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8 of 8 people found the following review helpful:
4.0 out of 5 stars Insight into four musical maverics
While not a definitive work on any of the composers featured here, this book quickly gets you where you need to be to get a handle on what makes these musical whackos tick. Good blend of biographical data, quotes, photos and graphics. If you don't want to spend a lot of time flipping pages checking out those who've pushed the musical envelope in the past century,...
Published on August 5, 2000 by Norman Rosenfield

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1 of 24 people found the following review helpful:
1.0 out of 5 stars Fast, Furious, but nevertheless fearless.
References were readable but lacked depth, width and a modicum of height. However overall clarity was sharp with only bluntness at the edges. Whilst all the comments were pertinent was the pertinence too compartmentalised or too open? Dang me if I didnt just whoop and holler at finding the late neo-classicists described as New Classic Latecomers
Published on June 12, 1998 by Pershing (pridenprej@aol.com)


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8 of 8 people found the following review helpful:
4.0 out of 5 stars Insight into four musical maverics, August 5, 2000
By 
Norman Rosenfield (Providence, RI USA) - See all my reviews
This review is from: American Pioneers: Ives to Cage and Beyond (20th Century Composers) (Paperback)
While not a definitive work on any of the composers featured here, this book quickly gets you where you need to be to get a handle on what makes these musical whackos tick. Good blend of biographical data, quotes, photos and graphics. If you don't want to spend a lot of time flipping pages checking out those who've pushed the musical envelope in the past century, this is a worthwhile read.
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1 of 24 people found the following review helpful:
1.0 out of 5 stars Fast, Furious, but nevertheless fearless., June 12, 1998
This review is from: American Pioneers: Ives to Cage and Beyond (20th Century Composers) (Paperback)
References were readable but lacked depth, width and a modicum of height. However overall clarity was sharp with only bluntness at the edges. Whilst all the comments were pertinent was the pertinence too compartmentalised or too open? Dang me if I didnt just whoop and holler at finding the late neo-classicists described as New Classic Latecomers
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American Pioneers: Ives to Cage and Beyond (20th Century Composers)
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