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17 of 17 people found the following review helpful:
5.0 out of 5 stars
A Novel for all Readers--and His Best Yet, March 9, 2000
By A Customer
This review is from: Dark River (American Indian Literature & Critical Studies) (Hardcover)
In DARK RIVER, Owens creates memorable characters (one of his strenths, I think) and tells a compelling story with laugh-out-loud humor. Consider one of the minor characters: the resident anthropologist Avrum Goldberg, who wears a traditonal breechcloth and Apache leggings and moccasins. He shares traditonal lore with tourists, who mistake him for an Apache and call him Chief Gold Bird, a title he denies without success. Goldberg's dream is for the Apaches to turn the reservation into a tribal theme park to attract more tourists and generate income, a scheme that does not gain favor with the Apaches, who are reluctant to give up their cars, televisions, and other twentieth-century technologies. This is by no means the central focus of the novel, but Owens skillfully weaves his imaginative subplots and characters into the central story, his concern about what is happening on a river in the reservation where he goes to flyfish. I think this is Owens's best novel yet. Furthermore, it is accessible to any reader--one doesn't need to be familiar with his other work or knowlegable about American Indian literature to read it. Actually this is true for THE SHARPEST SIGHT (1992), which my then 85-year-old mother compared to Norman McLean's "A River Runs Through It." She would read and reread passages from each. I understand DARK RIVER is a finalist for the Best Novel of the West from the Western Writers of America, and I wouldn't be surprised if he wins. He has received several awards for his earlier works.
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13 of 13 people found the following review helpful:
5.0 out of 5 stars
First rate book by a first rate publisher, September 19, 2000
Perhaps one of Oklahoma's better-kept secrets is the work done by the University of Oklahoma Press. To be sure there are some readers that know about the quality works published by the Press such as Lige Langston: Sweet Iron; The Dismissal of Miss Ruth Brown; and The Western Range Revisited, to name but a few. However, I am frequently surprised at the number of readers that are not aware of the caliber of the offerings by OU Press. Thus, I was anxious to read this just released paperback novel, which is volume 30 in the highly acclaimed American Indian Literature and Critical Studies Series. I was not disappointed. The novel, written by a Professor of English Language and Literature at the University of New Mexico who is of Choctaw-Cherokee-Irish descent, will draw you in from the first page and keep you reading to the very end of the 296 pages. It is about Jacob Nashoba who was born in Mississippi, came of age in Vietnam, and settled in an Apache village on a reservation in the Black Mountains of eastern Arizona. He finds a job as a game and fish ranger for the Tribe and tries to adjust to a life of semi-isolation and "adjustment." It's not easy. The cast of characters he must deal with include his estranged wife, corrupt tribal officials, a resident anthropologist that is, well, different, and various and sundry sellers of "vision quests" to tourists and former Hollywood extras that I swear I have seen in old John Wayne movies. Add to this mix a right-wing militia group secretly, to some, training on Indian land and you have the makings for a first rate story. Dark River has it's light side but be aware that this is a complex, subtle, sometimes violent story that deals with the aftermath of Vietnam on certain individuals(not just Nashoba!) and the contemporary problems associated with Native Americans and their identity. It is not a novel to be taken lightly. I had to go back and re-read parts of some chapters and think about the message of this book a number of times. I would do it again. It's that good. OU Press is to be commended for making this book available to a wide audience at a reasonable price. They do good work.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
This writer creates powerful, magical fiction., June 2, 1999
By A Customer
This review is from: Dark River (American Indian Literature & Critical Studies) (Hardcover)
_Dark River_ by Louis Owens is as sophisticated a piece of literature, American Indian or otherwise, as readers are going to find. His work is comparable to that of Gerald Vizenor, Louise Erdrich, and Gordon Henry, Jr. when it comes to representation of cultural ideas, spirituality, and masterful storytelling. It isn't limited to American Indian comparisons, however, because his work also bears a strong kinship to John Steinbeck, Ron Hansen, and Cormac McCarthy in its representation of place and for mature subject matter. But Owens, of Choctaw, Cherokee, and Irish descent, would be the first to resist comparisons, as readers of his autobiographical work _Mixedblood Messages_ should know. Owens's writing speaks only for Owens, not to "show what makes American Indians tick." That kind of facile comparison comes under the heading of unsophisticated or damning with faint praise. American Indians don't just come from reservations; they come from families and cultures and stories and places throughout the Americas. Read Louis Owens's wonderful stories and powerful critical essays if you want to know what Louis Owens thinks.
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