American Modern: Documentary Photography by Abbott, Evans, and Bourke-White [Hardcover]

Sharon Corwin (Author), Jessica May (Author), Terri Weissman (Author)

Book Description

ISBN-10: 0520265629 | ISBN-13: 978-0520265622 | Publication Date: October 27, 2010 | Edition: 1

American Modern, the beautifully illustrated companion volume to the exhibit of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures: Berenice Abbott, Walker Evans, and Margaret Bourke-White. More broadly, the book maps the formation of what we now identify as "documentary style," showing how a marginalized genre associated with Progressive reform politics was transformed into a major component of modern art and public culture in America. The essays by Sharon Corwin, Jessica May, and Terri Weissman describe how each of these three photographers developed a different model of photography--as well as a particular understanding of modernism and modernity--which each believed would set the standard for future generations of artists. American Modern identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art, and international theories of photography all intersected to establish the now-dominant documentary style.

Editorial Reviews

Review

"While acknowledging that Alfred Stieglitz's circle had earned the young medium a measure of artistic legitimacy, [Walker] Evans rejected his predecessor's airy, often abstract imagery. 'American Modern: Documentary Photography by Abbott, Evans, and Bourke-White' . . . shows how this impulse paved the way for some of the 1930s' most famous photographs."--Wall Street Journal

"As the title reveals, this book profiles the holy trinity of American documentary photographers, a distinct group of artists who came to prominence in the 1930s. . . . Photography students as well as amateur shutterbugs and black-and-white enthusiasts will enjoy this."--Library Journal

"Well-written essays reveal the dark mood and deeply political roots of the documentary style and focus on each artist's journey."--Shutterbug

"American Modern is a welcome contribution to the field of American photography."--Arlis/Na Reviews

"The text reads like an excellent conversation between three accomplished scholars, and works most effectively as a direct accompaniment to the exhibition."--Choice

From the Inside Flap

"With three smart essays and an incisive selection of pictures, American Modern shows how the practice of documentary photography during the 1930s was more capacious and flexible than we ever thought. The opportunities to make and show pictures were everywhere, in photo books, magazine spreads, museum shows, and of course the New Deal programs. This book tells us how beloved documentarians like Abbott, Bourke-White, and Evans learned how to walk these many paths, sometimes with great delicacy and knowing, and along the way produce startling pictures. This is good stuff."--Anthony W. Lee, author of A Shoemaker's Story and founding editor of Defining Moments in American Photography

See all Editorial Reviews

Product Details

• Hardcover: 213 pages
• Publisher: University of California Press; 1 edition (October 27, 2010)
• Language: English
• ISBN-10: 0520265629
• ISBN-13: 978-0520265622
• Product Dimensions: 9.2 x 9.4 x 0.8 inches
• Shipping Weight: 2 pounds (View shipping rates and policies)
• Amazon Best Sellers Rank: #682,550 in Books (See Top 100 in Books)

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