and dove in. However, while Whitley and Goldman go on to suggest that "American Notes" is somehow "fascinating as a record of the ways in which the foremost creative writer of his day responded to the most exciting social experiment of his time," that "fascination" is merely superficial and fails to last beyond the book's mildly humorous opening scenes of a sea journey to Boston.

The book's problems are its redundancy and timidity. Dickens seems to be exclusively interested in reporting on every hospital and prison in America, which he does for at least the first third of the book. While some of his descriptions and observations in this portion of the narrative reveal the character of one of literary history's most compassionate figures, this too grows stale as Dickens fails to overcome his peculiar infatuation and look beyond. Even when he does move on, in DC, Cincinatti and elsewhere, some of the most controversial issues of his day -- slavery, Native American negotiations with the US government -- are mentioned only fleetingly as Dickens turns increasingly inward and elaborates for many pages on the most forgettable and mundane experiences common to any journey or vacation, whether it be a cruise through the Caribbean in 2004 or a trip on a riverboat up the Mississippi in 19th-century America, a river that meets with Dickens's intense disdain.

Some of Dickens's observations on the functions and implications of the American democratic system as well as generalizations on the mannerisms of Americans go far to show how little has changed since Dickens came to Boston in 1842, but rarely rise to the lyrical intensity or vivid portraits one would expect from a powerhouse such as Charles Dickens. The letters included in this edition demonstrate just how much Dickens held back in the writing of the book, which leads me to wonder just why people like Washington Irving found it so objectionable as to never speak to Dickens again. Surely the book offers some less-than-flattering ruminations on the people and corruption surrounding him, but had Dickens's book reflected the more aggressive tone of his letters, "American Notes" may have been as much of a classic today as it might have been an unconscionable offence to Irving or the American journalists who panned it at the time.

Unfortunately, the book is incapable of engenering much more than the relatively tame emotional response it received upon its release, and if its sales were impressive (which they were), this was due chiefly to the author's name and not to anything that is said between the front and back cover. Whitley and Goldman make the excellent point that some of Dickens's high-profile American friends -- Longfellow, for one -- may have influenced his impressions to such an extent that they diluted the final product. This is a case in which Dickens's fame hindered the sincerity of his work. For a more entertaining and memorable reading experience, try Parkman's "Oregon Trail," Steinbeck's "Travels With Charley" or Least-Heat Moon's "Blue Highways". For a great travel-read from a time and place far beyond 19th or 20th-century America, try Marco Polo's truly "fascinating" "Travels".