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American Impressionism: The Beauty of Work
 
 
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American Impressionism: The Beauty of Work [Paperback]

Susan G. Larkin (Author)

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Book Description

November 1, 2005
The word Impressionism has long been associated with images of leisure. The French Impressionists announced their modernity by portraying fashionably-dressed people dining in the open air, strolling along garden paths, or enjoying an evening at the theatre. Although the American Impressionists also portrayed women in white dresses twirling parasols, they devoted almost equal attention to workers: farmers, washerwomen, flower vendors, shipbuilders, bargemen, hackney drivers, and construction workers. Their landscapes depict not only city parks and seaside resorts but also worksites - shipyards and quarries, farms and factories. Free of the baggage of the European class system, the American Impressionists expressed the deeply rooted American belief in the nobility of honest toil. They did not depict labourers as oppressed drudges, as many European painters had done. Instead, the workers in American Impressionist paintings are always dignified and sometimes heroic. This publication accompanied an exhibition presenting 46 paintings by 20 artists.


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About the Author

Susan G. Larkin is the author of The Cos Cob Art Colony: Impressionists on the Connecticut Shore and was the curator of the exhibition of the same title. She was co-author of American Impressionists Abroad and at Home: Paintings from the Collection of the Metropolitan Museum of Art and has written and lectured widely on the American art.

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Inside This Book (learn more)
First Sentence:
"Work fascinates me," the saying goes; "I can sit and look at it for hours." Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
labor theme, ice cutters, cutting ice, art colony, working landscape, peeling apples
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, New England, American Impressionists, Theodore Robinson, Alden Weir, Childe Hassam, New Hope, United States, Cos Cob, Civil War, Pennsylvania Academy of the Fine Arts, Holley House, Daniel Garber, National Academy of Design, Willard Metcalf, Old Lyme, Beacon Street, Robert Spencer, Winslow Homer, Académie Julian, Claude Monet, John Ferguson Weir, Museum of Fine Arts, West Point, Brown County
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This book cites 83 books:
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