Customer Reviews

American Gods

5 star:		(399)
4 star:		(203)
3 star:		(132)
2 star:		(79)
1 star:		(75)

 

 

Released from prison shortly after the accidental death of his wife, ex-con Shadow finds himself free, but bereft of all the things that gave his previous life meaning. As he bids his farewell to the fragments of that life, an eerie stranger named Mr. Wednesday offers him employment. Wednesday needs someone to act as aid, driver, errand boy, and, in case of Wednesday's death, someone to hold a vigil for him. Shadow consents and finds himself drawn unsuspectingly into a cryptic reality where myth and legend coexist with today's realities.

Mr. Wednesday, trickster and wise man, is on a quest. The old gods who came over to this country with each human incursion have weakened as their followers have dwindled and are now threatened with extinction by the modern gods of technology and marketing. Wednesday travels from deity to deity, rounding up help for what will be last battle. He engages ancient Russian gods, Norse legends, Egyptian deities, and countless others who have found their way to America in the past 10,000 or so years. Shadow never quite understands what his role is in all of this, but he experiences visions and dreams which promise that he is far more than Wednesday's factotum.

The plot is unendingly inventive as it treks its way across the country. From Chicago to Rhode Island, and Seattle to the magical town of Lakeside, Shadow's journey seems to follow the back roads of America. The people he meets are gritty, and the gods are even grittier. Gaiman creates believable characters with quick brush strokes and builds vivid landscapes that belie their mundane origins. Gaiman, recently moved to the U.S. has invited us along on his own quest to discover an America uniquely his own.

This is a novel that resonates at many levels, it is Shadow's initiation quest, Gaiman's search for the American identity, a revisionist Twilight of the Gods, and last, but not least a captivating piece of fiction. The gods that people this story came with people who found their way to this country from almost every time and place. Gaiman has put his finger on once of this country's greatest truths. Every person who ever lived here has roots from somewhere else. We have crossed oceans and land bridges, on foot, and by every other means of transportation. Our culture has been created whole cloth out of the character and beliefs of all those people. Gaiman has managed to capture a bit of that vision and put it on display for the reader.

After his superb work in "Neverwhere," "Stardust," and the Sandman graphic novels, Neil Gaimon has established himself a force to be reckoned with in the crossover horror/fantasy genre. Now with his new novel Gaiman establishes his mastery in a remarkable story of quest and transformation as he comes to terms with his own vision of America. "American Gods" defies classification and invites superlatives. This is one of 2001's must reads.

After waiting several years for Neil's new book, I hungrily devoured the 400+ page "American Gods" in just over two days. The story follows Shadow Moon, recently released from prison, as he comes to work for a man simply known as Wednesday. Wednesday is a peculiar old man with a frightening knowledge of Shadow's past and an amazing talent of swindling people who introduces Shadow to many fascinating characters, who it is later learned, are all transplanted Gods endeavoring to hold on to life all across America.

Gaiman explores the sacred power hidden in the kitschy roadside attractions doting the landscape of America's many back roads; their once glorious power waning as people worship more modern cultural icons and ideas. The sprawling story pits the forgotten gods America's immigrated citizens brought with them to the new land against the high-tech gods of modern living in a war for the very right to be worshipped. Shadow is pulled headfirst into the dispute and ends up playing a crucial role in the upcoming battle. The meanings of life and death, self-worth, spiritual beliefs, and redemption are all explored with Gaiman's witty intelligence.

Gaiman's ability to entwine multiple plot lines with clever cultural critiques while maintaining fantastic character descriptions and an engaging narrative solidifies the fantasy/horror author's place as one of the world's best storytellers. Much more than a magical tale of combating Gods, Gaiman paints a picture of a melting pot left too long to boil, and a country who worships the next big thing a bit too easily and with little consideration for it's ancestry.

Definitely worth buying, and undeniably worth reading (all though you might want to slow down a bit more than I did!). And while you're at it - check out "Stardust" and "Neverwhere", you won't be disappointed.

I know I am going to get railed with a 2 out of 133 or something for my unpopular opinon, but I think that Gaiman's novel was high on concept and potential but never took off.
I find all kinds of mythology interesting, and that is exactly what made me purchase this book and I think Gaiman did a good job of incorporating competeing mythologies into the novel. However, and I know that this is not the most eloquent way to put it, but the book just didn't do it for me. It really just felt like an airport book of the week, like Sidney Sheldon's "Doomsday Conspiracy" which took an interesting topic (at the time) and made an episode of All My Children out of it.
I think what it came down to for me was that I never beleived in any of the characters, especially Shadow, and I saw the twists coming from a mile away. I hate saying that, but it is true, the story was transparent.
I am not an avid fantasy reader, though I dabble in Sci Fi, so take that into account with my review, but over all, I was just waiting for a bang that never came.

It's a rare author who weaves a perfect, creative narrative from the best of all possible materials, and a rare book that entertains, challenges, and entices from cover to cover with such a narrative. Neil Gaiman's "American Gods," the latest literary offering from the High Priest of the English Language's Temple of Original Stories, achieves exactly this for exactly that kind of writer. In "American Gods," the author of "Neverwhere" and the creator of the Sandman graphic novels fashions a story that fans will find distantly familiar, and new readers will lose themselves inside within a few pages.

The book opens with Shadow, the main character and an almost Shakespearian anti-hero, walking out of prison to learn that his wife has died. On the plane ride home, he meets an enigmatic con-man named Wednesday who offers Shadow a job - and a second chance at life. With little else to do except practice coin tricks he learned in prison, Shadow reluctantly accepts and the two begin a wintery, midwestern odyssey gathering other characters together in an attempt to weather an upcoming storm. The book follow's Shadow's travels as he discovers who he's working for, what's going on, and more about himself than he would ever want to know.

The journey involves dreams, altered realities, other dimensions, strange encounters, and myths and folklore from every non-American culture on the planet. As with other Gaiman work, there is a certain amount of fun to figuring out which fantastic character Shadow is talking to - and to figuring out where the twisting plot leads next.

Gaiman's premise - that gods are physically created by belief and made manifest - should be familiar to fans of his graphic novels, short stories, and other work. It is this kind of creativity that sets Gaiman apart from other authors today; his stories are as timeless as the mythologies that span cultures across the world, and yet they are original and fresh enough to engage the reader on a primal and intellectual level. After reading books like "American Gods" and Gaiman's other works, one imagines he would be utterly comfortable as a bard or storyteller, weaving tales of heros around the fireplace late at night to ward off the darkness and cold outside.

"American Gods" is just as epic as these old stories, and as engaging as a new novel should be. Gaiman is one of the most important and welcome voices in English-language literature today, although intellectual praise shouldn't put off the reader searching for a good story, because that's exactly what one will find between these covers. "American Gods" is a journey of delights that I can do nothing but recommend to any reader.

I have read all of Gaiman's novels, as well as the Sandman graphic novels. I'm a fan of urban fantasy, and, needless to say, I'm a fan of Gaiman's work. I was especially anxious to read American Gods because a good portion of the story takes place in my home state, Wisconsin (home of snow, ice and Culver's custard.) I was not, generally speaking, disapppointed. American Gods has everything I like about Gaiman's stories.

The story opens with Shadow, the protagonist, being released from prison a week early to attend his wife's funeral. Shadow is a big man, strong in both stature and integrity. On his way home, he meets Mr. Wednesday, who offers Shadow a job as bodyguard. The pair travels the American heartland, drumming up support for a coming spiritual war. Along the way they meet a host of unlikely characters, includ and thugs with names like Mr. Town, Mr. Street, Mr. Woods and Mr. World. And not least among this cast of extremely interesting characters is Laura, Shadow's deceased wife who spends most of the book bailing Shadow out of tight situations. And rotting.

I docked the book 1 star because, in my opinion, the ending fizzled. Also, interspersed through the book were short stories that were removed from the main storyline. These were a nice break between chapters, and offered insight to 'the coming war' in other parts of the nation. For some reason, these stories stopped about 1/3 of the way through the book, and I sort of missed them.

In summary, I think that American Gods was a far stronger effort than the last book of his I read, Stardust, but not as good as Neverwhere, or Sandman.

Earlier this week, I got hit with an unpleasant medical diagnosis. Serious surgery involving sharp knives in proximity to my spinal cord looms in my near-future. None of the writers who normally distract me from my troubles were of any use: not Stephen King, not Jack Finney; Garrison Keillor and Bill Bryson couldn't get a smile out of me.

And then, American Gods showed up. I'd quite forgotten I pre-ordered it. For the past two months, I have been in too much pain to sit for any length of time, but when the book came I sat right down and started reading. And was feeling no pain. Just my old pals, Awe and Wonder.

That's the best thing I know to say about a book. It helped me through my pain. Thanks, Neil.

American Gods is the rarest of creatures: a literate, witty, mordant, and moving contemporary fantasy novel. Yes, its pace is studied rather than frantic, its tone cool and thoughtful rather than histrionic, but the patient reader will be amply rewarded by Gaiman's carefully plotted and beautifully written tale of Old World dieties struggling for survival and relevance in 21st century America.

Gaiman has taken the essence of his gemlike short stories and blown it up into a genuine epic. Much more so than the entertaining but somewhat sparse Neverwhere, American Gods uses the novel's length and format to build power, even as its structure allows Gaiman to deploy a handful of strking short tales within it.

Anyone who has enjoyed Gaiman's previous work, or the contemporary fantasy of Clive Barker, Tim Powers, Roger Zelazny, or Kim Newman, is likely to enjoy this excellent book.

Neil Gaiman's AMERICAN GODS is simultaneously an epic, a treatise on religion, a road trip story, a coin trick instruction manual, a murder mystery, a war novel, a tale of self actualization, and a love story. At any given point in GODS, there are six or seven different plots occurring -- but Gaiman juggles them admirably and never lets anything drop.

In Gaiman's previous works, GOOD OMENS (with Terry Pratchett), STARDUST, and NEVERWHERE, the reader knew exactly in which genre the book belonged. GOOD OMENS was an apocolyptic comedy, STARDUST was a fantasy/love story, and NEVERWHERE was a dark fantasy thriller. AMERICAN GODS is the first of Gaiman's novels in which the cliches of the genre are meaningless -- because AMERICAN GODS transcends the genres it encompasses. This makes for a novel of stunning scope, and Gaiman's talent makes for a story of magnificent depth.

Our hero is Shadow, a man of indeterminate ethnic origin. He's big, and he can hold his own in a fight, but he'd rather not. His favorite book is Herodotus' HISTORIES. His life story is unfolded for us little by little, and we delight in every new revelation, because Shadow is truly our hero.

The novel's structure is a bit like THE GRAPES OF WRATH, in that about every other chapter is not about the hero at all, but about a different storyline altogether. I admit that initially this structure irritated me, but then I realized that these "mini-plots" were just as fascinating as the "big plot."

Although one reviewer complained of the "predictable" plot twists, in my mind there was nothing predictable about GODS. I found myself actually cringing with fear at some points because of what was happening to the hero -- and I had never suspected it.

The host of supporting characters is simply awesome. From the most ordinary human being, the chief of Lakeside Police, to the most fun god, Mr. Nancy, Gaiman describes each new person or god just enough to let us know who s/he is, then plunges onward. The result is perhaps the largest cast of characters I can remember reading about, and yet the reader is satisfied with each and every character.

One warning before you pick up this book: it is not a happy book. For those who are familiar with Gaiman's work, this revelation is no surprise. But for those who want just another summer reading book . . . death and disappointment abound in GODS. The murder mystery is solved (and solved well), but it leaves the reader with a bad feeling in the pit of her stomach. Shadow learns a lot about himself, but a lot of it is bad news. Some wonderful, seemingly good characters are (like Hunter in NEVERWHERE) actually very, very bad. Shadow never seems to catch a break in his personal life, either. These aren't drawbacks, mind you, but things to consider before starting the very, very *long,* addictive read.

I feel as though I have not done the book justice with my rambling review. So here's my final statement: AMERICAN GODS is truly one of the finest novels I have ever read. If you have the time to invest, I strongly urge you to purchase AMERICAN GODS. You won't regret it.

How ironic when the Great American Novel is written by an Englishman! The absolutely elfin Neil Gaiman earns himself a lasting place in American literature with this novel. There are echoes of Hawthorne, Melville, lots of Lovercraft, and more than a smidgen of Kerouac here. While wonderfully providing quirky and fascinating personalities for all his mythic cast, the characterization of the Egyptian cat goddess Bast (a Gaiman essential from his Sandman days) and of Whiskey Jack, from Native American folklore are quite unforgettable. But most amazing of all, is the precise and flawless capture of the quintessence of the American character. Mr. Gaiman's scalpel-like intuition and perception of who we are as Americans is awesomely brutal and unflinching. Few writers born on this side of the Atlantic understand and portray it a quarter as well. This would be an excellent choice for academic study, but that detracts nothing from the fast-paced, page-turning excitement and sheer joie de vivre. Life-affirming literature and a rollicking good time --- can't ask more of a novel!

This is the first work by Mr. Neil Gaiman that I have read. From this point on he will be an Author that I will read when he again publishes, further I will backtrack to read his earlier work. The concept of, "American Gods", is incredibly sweeping in both breadth and depth, and had he chose, he could have used a few hundred more pages to tell his tale. I wish that he had, as there are so many religions and mythologies that participate, the book is a bit overwhelming.

When an Author creates a new world from whole cloth or conjures a variant on the world we know, the reader has to be given enough reference points and background to fully get immersed into his book. This is the only issue that I had with what is otherwise a thought-provoking, literate, and intelligently crafted book. It was mentioned that one reader used a book on mythology as a guide, and when I read this again I will use the same type of assist. There are literally dozens and dozens of, "Gods", that are a part of the action. A few will be familiar and understood, a few more will be recognized with some general knowledge, and others are totally unknown unless the reader has studied the fields the Author clearly studied himself. Even when some of the characters are thought to be familiar, they turn out to be infinitely more complex than the traditional view the reader probably has.

If the Author gave more background on his characters the book would have substantially increased in length. He is a skillful writer so I don't see why that would have been an issue. There are other young writers creating massive works of fiction, and they have demonstrated that it can be done without losing the urgency that keeps one up most of the night flipping pages.

As I said earlier this Author can create and execute on the page. Maybe I am in the minority when it comes to expansive knowledge of cultural lore. I do know that if I had the understanding or was given more information in the book, I would have gotten even more pleasure from what is already a great book.