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22 of 22 people found the following review helpful:
5.0 out of 5 stars
sophisticated experimental art rock, April 29, 2002
This incredibly creative concept album from the psychedelic 60's deserves to be more widely known. I'm glad I snapped up the CD when it was briefly reissued a few years ago (Sorry, I don't know where to find it today. But keep asking for it!) I had worn my original vinyl out some time ago.Although it's clearly a "concept album", I wonder just what the concept was ? Never mind. The music covers a very wide musical spectrum. Joe Byrd, the band leader and composer was classically trained (he is now a professor of music history) and it shows on this album, even through the hard rock songs. ... "The Sub-Sylvian Litanies" is haunting music in an alien tongue on an ancient phrygian scale. What more do you need to know ? "You Can't Ever Come Down" is a bad acid trip set to heavy electric rock music (think "White Rabbit"). "All of the doors lead you further inside. Thousands of eyes and there's no place to hide..." "Moonsong: Pelog" is a very pretty tune with highly suggestive lyrics, anticipating Sheena Easton's "Sugar Walls" by more than a decade. But the singer's voice sounds so angelic it's hard to believe she could be saying such things ! "Patriot's Lullabye" is my personal favorite. A beautiful choral piece that leads you into an aural NeverNeverland... until some of the lyrics sink in and you realize the song is actually ABOUT lulling citizens into a political deep sleep using soothing patriotic themes and melodies. ( Could this have any relevance today ? No, I don't mean to imply anything by that. Honest.) "The Sing-Along Song" is a catchy little theme repeated in a variety of old-folk styles, including the legendary Lawrence Welk "a-one-a-and-a-two-a" bubbly sound. It's wickedly funny. This album is not for everybody. But if you found your way here you probably already know that ! The Salon story mentions that Joe Byrd is "actually a bit embarrassed about the album's odd, trippy feel." Why is that, Joe ? This is a period piece. But great stuff all the same. The story notes that Portishead (no less !) was looking to cover one of his songs. How, like, HAPPENING is that, baby ?
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