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American Matador

Marc BonillaAudio CD
4.2 out of 5 stars  See all reviews (8 customer reviews)

Available from these sellers.


Amazon Price New from Used from
MP3 Music, 13 Songs, 2011 $9.49  
Audio CD, 2009 --  
Audio Cassette, 1993 --  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
listen  1. American Matador 4:35$0.99  Buy MP3 
listen  2. Get Off The Fence 3:25$0.99  Buy MP3 
listen  3. Streetalk 3:16$0.99  Buy MP3 
listen  4. A Whiter Shade Of Pale 4:56$0.99  Buy MP3 
listen  5. The Vanishing Road 5:11$0.99  Buy MP3 
listen  6. Mephisto 3:37$0.99  Buy MP3 
listen  7. Wake The Baby 3:35$0.99  Buy MP3 
listen  8. Under The Gun 4:21$0.99  Buy MP3 
listen  9. Vette Lag 4:23$0.99  Buy MP3 
listen10. Prélude 3:12$0.99  Buy MP3 
listen11. In The Blue Corner 4:52$0.99  Buy MP3 
listen12. I Am The Walrus 4:38$0.99  Buy MP3 
listen13. A Whiter Shade Of Pale [Instrumental] 4:57$0.99  Buy MP3 

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Product Details

  • Audio CD (February 10, 2009)
  • Number of Discs: 1
  • Label: NOBLE ROT
  • ASIN: B001O2ZVMA
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #318,078 in Music (See Top 100 in Music)

Editorial Reviews

Classic rock fans, take note you get not one but two covers of 'A Whiter Shade of Pale' (one instrumental, one with Glenn Hughes on vocals) plus a cover of 'I Am the Walrus'! The complete 1993 release!

Customer Reviews

Most Helpful Customer Reviews
5 of 5 people found the following review helpful
5.0 out of 5 stars AWESOME GUITAR - AWESOME CD August 5, 2004
Format:Audio CD|Verified Purchase
Another guitar virtuoso that combines awesome technique with the ability to compose stirring and emotional musik. The playing is second to none and shows restrain were it is called for. Bonilla doesn't decent into noodling and every note has a valid place that serves and enhances the composition. If you like HOEY / TIMMONS / FIRKINS / ZAZA or anything of that nature, you will love this CD.
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4 of 4 people found the following review helpful
4.0 out of 5 stars A solid 2nd effort, though "EE Ticket" is better November 22, 2007
Format:Audio CD
First, please read my review of Bonilla's "EE Ticket" album - that one is a MUST buy. Now that you've read that review...
This is a good album, and if you liked EE Ticket you'll like this one. But after EE Ticket, Matador is a bit of a letdown - it feels like Bonilla had a half an album worth of stuff and needed to stretch it. The "good half" is just as fresh and inventive and invigorating and amazing as "EE Ticket". But the "other half" isn't quite as good, and feels like filler, and leaves you wishing he had been able to create more genuinely stuff. "I Am The Walrus" isn't as good as "Commotion", and we didn't really need 2 versions of "Whiter Shade of Pale" (in fact we didn't need EITHER version). Bonilla sings on one song ("Wake the Baby"), and he's surprisingly good. Glenn Hughes sings "Walrus", and I don't really care for him. In fact, despite Bonilla's strong work on "Wake the Baby" I would prefer the album to have NO vocals - one of the great things about "EE Ticket" was that it's purely instrumental, and "Matador" makes you realize that the instruments are so good that you don't want any vocals with his music.
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6 of 8 people found the following review helpful
5.0 out of 5 stars Powerful, Graceful Rock September 30, 2003
Format:Audio CD
This is a solid piece of rock that lifts the listener through a variety of moods and textures. It isn't just Bonilla's virtuosic skill as a pure player that is so impressive; it is, even more, the range and scope of sheer sound that he coaxes, cajoles and rips out of his instruments.
Bonilla, who produced the release and wrote most of the songs, has a graceful, powerful hand that creates music at once moving, inspiring, and exhilarating. It's hard to pick a standout piece as the quality of the album is so high. His title track ("American Matador") shows Bonilla's remarkable range in a thrilling metal instrumental with prog rock and flamenco roots. "Get Off the Fence" (an ode to Harley-Davidson), "Mephisto" and "Vette Lag" fill ears with indelible sonic images. Glenn Hughes' vocals on "A Whiter Shade of Pale" mix well with Bonilla's deft delivery of rock-charged soul music; this blues metal mix is even more apparent in his haunting "The Vanishing Road." Bonilla himself steps up to the microphone for brutal insight into the insanity of societal violence ("Wake the Baby"). Would that all rock records were made with the same care, the same passion and invention. David R. Bannon, Ph.D.; author, "Race Against Evil."
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2 of 2 people found the following review helpful
4.0 out of 5 stars I'm likin' the sound of this 'un May 18, 2011
Format:Audio CD
A short while ago I scored Marc Bonillas' EE Ticket on the cheap and liked the sprightly electric guitar playing and it's playful touches quite a bit. So it was only a matter of time (quite a short time in fact) before I quaffed more of this guitarists brew.

American Matador was initially released in 1993 and is the second solo release to come out under the mans name. It comprises 13 tracks (one not listed on the rear cover) of lively electric guitar playing which - to compare him to other guitarist around the traps - has some of the smooth fluidity of Joe Satriani with less shred and some of the playfulness of Steve Vai with far less `weird' stuff going on and a far stronger commitment to the tenets of song. The production by Marc himself and Michael Scott is very natural sounding to my ears and in contrast to his first album there are a number of vocal tracks on this album. Marc, as it turns out, can see just fine thanks -as per track Wake Up The Baby - and none other than Glenn `God of Voice' Hughes parked himself in the studio to provide his touch to A Whiter Shade of Pale. This latter track appears twice on the disc, firstly as track 4 in vocals format with the aforementioned Hughes and tacked onto the end in purely instrumental format. Not a gambit I would normally agree with but the beguiling nature of the song itself does somewhat justify such a move.

Musically this is somewhat varied, a few passages sound a little twee and Marc pretty much avoids use of shred, preferring to use this album to show a fair degree of restraint and overall `musicianly' mindset.
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